Konrad Thalmann. Three Times, Drahtskulptur. 2017. EU Art Network Symposium Cseelley Mühle, Oslip, Österreich
UPCOMING: April-May 2022
Eröffnungsausstellung” zum Lucas Cranach Jahr. Teilnehmende KünstlerInnen
Magda Korsinsky, Sophie Utikal und Hannes Uhlenhaut. Kuratorin Dr. Phil. Lily Fürstenow.
Kronacher Kunstverein / Lageplan
Extreme conditions call for extreme action. Online exhibition X-treme is an ongoing project curated by Lily Fürstenow that aims to exhibit online the work of contemporary artists across the globe in an attempt to analyse the role of art in the times of crisis. Facing repeated Corona lockdowns artists all over the world experience unprecedented circumstances where usual creative routine is interrupted with dismal artistic and financial prospects for the future. It is essencial therefore at this moment in history to analyse art at the extreme and artistic production under extreme conditions. It is an attempt to take art to the extreme, possibly to its extreme and utter limit /as far as the online format allows for that/. What is artistic practice like during the conditions of X-treme, like pandemic, financial crisis, political volatility and uncertain future? It is important to look into the strategies of artistic production and alternative modes of exhibiting art under the pandemic conditions - which is in short the aim of this online show. Artists who would like to reflect on these questions are welcome to participate, irrespective of age and country of origin. All kinds of formats are welcome: giffs, moving images, drawings, paintings, foto, sketches, open letters and poems and more. This exhibition is a follow-up on the two online exhibitions curated by Lily Fürstenow since the beginning of the Corona pandemic in March 2020 entitled Art against Corona. Kunst in der Coronakrise with over 50 participating artists.
For participation please contact via e-mail: liliartresearch@yahoo.com / Facebook - Lily Fürstenow or instagram: @lilyfuerstenow
Hannes Uhlenhaut. Exhibition Views. Die Verwandlung. Museum Schloss Bad Pyrmont. 2017
Circle No 2 porcelain, wood, lacquer ø 160/30 cm. 2017
Locco Canidati Ceramics, plaster, styrofoam, wood, lacquer, dimensions variable. 2017
photo. Jakob Adolphi
Emily Thomas. Everything in the Garden is Rosy (2019)
Shapeshifter (Solo Exhibition), Soulangh Cultural Park, Tainan
Plywood, oil paint, plant pots. 133 x 80 x 82cm.
Emily Thomas is an internationally exhibiting visual artist and woodworker exploring architecture as an indicator of place identity.
Semra Sevin. Draft for the Art project comeptition Draussenstadt Berlin that was cancelled due to the Corona pandemic.
DAGMARA GENDA. Searching for the value of art
In her search for the true value of art Dagmara Genda invites anyone who feels interested to participate in an exchange of correspondence during the isolation forced upon us by the pandemic. All you need is a postcard-sized piece of paper onto which you can make a drawing, print a photo, write a poem or your favorite family recipe – whatever gets you through this exceptional time and send it to Dagmara per post. Dagmara Genda is an award-winning artist living in Berlin. For her postal address and biography, please scroll below.
Maider Lopez. Archipelago. Festen, Avesta Art's, Verket. Avesta, Sweden, 2019
Extreme Bedingungen erfordern extreme Maßnahmen. Die Online-Ausstellung X-treme ist ein fortlaufendes Projekt, kuratiert von Lily Fürstenow. Das Ziel des Projekts ist es, Werke zeitgenössischer Künstler*Innen online auszustellen. Angesichts der wiederholten Corona-Lockdowns erleben Künstler auf der ganzen Welt noch nie dagewesene Umstände, unter denen die übliche kreative Routine unterbrochen wird und die künstlerischen und finanziellen Aussichten für die Zukunft düster werden. Es ist daher in diesem Moment der Geschichte von wesentlicher Bedeutung, die Kunst in Krisenzeiten und die künstlerische Produktion unter extremen Bedingungen zu analysieren. Es ist ein Versuch, die Kunst auf die Spitze zu treiben, möglicherweise bis zur äußersten Grenze / soweit das Online-Format dies zulässt/. Wie sieht die künstlerische Praxis unter extreme Bedingungen aus wie z. B. Pandemie, Finanzkrise, politische Volatilität und ungewisse Zukunft? Es ist wichtig, sich mit den Strategien der künstlerischen Produktion und alternativen Ausstellungsmodi auseinanderzusetzen - was in Kürze das Ziel dieser Online-Ausstellung ist. Künstlerinnen und Künstler sind unabhängig von Alter und Herkunftsland zur Teilnahme eingeladen. Alle Formaten sind willkommen: Giffs, bewegte Bilder, Zeichnungen, Gemälde, Fotos, Skizzen, offene Briefe, Gedichte und vieles mehr. Diese Ausstellung ist eine Fortsetzung der beiden von Lily Fürstenow kuratierten Online-Ausstellungen seit Beginn der Corona-Pandemie im März 2020 Art against Corona mit über 50 teilnehmenden Künstlern.
Für die Teilnahme wenden Sie sich bitte per E-Mail an: liliartresearch@yahoo.com / Facebook - Lily Fürstenow oder instagram: @lilyfuerstenow
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Hannes Uhlenhaut. Rooster Relict. Porcelain, iron 77/78/29 cm. 2020  Marianne Lang. Buchdrucker und Kupferstecher, Stuck, Ausstellung Haus im Grünen, Galerie Bäckerstrasse 4, Wien, 2015   |
NEUE PRESSE ZEITUNG and KUNSTFORUM INTERNATIONAL about artist Karol Hurec and X-treme representing his works online:
X-treme online in the Issue #14 of The Arts of the Working Class Newspaper. Featuring Martina Singer's “The Face Behind the Mask”:
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Recent EVENTS Jan. 25.-13. Feb. 2021
 Zusammenarbeit mit X-treme online. Kuratorin Lily Fürstenow Kino für Moabit in Plattform Moabit/Berlin Filmscreenings of  Parapluie. Markus Butkereit  The Jog. Musquiqui Chihying. ----- Michael Haas |
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Fikile Mqhayi |
Three Times, Drahtskulptur. 2017 EU art network Symposium Cseelley Mühle, Oslip, Östereich
In his work artist Konrad Thalmann explores form as such. His shapes structure the images emphasising figure ground relations. These shapes remind three-dimentional objects and fragmentary casts grounded in known forms and simple signs. Some of these invoke memory imprints and different meanings related to suggested memories. In his monotype drawings unique and whole geometric figures create an impressive contrast against the white backgrounds. Reduced to stark simplicity his drawings and wire sculptures are the essential minimum of painting and of sculpture. The monotype drawings series delimit the figure on the flat surface of the picture. His hanging wire sculptures experiment with tactility and tangibility and offer perceptual interaction. Their material transparency and anti-monumental quality deliniates the spaces where they are displayed. Shapes and proportions are slightly skewed almost imperfect. The opposition of black and white seems to destroy all figures and dramatize the visual experience. The wire sculptures are delicately balanced disrupting the hierarchy of figure and ground. They seem to enhance the intensity of chaotically connected lines that create voluminous swarm-like structures suspended in the air. As a result these three-dimensional hanging structures reorganise the spaces where they hang very much according to the properties of the material they’re made of and reveal the process in use. Wired shapes are zigzag, edgy, angular sometimes circular against the white background of the surrounding white cube. They look like dissonant clusters of lines scribbled hastily on paper hovering against the flat white background. The hanging wire sculptures incorporate space as one of its materials. In his drawings on the other hand, forms are accurately delimited, circular shapes, inverted triangles, perpendicular and horizontal lines create a contrast. Konrad Thalmann's artistic practice is very closely related to the modernistic research of forms and of materials that play a significant role in the organization of his works of art.
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Tim Cierpiszewski. O.T./Untitled
Tim Cierpiszewski. O.T./Untitled
Framed Objects
Objects tend to have a strange power over us. The increasing commodification of art in the recent decades has irrevocably contributed to the commercial hype around art objects and to the conventions of their display. In his recent tableaux Simon Felix Haas rethinks the tradition of ready-made in art.
By framing fashionable and decorative mass production objects the artist mimics forms of high-end design and display. His repertory of forms involves immediately recognisable symbols of desire, products of mass culture, phallic forms, fetischistic clichés that cause chains of associations. These dysfunctional commodity sculptures mounted onto decorative picture frames are informed with ambivalence.
The psychically charged objects juxtapose the subject of the person and the objecthood of the thing. Monochrome colored surfaces look sleek due delicate finish in tones varying from all sorts of pastel hues to darker browns, aggressive reds, yellow and blues. Some objects burst the frames sprouting out, others are set on the surface serving as a tablet. The fetish aspect of the found objects is intensified by the titles that imply charged narratives, subjective memories, self-contained erotic phantasies or witty citations. The framed objects attached to polished surfaces or directly onto frames in place of image are signs for easel paintings turned into sculptural objects.
They’re produced in certain series in various sizes and colors as a mock-up of the capitalist mode of production, reifying the seriality of contemporary artistic practice while simultaneously questioning productivity in the times of pandemics. The discrepancies of shape and color, sign and signifier evidence ambivalence in Simon Haas’s work that analyses the Duchampian tradition of ready-made, the surrealist symbolics attached to objects as well as more recent artistic practicies crtiticising art commodification trends such as those of Allan McCollum, Claes Oldenburg and others. All art is design serving various purposes across various epochs. With Simon Felix Haas it is among others an attempt to find out one's inner hostilities and affections, taboos and disturbances as well as to cast a critical view on the consumerist culture codes.
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Gerard Caris. Rhombohedra Sculpture # 3 - 2, 2017, polystyrene, lead, paint Exhibited in Projecting Pentagonism exhibition in Sidney Cooper Gallery, Canterbury 2018 |
Tatyana von Leys
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Heikedine Günther
HG - Core No. 328 - 2019 - Oil on Canvas - 130x120cm. Exhibition View
HG - Core No. 328 - 2019 - Oil on Canvas - 130x120cm - Back View
Down to the Core
In our times when superficiality is omnipresent having an adverse effect on contemporary artistic practice reaching out deeper into the core of things is a happy alternative. Core as the essential deeper substance underlying universal phenomena as well as artistic production is always worth taking a closer look especially in the times of crisis like pandemic, war and political instability. In her work Artist Heikedine Günther treats the concept of core as her major subject. What is the core of color, the essence of vision and how does core relate to the cosmic light and darkness? The paintings by Günther consist of multiple layers of color pigment applied one upon the other whereas the golden color serves as the very basis. This is responsible for the mysterious luminosity that shimmers through to the very surface and all along the contours of the oval elongated forms dominating the composition.
The floating shapes work directly on the soul without destraction of subject matter or content. The paintings convey a unique equilibrium of color planes that evoke Goethe’s farbenlehre and offer a contemporary interpretation of the centuries-old tradition of rendering of color and light in painting.
Heikedine Günther's paintings invite us to think of various stages of sublimation from physical to spiritual states that could be represented by geometric forms. The duality of figure and ground adds extra luminous vibrations to the picture surfaces. The non-perspective conception of space and anti-materialist idea of form characteristic for her work appeals directly to the mind of the spectator due to formal simplicity, subtle variations of color tones that results in a certain rhythm. The core paintings bring to mind celestial motion of the planets caused by cosmic energies that are translated into ranges of intense color applied onto canvas. The shimmering colours accentuate the Greenbergian “optical illusion” of painting and the flatness of its support. One’s eyesight is fascinated by the play of luminosity produced by the optical space created by the artist's hand. Heikedine Günther is a contemporary Swiss artist, who lives and works in Basel and exhibits internationally. Her works are displayed in the follwing collections:
Collections (Selection)
Graf Schönborn Collection, Unterfranken, Germany,
Darwin Reedy Collection, Saint Paul, Minnesota, USA
Christiane Leister Art Collection, Innerschweiz
Catherine and Bernard Soguel-Dreyfus Collection, Basel
Christoph Ackermann, Basel, former Director of Historisches Museum Basel
Reiner Speck Collection, Cologne
Dagmar and Lutz Helmig Collection, Munich
Micky Karton Collection, New York, USA
Peter Jäger Collection, Munich
To see more by Heikedine Günther scroll down
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Lidia Fiabane
Greetings from Italy 5, The Last Supper, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
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Annika Stoll. Wühltisch. Installation View. Palazzo Ziino, Palermo. 2019
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Harry Underwood
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Katy Shepherd. Mother Drawn from my Memory. 2016
Katy Shepherd. Pat Swimming. 1998
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Maider López
Archipelago
Festen, Avesta Art's, Verket. Avesta, Sweden, 2019.
Archipelago is an action with the participation of a group of people in relation to the nature; while this action gives a human scale to the landscape it draws attention to the people and the territory, the individual in the collectivity and the level of the water.
1. Exhibition view, Festen, Avesta Art's, Verket. Avesta, Sweden, 2019
Fantasy Creature. Chinese Ink and acrylic paint on acid-free paper, 21 cm x 29,7 cm. 2020
Truth is stranger than fiction. Very much like the pandemic reality faced by us today. With this in mind the Fantasy Creatures - a recent work cycle by Thomas Manelli Mann might appear surreal leaving one constantly questioning the real. The insect- and bird-like biomorphic figures from the cycle render utter suffering. Smears of red pigment against the white background suggest blood stains spilling over. Halfabstract dissolving animal forms call for empathy. The creatures project the artist's inner self simultaneously serving as an allegory of reality transformed by epidemics, economic instability, uncertain future. Surreal fantasy creatures mark a withdrawal from the reality. They represent the unrepresentable: fear, dread, calamities beyond human comprehension. Chaotic, huddled lines forming bizarre, distorted body parts stand for anxiety. They point out to discrepancies between external natural environments, alienations between humans and ecosystems. The fantasy creatures frozen in abrupt motion look butchered, severely violated. They convey pain and agony that mankind inflicts on natural surroundings, causing animals to suffer. The images of bizarre, estranged creatures ripped out of their natural surroundings communicate isolation - mute witnesses of savage cruelty – all enhanced by the color palette of black, red, occasionally blue and yellow tones. Reminiscent of surrealist animal motives of Max Ernst these ominous creatures register a dramatic disbalance, a condition of being on edge, throttled and driven to the limit - a dispersal of form within a hostile world.
Fantasy Creature. Chinese Ink and acrylic paint on acid-free paper, 21 cm x 29,7 cm. 2020
To see more works by Thomas Manelli Mann scroll down
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GERARD CARIS
Gallery of Prints, Exhibition Stedelijk Museum Amsterdam, 1997
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Armin Baumgarten
Halbfigur, Bronze, Ex. 1:5, Private Collection, Düsseldorf. 2017
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Douglas Tausik Ryder
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Marianne Lang
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Hannes Uhlenhaut
Canibal's Candlestick 2020 - porcelain, candles - 22/40/9 cm
Team Kunsthalle.Ost
Group exhibition of the Kunsthalle.Ost team members, with Kirill Ivlev, Peter Weisbrich, Benedikt Demmer, Hannes Uhlenhaut at Kunsthalle.Ost Leipzig
photo. Felix Brenner
Garden of Death - Part III: Kotz, if you exist
online-off-site-exhibition curated by Plague Collective, Krasnodar, Russland
This show takes place in a little grove near Leipzig. Plague collective invited 8 Art collectives around the globe to organise off site exhibitions for an online event launched summer 2020.
works: both pictures shows parts of the installation Not yet a desire;
pic 24: Louboutin 2019 - porcelain - 23/27/10 cm
pic 31: Hermes 2019 - porcelain - 18/19/7 cm
Not yet a Desire
2010 - Porcelain, yoga mat, earth
Dimensions variable
photo by Chang Liu, Jingdezhen China
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Julia Ludwig
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Ulrike Martha Zimmermann
Studio Mask
Mariposa Famosa
The Cyclops
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Thomas Manelli Mann
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Lisa Claire Stolzenberger (Koeniksphoeniks Art collective)
Tatyana von Leys
Posthuman Circle after Ingres/Portrait Mme. de Rothschild (ca. 60 works)
Posthuman Studies after Ingres. Mme. de Rothschild Meets Donna Haraway.
Mixed Media on Canvas, 100 x 70 cm
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Heikedine Günther
Artist Heikedine Günther
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SWEVEN
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Mara Wagenführ
Franziska Stevick
untitled3.52x34 cm
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Mathias Roloff
Mathias Roloff. Exhibition views. Banzin. Sept-Oct. 2020.
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Martina Singer
Martina Singer. Face Behind the Mask. Performative Photography. Works selected for the exhibition at the GH36 art space in Berlin. Cancelled due to the corona pandemic.
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KAROL HUREC
Fred El Bekkay
Vide
Je ne crois pas
Que le vide peut
Exister
En le nommant
On le fait exister
On lui donne sa
Matière
Quand je pense
À ce plein
Au plein du
Vide
Je me sens
Rassuré
Et je sais
Que même si
Je ne crois en rien
Je serai toujours
Là
Bien au-delà
De mon existence
Passée
Pourquoi j’ai toujours
Ça à l’intérieur
À chaque fois que
J’y pense
J’ai cet air
De Purcell qui
Rentre dans ma tête
Oh Solitude
… Oh Solitude
C’est une prière
Un voeu
C’est une défense
Un excès, un décès
Un accès
Le décès de ce
Qui m’est
Le plus cher
Mur
J’ai beaucoup de
Respect
Et je me sens
Très humble
Face au mur
J’essaie de voir
D’observer
Tout ce qu’il dit
Tout ce qu’il a
À me raconter
Et je ne fais
Que de traduire
Son aspect
Chaque mur
Est unique
Chaque mur
Aime
À se raconter
Contrainte
L’autre jour
Tu m’
Plus vouloir le
Faire
Que tu n’en pouvais
Plus
Que c’était au
Delà
De tes forces
Que cette habitude
Ne pouvait plus
Exister
J’y ai réfléchi
…
Je comprends
…
Et je fais en sorte
De t’aider
Demarche
Depuis tout petit
J’ai ça en
Tête
Je crois bien
Que j’y pense
Tous les jours
Traduire
Transmettre
Rendre
Donner
Ce n’est peut
De point de vue
Mais le point de
Vue est important
Pour celui qui
Voit
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Michael Watts. Rowing the Jungle. Oil pastel on paper, 2020, 41x28 cm
Emily Thomas
1. Yellow River (2019)
Shapeshifter (Solo Exhibition), Soulangh Cultural Park, Tainan
Plywood, oil paint
235 x 114 x 60cm
2. They Nailed the Colours to the Mast (2019)
Shapeshifter (Solo Exhibition), Soulangh Cultural Park, Tainan
Plywood, oil paint
202 x 135 x 135cm
3. Shapeshifter (Solo Exhibition), Soulangh Cultural Park, Tainan (2019)
Plywood, oil paint, bamboo
245 x 75 x 75cm
4. Hufeisen (2019)
GlogauAIR Open Studios, Berlin
Emulsion paint on MDF
200 x 400 x 70cm
5. Hufeisen (2019)
GlogauAIR Open Studios, Berlin
Emulsion paint on MDF
200 x 400 x 70cm
6. Hufeisen (2019)
GlogauAIR Open Studios, Berlin
Emulsion paint on MDF
200 x 400 x 70cm
Péter A. Leigh
MASCULINE (Work in progress. 2020)
According to the artist: "This is from a project during the first lockdown, work in progress but not yet resolved. Representation of masculinity in this hard edged and fragmented coloured way. The Pristine manufactured toys here repurposed and re-thought of as symbols of outmoded masculinity, a redundancy of a conventional representation - an object exaggerated, affected and verging on the theatrical. The fighting (frightening) element of the perceived role becoming camouflaged. colours functioning as a roll to take physical objects into a realm that is more optical and maximalist. The exaggerated representations and ideals of masculinity become more and more ridiculously camp as muscles almost burst like armour protecting what is underneath but close to the surface"
inspiriert durch die Lektüre „Das Reich der Zeichen“ von Roland Barthes, Suhrkamp 2019
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alles auf dem tisch
am rechten platz
-
tief
ein
atmen
-
-GERTRUDE-
reib
die
tusche
-
zeichen
alla prima
konserviert
fehler
unauslöschlich
-
striche
reihen
folge
mit
willkür
mabebuart, Mixed-Media auf Canvas. je 20x15x4 cm, 2020
Price upon request:
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DAGMAR VOGT
Die Haarwäscherin, Sammlung in Melle
Freude - Pina. Die Tanzenden
Die Baumtänzerin
Die Springerin, Dörken Stifung, Herdecke
Kopfstand, Privat Sammler in Wuppertal
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---------------------------------------János Brückner
You will laugh, and you will cry.
János Brückner opens up the reality around us, using a method he calls 'emotional realism'. His works give a simple and accurate insight into actual but often hidden paradoxes of society.
By subverting good old stereotypes using the absurdity of his frank approach, the artist generates situations, which present the opportunity to open our worldview.
Works:Poem Reciter – acrylic, canvas, 120x160 cm, 2020Summertime Snack Time at My Grandma – acrylic, canvas, 50x40 cm, 2018A funny day in WW2 – acrylic, canvas, 50x40 cm, 2018
A shittier day in WW2 – acrylic, canvas, 50x40 cm, 2018God Bless The – acrylic, canvas, 61x48 cm, 2019My grandma in the forest – acrylic, canvas, 50x40 cm, 2018
----OM BORI
Maria Josefin Margarete_Installtionsanicht1_Ausstellung AUTOARCHIVE RELOADED_Künstlerhaus Wien © Bori
Maria Josefin Margarete_Videostills1/2/3 © Bori
The Heritage is a series of short movies which recount some of my family stories. My intention is to show a contradictional, messy past, which is common for so many Eastern European people. This past lives in the family stories and their physical manifestations like albums and in the personal recounts (with that I mean the way someone remembers or assembles the memories and stories). Both the paintings and the short films do the same in this regard (reclaiming a past through personal recount), however in different medium and thus giving the audience a different kind of experience.
Part of an eastern-european identity is, I think, the fact that there is no "justice" in this kind of common past, or one can not recount the stories from one idealistic perspective of justice, or say, this past is made out of many parallel and contradictional truths.
Even in one family story-saga (and that's what partly The Heritage also shows) the historical or socio-political role of "victim" or "oppressor" changes. Sometimes even more times. And what the beauty of this is to me, that now we can talk about all this freely and in any kind of humor, seriousness, or emotional tone. Somebody's grandpa would or probably even did kill the others just because they were on the opposite sides of political regimes or nationalities, but today - by the help of art - we can freely recount and appropriate our own stories in each other's countries.
A quote by artist János Brückner
János Brückner
You will laugh, and you will cry.
János Brückner opens up the reality around us, using a method he calls 'emotional realism'. His works give a simple and accurate insight into actual but often hidden paradoxes of society.
By subverting good old stereotypes using the absurdity of his frank approach, the artist generates situations, which present the opportunity to open our worldview.
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OM BORI
which fits here well:
“Well then, if Pieter Breughel could place the Alps directly at the edge of his landscapes and genre scenes, then why couldn’t I use these very same scissors to not only cut out from my landscapes and characters that which comes in handy, but why couldn’t I cut out from my mind that and only that which I ponder the most intensely and, thus, which I like the most? And now that I have left the mess behind me, I once again foolishly believe that I have the key to certain events and that it is solely up to me to write them.”
From: Bohumil Hrabal: “The Little Town Where Time Stood Still“
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Jens Schubert
01 - 03 »Am Ende der Welt steht ein Wald aus Stein«, Gutshaus Steglitz, Berlin, 2019, Fotos: Ludger Paffrath04 »Heaven and Alchemy«, Kunstraum Neu Deli, Leipzig, 2017
05 »Das Libellenschwert«, Galerie M2A, Dresden, 2014
06 »Er warf sein Licht, ich fing es im Fall«, Siebdruck und Tuschezeichnung auf Polyester, 140 x 100cm, 2019
07 »Opal, (1.1.21)«, Siebdruck und Airbrush auf Polyester, 60 x 41cm, 2021
08 »Opal (1.5.21)«, Siebdruck und Airbrush auf Polyester, 60 x 41cm, 2021
09 »The Foundation of Power«, Galerie Rupert Pfab, Düsseldorf, 2014, Foto: Linda Inconi
10 »Formula (No. 1)«, 47,5 x 35,5cm, Siebdruck, Airbrush und Tuschezeichnung auf Polyester, 2020, Foto: Franziska van den Driesch
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From: Bohumil Hrabal: “The Little Town Where Time Stood Still“
Jens Schubert
04 »Heaven and Alchemy«, Kunstraum Neu Deli, Leipzig, 2017
05 »Das Libellenschwert«, Galerie M2A, Dresden, 2014
06 »Er warf sein Licht, ich fing es im Fall«, Siebdruck und Tuschezeichnung auf Polyester, 140 x 100cm, 2019
07 »Opal, (1.1.21)«, Siebdruck und Airbrush auf Polyester, 60 x 41cm, 2021
08 »Opal (1.5.21)«, Siebdruck und Airbrush auf Polyester, 60 x 41cm, 2021
09 »The Foundation of Power«, Galerie Rupert Pfab, Düsseldorf, 2014, Foto: Linda Inconi
10 »Formula (No. 1)«, 47,5 x 35,5cm, Siebdruck, Airbrush und Tuschezeichnung auf Polyester, 2020, Foto: Franziska van den Driesch
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Adrian Pocobelli
Exhibiition Views. Fata Morgana Space. Berlin 2020
St. Catherine of Alexander, 112 cm x 146 cm, Inkjet and acrylic on canvas (2020)
'St. George and the Dragon', 112 cm x 147 cm, Inkjet and acrylic on canvas (2020)
'Virgin and Child with St. Anne', 112 cm x 151 cm, Inkjet and acrylic on canvas (2020)
'Bacchus and Ariadne', 111 cm x 140 cm, Inkjet and acrylic on canvas (2020)
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'Bacchus and Ariadne', 111 cm x 140 cm, Inkjet and acrylic on canvas (2020)
Price upon request:
liliartresearch@yahoo.comTel.: +49 (0) 151 614 38 978@lilyfuerstenow-------------------------Lidia Fiabane
Greetings from Italy 5, The Last Supper, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
Greetings from Italy 1, The expulsion from Paradise, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm. 2020
Greetings from Italy 6, The Baptism of Christ, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
Greetings from Italy 3, The Last Judgement, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
Greetings from Italy 2, Crucifixion, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
Greetings from Italy 4, The School of Athens, mixed media, acrylic and collage on cardboard, 16,5 x 22,5 cm. 2020Lidia Fiabane. Exhibition Views
Italian Cultural Institute, Palais Sternberg, Vienna. Project Italia:Austria. Labyrinth of clichés
Edition Splitter & Galerie Splitter Art, Batya Horn, Fata Morgana - Alltagsvariationen, curated by Burghart Schmidt. Auslage Installation/ Shop Window. Vienna
liliartresearch@yahoo.com
Lidia Fiabane
Greetings from Italy 5, The Last Supper, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
Greetings from Italy 1, The expulsion from Paradise, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm. 2020
Greetings from Italy 6, The Baptism of Christ, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
Greetings from Italy 3, The Last Judgement, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
Greetings from Italy 2, Crucifixion, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020
Lidia Fiabane. Exhibition Views
Price upon request:
liliartresearch@yahoo.comTel.: +49 (0) 151 614 38 978@lilyfuerstenow
liliartresearch@yahoo.com
Esra Nesipoğulları
Red Cube' 2014, site-specific installation, Miramas, France
Edit Toaso
Forest. Oil on linen. 40x40 cm. 2021
Forest. Oil on linen. 40x40 cm. 2021
Forest. Oil on linen. 40x40 cm. 2021
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Price upon request:
liliartresearch@yahoo.comTel.: +49 (0) 151 614 38 978@lilyfuerstenow
liliartresearch@yahoo.com
---------------------------
Karin Wassmer
Ausstellung MENSCHSEIN. Karin Waßmer
Price upon request:
liliartresearch@yahoo.comTel.: +49 (0) 151 614 38 978@lilyfuerstenow
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liliartresearch@yahoo.com
RALF GANTER
1.-2. Engel. Douglasie teilweise gekalkt. Höhe 160 cm. 2015
3. Große Maske. Douglasie bemalt. Höhe 200 cm. 2016
4. Meditation. Acryl auf Leinwand. 160 x 120 cm. 2020
5. -6. Exhibition Views. Ralf Ganter. Solo Show. Kunstverein Kirchzarten
Innehalten. Douglasie farblich gefasst
Ohne Titel
7. Martyirum. Lindenholz. Höhe 200 cm
8. Träger und Gehäuse. Kirschbaum teilweise gekalkt. Höhe 207 cm. 2012
Tim Cierpiszewski
Tim Cierpiszewski. TERROR EREBUS 2019. Hilbert Raum - project space, Berlin, Germany
Price upon request:
liliartresearch@yahoo.comTel.: +49 (0) 151 614 38 978@lilyfuerstenow
liliartresearch@yahoo.com
MIKEY WATTS
Price upon request:
liliartresearch@yahoo.comTel.: +49 (0) 151 614 38 978@lilyfuerstenow
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liliartresearch@yahoo.com
Diego Gabriel Morales
Price upon request:
liliartresearch@yahoo.comTel.: +49 (0) 151 614 38 978@lilyfuerstenow
liliartresearch@yahoo.com
Upcoming / Art in Public Spaces Kronach
 |
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ARTIST BIOGRAPHIES
Hannes Uhlenhaut
* 1985 in Lauchhammer
2005 - 2011 Studied at the Burg Giebichenstein Art Academy in Halle/Saale,
Germany
2010 Erasmus Scholarship Accademia di belle Arti Rome, Italy
2011 Diploma with Prof. Martin Neubert and Prof. Daniel Kruger
2013 Opening of Studio Paunsdorf in Leipzig
2015 - 2017 Master student at the HfBK Dresden with Prof. Wilhelm Mundt
2018 Opening Project Space Kunsthalle.Ost in Leipzig
lives and works in Leipzig and Dresden
Prizes / Scholarships / Projects
2021 Funding exhibition programme Kunsthalle.Ost by the Cultural Office of the City of Leipzig
Cultural Foundation of the Free State of Saxony
2020 Denkzeit scholarship by Cultural Foundation of the Free State of
Saxony
2020 Funding exhibition programme Kunsthalle.Ost by the Cultural Office of the City of Leipzig
2020 Guest performance sponsorship Visual Arts, Cultural Foundation of the Free State of
Saxony
2019 Travel Grant of the Cultural Foundation of the Free State of Saxony and Goethe Institute
China for Beijing, China
Artist in Residence at Red Gate Gallery in Beijing and at The Star Project in Jingdezhen
2019 Guest performance sponsorship Visual Arts, Cultural Foundation of the Free State of
Saxony
2018 Project Funding Masterclass (Curator/ Artist)
2015 Working scholarship LVA Saxony-Anhalt, Castle Hundisburg
2013 Ceramics at the „Pulverturm“, Oldenburg
2009 Young Talent Award Ceramic Museum, Bürgel
Solo/Double Exhibition
2020 Closer, with Winnie Seifert at Galerie Oel Früh, Hamburg
2019 Eternity, with Winnie Seifert at Curva Pura Rome Italy
2017 Seifert/Uhlenhaut, with Winnie Seifert at The Room Studios, Rome taly
2017 Die Verwandlung, Castle Bad Pyrmont with Undine Bandelin *
2017 blue birds singing white swans bringing with Ralf Born, Kulturny Dom Lipsk, Leipzig
2015 Klischee Royal, Gallery Potemka, Leipzig
2015 Oel Früh Cabinet Teil XIV, Gallery Oel Früh Cabinet/ Pane e Tulipani, Hamburg
2013 Memento Vivere, Pulverturm Oldenburg *
2012 Even Now!, Galerie Kontrapost, Leipzig
2011 Monumenta Uhlenhaut, Monaco Beach Club, Leipzig
Selected Group Exhibition
2020
The Fragile Edge - Majolika Gallery Karlsruhe
Team Kunsthalle.Ost at Kunsthalle.Ost, Leipzig
Love in the time of covid19 - Art Gallery of South Australia, Adelaid
Garden of Death - Part III: Kotz, if you exist,
online-off-site-exhibition curated by Plague Collective, Krasnodar, RussiaFlowers from Stephanie - Gallery Stephanie Kelly, Dresden
Love in the time of covid19 - Gag Projects, Kent Town, Australien
2019
Open Studio - Red Gate Gallery, Beijing, China
Leipcigas Pleijliste, Kuldiga Artiste Residence Gallery, Kuldiga, Latvia
The Rock - Underwater exhibition, Westbrook Lake Brandis
At The Car Dealer, Autohaus Leipzig
2018
Galerie Oel-Früh Salon II, Berlin
X-Jahre Kunst in Hamburg: Der Mensch muss unter die Leute II, Gallery Affenfaust, Hamburg
AVE Magazin #2, Kunstraum Super, Vienna, Austria
2017
Wintersalon, Gallery Kristine Hamann, Wismar
Cold Turkey / Master Class Project, Keller III, Hannover ( Curator/Artist)
Hard, Gallery Stephanie Kelly, Dresden
Meister 17, Motorenhalle, Riesa Efau, Dresden
SUPERVISION, Studio Lange Strasse 31, Frankfurt/Main
Full Stop - Pilotenküche, Leipzig
Acchrocharge, Gallery Schwarz, Greifswald
2016
Studio 45 Wendenstraße, Collection Breker, Hamburg
1. Porzellan Biennale Meissen, Albrechtsburg Meissen *
Change your culture, Gallery Potemka, Leipzig
Internationaler Neujahrsempfang im Salon des Haus Seepferdchens, Gallery Oel-Früh, Hamburg
Am ewigen Ort, O space Kaisitz, Käbschütztal *
Terra Arte, State Broadcasting House, Magdeburg *
Work Out, Brühlsche Gallery HfBK Dresden *
Just Physical at Westwerk/Box Club Olympia, as part of Lindenow 12 art festival, Leipzig (Curator/Artist)
2015
Sometimes Darkness Doesn‘t Feel Like The Absence Of Light, Kreuzberg Pavillon, Berlin
Steady Signs, BBK Leipzig e.V.
Oel-Früh Residenz im Rahmen von 60 Jahre Kunst in Hamburg, Gallery Oel Früh, Hamburg
2014
Second Faces, Kunsthalle der Sparkasse Wiesbaden *
Erwerb, University Gallery in the Volkspark, Halle Saale
2013
Richard Bampi Preis 2013, Grassi Museum ,Leipzig *
Ausgewählt, University Gallery in the Volkspark, Halle Saale
Art Figura - Skulptur in Keramik, Ceramics Museum Westerwald *
2012
SonderfAhrt, White Box, Munich *
Malerei Pur, AABER Artspace, Munich
2011
Gallery Opening, The Room Rome, Rome, Italy
Ceramics Prize Bürgel, Award Winners and Purchases 2006 - 2011, Bürgel
2010
Richard Bampi Preis 2010, Hetjens Museum, Düsseldorf *
Identy, Galeria Spazio Mecenate, Rome Italy
Emergenza arte roma 2010, Rome, Italy *
Neue Rituale, Kunstverein Jena
* Catalog
-----------------------------
DAGMARA GENDA
ADDRESS:
Dagmara Genda
Siegmunds Hof 21
SFL Rechts
10555
Berlin
SOLO EXHIBITIONS
2020 : Making Bad on History, or, Drawing Blood from the Same Old Stone, Berlin Weekly, Berlin
2018 : Everything That's Lost, aceartinc., Winnipeg, CA
2015 : cutting out the snow, vitrine installation at Gallery 44, Toronto, CA
2015 : Beating the Bush, Dunlop Art Gallery, Sherwood Branch, Regina, CA
2015 : Baby, it's cold inside, Aquarium Gallery Project Space, Ann Arbor Arts Center, Ann Arbor, US
2015 : Panorama Defsup Art Gallery, Thunder Bay, CA
2013 : cutting out the snow, Make Work Projects project space installation, Saskatoon, CA
2013 : Scenic Route, The Esker Foundation, Calgary, CA
2013 : Memoirs of a Time of Immaturity, Line Gallery, North Bay, CA
2012 : Tracing Tomorrow, KWT Contemporary, Toronto, CA
2011 : Building Disaster 3rd Ward, Brooklyn, US
2011 : From Venus to the Gods Headbones Gallery, Vernon, CA
2010 : Building Disaster, Stride Gallery, Calgary, CA
2008 : Screamers and Bangers : The Wallpaper Project, Walter Phillips Gallery, Banff, CA
GROUP EXHIBITIONS
2020 : The Body of Drawing, oqbo, Berlin. Canceled due to Corona Virus
2019 : In & Out of Saskatchewan, Art Museum at the University of Toronto, Toronto, CA
2019 : Etwas kam auf uns zu (Something was coming upon us), Englische Strasse 29, Berlin, DE
2018 : Ritualia, Modern Fuel Artist-Run Centre, Kingston, CA
2017 : Was sich abzeichnet, Forum Alte Post, Pirmasens, DE
2017 : Was sich abzeichnet, Arp Museum Bahnhof of Rolandseck, Remagen, DE
2017 : Made In Balmoral, Künstlerhaus Schloss Balmoral, Bad Ems, DE
2016 : Assemble: Five years of contemporary Canadian drawing Art Gallery of Sudbury, Sudbury, CA
2015 : The Sky is the Limit Remai Modern, Saskatoon, CA
2014 :Curiouser & Curiouser Judith & Norman Alix Art Gallery, Sarnia, CA
2014 : Ecotopia, Kenderdine and College Art Galleries, Saskatoon, CA
2013 : Ecotopia, Nickle Galleries, Calgary, CA
2013 : Ecotopia, Southern Alberta Art Gallery, Lethbridge, CA
2013 : No Overnight Camping, Hamilton Artists Inc., Hamilton, CA
2012 : Ecotopia, Kitchener-Waterloo Art Gallery, Kitchener, CA
2012 : Unplanned Architectures, Neutral Ground, Regina, CA
2011 : Summer Group Show, KWT Contemporary, Toronto, CA
2010 : 56th Annual Juried Art Show, Durham Art Guild, Durham, US
2010 : Under Skirt: A Peek at the Institution of Art Mendel Art Gallery, Saskatoon, CA
2010 : Beyond the Mountain Two Rivers Gallery, Prince George, CA
2010 : upArt, Gladstone Hotel, Toronto, CA
2010 : Liminal Place Artspace, Peterborough, CA
2010 : Homelands, Modern Fuel, Kingston, CA
2010 : Toronto Outdoor Art Exhibition's Best of '09 First Canada Place, Toronto, CA
2009 : Order/Chaos, Xpace Cultural Centre, Toronto, CA
2009 : Birds, Forest City Gallery, London, CA
2007 : Shift, Gales Gallery, York University, Toronto, CA
2007 : The Emerging Landscape, Nickle Galleries, Calgary, CA
PUBLIC ART
2020 : Reorganization of One Hedge, public art project for Kennedy Station on the Toronto Subway, organized by Metrolinx
2014 : It Should Always Be This Way, Contemporary Art Forum Kitchener & Area Biennial, Kitchener, CA
2011 : "Building Disaster," vinyl wall work in 421 W22nd Street, New York, NY
2011 : Vinyl wall work at 3rd Ward, Brooklyn, US
OTHER PROJECTS
2018 : Poems About Forgetting, an artist project for Forgetting – Brumaria #9, a publication of essays about forgetting
2018 : (Madrid, Spain).
2016 : Reorganization of One Hedge, artist project for BlackFlash Magazine, 33.3 (Summer 2016)
EDUCATION
2010 : London Consortium, University of London, London UK,
2010 : Masters of Research w/ Distinction in Humanities and Cultural Studies
2007 : The University of Western Ontario, London CA, Masters of Fine Arts
2005 : University of Manitoba, Winnipeg CA, Bachelor of Fine Arts Honours
RESIDENCIES
2016 : Künstlerhaus Schloss Balmoral, Bad Ems, DE
2015 : Plug In Summer Institute, Winnipeg, CA
2015 : Vermont Studio Center Artist Residency; Johnson, US
2015 : Banff Artist in Residence, Banff Centre, Banff, CA
2014 : MacDowell Colony Residency; Peterborough, US
2014 : Canada Council International Residency at Acme Studios, London, UK
2014 : Winterjourney, Banff Centre Thematic Residency, Banff, CA
2013 : Residency and 2nd biannual Art Festival at XuCun Commune, China
2011 : Artist in Residence at 3rd Ward, Brooklyn, US
2008 : Making Artistic Inquiry Visible, Thematic Residency at the Banff Centre, Banff, CA
AWARDS
2021: Canada Council Research and Creation Grant
2019 : 3. Prize for the design of the Chemnitz Market Fountain for the City of Chemnitz
2019 : 2. Prize for the design of the floor for the Bundesministerium des Innern (The Ministry of the Interior), Berlin
2019 : Project funding for the presentation of visual art / Förderung für die Präsentation der bildenden Kunst,
2019 : Senatverwaltung für Kultur und Europa, City of Berlin
2018 : Short-listed for the International Awards in Art Criticism, an award co-organized by Shanghai 21st Century Minscheng Art
2018 : Museum and The School of Fine Art, Royal College of Art
2017 : Canada Council Project Grant
2016 : Ontario Arts Council Mid-Career Visual Arts Grant
2016 : Fellowship, Künstlerhaus Schloss Balmoral
2015 : Vermont Studio Center Fellowship supported by the Joan Mitchell Foundation
2014 : Pollock-Krasner Foundation Grant
2014 : Saskatchewan Arts Board Established Artist Grant
2014 : Canada Council International Residency Production Grant
2013 : Access Copyright Foundation Professional Development Grant
2012 : Saskatchewan Arts Board Established Artist Creative Grant
2012 : Canada Council Project Grant
2011 : Winner of 3rd Ward's 2011 Open Call, Brooklyn
COLLECTIONS
Saskatchewan Arts Board
Various private collections
----------------------------------
Michael Haas
Geboren am 4. Juni 1959 in Wels, Österreich.Lebt in Wien, Österreich und San Pelayo de Tehona, Spanien.Ausführlichere biografische Information auf seiner Webseite:
Jens Schubert
* 1983
lebt und arbeitet in Berlin und Leipzig
2004–09 Studium der Malerei und Grafik bei Prof. Annette Schröter an der Hochschule für
Grafik und Buchkunst Leipzig (Diplom)
2009–11 Meisterschülerstudium bei Prof. Annette Schröter an der Hochschule für Grafik
und Buchkunst Leipzig
Preise und Stipendien
2020 Denkzeitstipendium der Kulturstiftung des Freistaates Sachsen
2019 Katalogförderung der Kulturstiftung des Freistaates Sachsen und der Stadt Leipzig
2017 Arbeitsstipendium in der Steindruckwerkstatt des Münchner Künstlerhauses am Lenbachplatz
2016 Atelierstipendium der Stadt München
2015 Arbeitsstipendium der Stiftung Kunstfonds
2014 Arbeitsstipendium der Kulturstiftung des Freistaates Sachsen
2014 Karl-Schmidt-Rottluff-Stipendium (Nominierung)
2011 Marion-Ermer-Preis
Öffentliche Sammlungen
Deutsche Bundesbank, Frankfurt a. M.
Museum der Bildenden Künste Leipzig
Kunstsammlungen Dresden/Kunstfonds, Dresden
Städtische Galerie, Bietigheim-Bissingen
Ostsächsische Sparkasse
Solo/Duo-Ausstellungen
2020 Eyes without a Face, Galerie Leuenroth, Frankfurt a. M.
Love Potion, Galerie Herold, Bremen
2019 Am Ende der Welt steht ein Wald aus Stein, Gutshaus Steglitz, Berlin
Aurora, Verein Junge Kunst, Wolfsburg
2018 Pandora, Kunstraum Schwalbe 54, Frankfurt a.M.
Schaum, Galerie Leuenroth, Frankfurt a.M.
2017 Heaven and Alchemy, Delikatessenhaus, Leipzig
2016 Arbredemarbre, Super+Centercourt, München
2015 Perspektiven der Gegenwart – Jens Schubert, Deutsche Bundesbank, Frankfurt am Main Empire,
mit Paula Gehrmann, Galerie Kleindienst, Leipzig
Promethium, Museum Gunzenhauser, Chemnitz
2014 The Foundation of Power, Galerie Rupert Pfab, Düsseldorf
Das Libellenschwert, Galerie M2A, Dresden
2013 Carolyn Case & Jens Schubert, Asya Geisberg Gallery, New York City, USA Blackmagickparty, MEWO-Kunsthalle, Memmingen
2012 New Age, Preview Art Fair, Berlin
Voltashow, Art Fair, New York City, USA
2011 Die Herrschaft des Feuers, Galerie M2A, Dresden
Von Helden und Drachen, HGB, Leipzig
2010 Dragonslayer, Bongout Gallery, Berlin
Badfairytales, Kunstfeler Project, Dresden
Atlas, mit Robert Schwark, Galerie Hoch+Partner, Leipzig
Gruppenausstellungen (Auswahl)
2019 Druckkunstfestival, Spedition/Künstlerhaus, Bremen
2018 Darauf war ich jetzt nicht vorbereitet, Galerie Herold, Bremen
Vensterop Leipzig, Grafisch Atelier Friesland, Leuwarden,NL
2017 AVE Magazin, Kunstraum Super, Wien, AT
Neue Freunde, Kunstverein Duisburg
Ladder to Heaven, Kunstverein Pfaffenhofena. d.Ilm
Lubokin Delmenhorst, Remise der städt. Galerie Delmenhorst
2016 Knowhere`s Curiosities, CoBox, Dresden
Potnia Theron, Altana Galerie, Techn. Universität, Dresden
Klassentreffen, Kunsthalle der Sparkasse, Leipzig
2015 Wunschlos Glücklich, Kunstverein Duisburg
ProM, 22. Leipziger Jahresausstellung, Westwerk, Leipzig
2014 Update, Galerie M2a, Dresden
The SoloProject, Art Fair, Basel, CH
2013 Linolschnitt Heute, Städt. Galerie Bietigheim-Bissingen
Ego Identity, Galerie M2A, Dresden
Adler mit Krone, Bürgerhaus, Sulzfeld
MorphologyofthePrint, Lehman College Of Art Gallery, New York City, US
Lubo Museo de la Estampa del Instituto Mexiquense de Cultura, Toluca, MX
2012 Win/Win, Halle 14, Spinnerei, Leipzig
Die Schlampe Malerei, D21 Kunstraum, Leipzig
Sunday Park, Galerie Rupert Pfab, Düsseldorf
Lubok, Museo Nacional de la Estampa in Mexico City, MX
2011Druckgrafik – Neue Positionen, Künstlerhaus Schafhof, Freising
Convoy Leipzig, Biksady Gallery, Budapest, HU
Olpe Wolfen Schwarzenberg, Museum der Bildenden Künste Leipzig
Falsche Freunde, Galerie Kleindienst, Leipzig
2010 Lubok, Kunstverein Essenheim, Essenheim
Mutterboden, Villa Kobe, Halle (Saale)
Hotel Genial, Kunstverein Tiergarten/Galerie Nord, Berlin
--------
János Brückner
János Brückner graduated at the University of Fine Art Budapest in painting (2012) and at the Eötvös Lóránt University Budapest in language and literature (2011), and at the Universität der Künste Berlin at Art in Context postgraduate MA. He was research artist at the Newcastle University’s Culture Lab, Digital Media Departement, resident artist at FUTURA Contemporary Art Centre Prague (2013), studio das weisse haus, Wien (2015), MuseumsQuartier Wien (2015), Gallery Municipal, Lisboa (2016) and Accademia d’Ungheria, Roma (2017). Independent curatorial boards awarded his work by Ludwig Foundation scholarship in 2011, K&H Bank scholarship in 2012, Derkovits scholarship in 2013, 2014, 2015, and Smohay Prize 2016.
----------------------------------
HEIKEDINE GÜNTHER CV
Exhibitions
2020
«entrée&hommage 2020» M54, Basel
«Premio Combat 2020»
Granai di Villa Mimbelli, Livorno, Italy
«Heikedine Günther» M54, Basel
«Aufbruch ins Ungewisse» Goetheanum, Dornach
«Re-Seen»
Independent & Image Art Space, Chongqing, China
«Divided World»
Basilica of Saint Servatius, TEFAF Maastricht
«Women in the Arts» Orange County Library
«Malamegi Art Lab 14»
Associazione Culturale Imagoars, Venice
«Own the Night»
Envision Arts Online Gallery
2019
«The Core is now!»
Galerie Artem-Reich, Unterer Heuberg, Basel
«Heikedine Günther. Core & Cosmos» Clarakirche, Basel
«Personal Fit: Utopie II» Kornschütte, Lucerne
«Heikedine Günther»
Art Paris Art Fair, Grand Palais, Paris
2018
«Heikedine Günther»
Art Paris Art Fair, Grand Palais, Paris
«Heikedine Günther» Artmuc, Isaforum, Munich
«Heikedine Günther. Triptych Kern No. 285 – 287» Historical Museum Basel, Barfüsserkirche, Basel
«Heikedine Günther»
The Other Art Fair, Saatchi Art, Victoria House & The College Southampton Row, London
«Heikedine Günther»
Malamegi LAB 10, Palazzo Ferrini-Cini, Rom
«De fils ou de fibres «
Abbaye Saint-André, Centre d’art contemporain, Meymac, France
2017
«Heikedine Günther»
The Other Art Fair, Saatchi Art, Old Truman Brewery, London
«Heikedine Günther. Blanche Blatt» WopArt, Work on paper art fair Centro Esposizioni, Lugano
«Corepaintings. Heikedine Günther»
Galerie Artem-Reich, Unterer Heuberg, Basel
«Heikedine Günther. Core – Paintings and unique prints» Galerie Artem-Reich, Unterer Heuberg, Basel
«Heikedine Günther. Paintings and unique prints» Livre rare & objets d’art, Grand Palais, Paris
«Heikedine Günther» Fondation Herzog, Basel
Publications (Selection)
Dagmar Brunner, Kunstwoche(n), in: ProgrammZeitung, No. 351, June 2019, Basel
2019, p. 21.
José Villareal, Clarachurch Basel presents a selection of works by Heikedine Günther, artdaily, 3rd of June 2019. (http://artdaily.com/news/114340/Clarachurch- Basel-presents-a-selection-of-works-by-Heikedine-G-uuml-nther#.XQizoS1XZBw)
Abbaye Saint-André, Centre d’art contemporain, De fils ou de fibres, 8th of July – 14th October 2018, p. 6.
Verein Gottlob Kunstpreis (ed.), Wertvoll. Malerei macht Werte sichtbar. Buch zur Ausschreibung Kunst fürs Herz 2018, Liestal 2018, p. 86f.
Bettina Wohlfarth, Eine Generation nimmt Abschied. Zwanzig Jahre Art Paris, in: Frankfurter Allgemeine, 7th of April 2018, p. 15.
Artnet Gallery Network, At Art Paris, Artist Heikedine Günther Uses a Meticulous Painting Process to Explore Her Own Sense of Self, 5th of April 2018. (https://news.artnet.com/partner-content/artem-reich-brings-new-heikedine-gunther- works-art-paris)
ARTPIL, Art Paris 2018 / Part II, 5th of April 2018. (https://artpil.com/news/art-paris-2018-part-ii/)
Ministère de la culture, De fils ou de fibres, exposition collective à l'Abbaye Saint- André, 7th of August 2018. (http://www.culture.gouv.fr/Thematiques/Arts-plastiques/Expositions-en-France/De- fils-ou-de-fibres-exposition-collective-a-l-Abbaye-Saint-Andre)
srf, Schweizer Kunst in Paris, Tagesschau, 5th of April 2018, 7:30pm. (https://www.srf.ch/play/tv/tagesschau/video/tagesschau-vom-05-04-2018- 1930?id=eaa54e01-3528-4c4c-801c-f9d19a02ee2e)
The Global Art Awards, «Heikedine Güther’s Art does not reflect the visible, but makes visible», 14th of August 2018. https://www.theglobalartawards.com/news/?tag=Heikedine+Günther
Collections (Selection)
Graf Schönborn Collection, Unterfranken, Germany,
Darwin Reedy Collection, Saint Paul, Minnesota, USA
Christiane Leister Art Collection, Innerschweiz
Catherine and Bernard Soguel-Dreyfus Collection, Basel
Christoph Ackermann, Basel, former Director of Historisches Museum Basel
Reiner Speck Collection, Cologne
Dagmar and Lutz Helmig Collection, Munich
Micky Karton Collection, New York, USA
Peter Jäger Collection, Munich
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Maider López (1975, Spain)
Maider López's interest relays in interrupting norms in space and architecture, inviting us to experience common spaces in potentially rewarding ways.
She has exhibited extensively internationally as 51st Venice Biennale, Sharjah Biennial 9 and13thIstanbul Biennial.
Some of her works include: Arnasa, Bilbao Museum of Fine Arts (2020), Prospect 4. Contemporary Art Triennial. New Orleans (2017); 1645 Pieces of Chalk, Matadero Madrid (2016); Play Time, 4th Les Ateliers de Rennes Biennial. Rennes. France (2014); Mom, Am I barbarian?, 13thIstanbul Biennial (2013); Between you and I, Witte de With and Skor, The Netherlands; Eclats, Centre Pompidou Metz (2010); Sharjah Biennial 9, United Arab Emirates (2009); SCAPE Christchurch Biennial of Art in Public Space, New Zealand; Line of sight, Zendai Moma Museum, Shanghai (2008); AdosAdos, Guggenheim Bilbao, Spain (2007); Columnes, Caixa Forum, Barcelona (2006); Ataskoa, ARTIUM, Vitoria and 51st Venice Biennale (2005).
----------------------------------
Lidia Fiabane
Born in Belluno, Italy.
Istituto Tecnico Industriale, Belluno – architectural drawing, design, diploma in architecture.
Studies at the University of Milan’s Istituto Universitario Lingue Moderne - history of art and literature. Doctorate.
Stays in Paris and Mexico. Lives in Vienna as a freelance artist.
Working in the fields of painting (mainly in acrylics on layered paper), collage, objects and installations.
The main theme of her artistic research is the stereotype and the cliché.
Her projects often have a multimedial character with involvement of people outside the art world.
Exhibitions and exhibition participations in Austria, Italy, Germany, Belgium, Poland, Croatia, USA, Israel, South Korea
Works purchased by: Austrian Federal Ministry (Art Section), City of Vienna, Bank Austria Creditanstalt, private collections in Austria and abroad.
Texts on L. Fiabane have been written by: P.Gorsen, L. Mare, P. Zawrel, W. Hilger, M. Fischer, W. Patterer, M. C.Holter, G. Leghissa, A. D. Marianacci , M. Mander, M. Seif, B. Schmidt.
Selected Exhibitions
2020 Formato A4. Sguardo oltre la pandemia, Biblioteca Civica G. Tartarotti, MART, Rovereto, Italy
2020 Greetings from…, Conference, Università degli Studi di Trieste, Facoltà di Architettura, curated by Adriano Venudo, Arch., Italy
2019 Final Touch, Jumee Kim Gallery, Daejeon, South Korea
2015 – 2016 Vitamine, Tavolette energetiche, curated by Laura Monaldi, MART, Contemporary and Modern Art Museum of Trento and Rovereto, CAMeC, La Spezia, Villa Caruso, Signa, GAMC, Palazzo delle Muse, Viareggio, Italy (Catalogue)
2015 Atrium Art, ÖBV - Atrium, curated by Jacqueline Chanton (Fine Art Calendar)
2013 132 tavolette Zavattini” C. Palli Collection, Galleria d’arte Studio Rosai und Biblioteca Nazionale, (National Library) Florence.
2012 – 2013 Fata morgana - Alltagsvariationen, Galerie Splitter Art. Batya Horn, Vienna, curated by Burghart Schmidt
2011 Solitario, Italian Cultural Institut Palais Sternberg, Vienna and ÖBV - Atrium, Vienna, curated by Arnaldo Dante Marianacci and Maria Christine Holter (Catalogue)
2010 Fioritura O, Osmosi, Festival PAC 108, Parco Centro Villa Basaglia, Livorno, Italy
2007 Contenitore di cultura contemporanea Bau3, Studio Gennai, Pisa, Galerie AREA N.O., Florence, Italy
2007 Bau saluta fluxus, GAMC, Palazzo delle Muse Viareggio, Italy
2006 Austrian Cultural Forum Tel Aviv, Israel
2001 – 2003 Vom Blühen und Reifen. Erotisches aus Kunst und Natur. Museum auf Abruf, Vienna and Warsaw, Poland, curated by Wolfgang Hilger and Berthold Ecker (Catalogue)
2002 Sisma. Artoteca O', Milan
1998 InterMedia communication project Woman: Man, Galerie am Mölkersteig, Vienna.
1998 Flaschenpost.Forum Stadtpark, Graz.
1998 Artomatica.Torre Matilde (MatildeTower) Viareggio, Italy (Catalogue)
1997 Illimite – Aufschließung. Osmosi, Baluardo S. Paolino, city wall of Lucca, Italy and Galerie am Mölkersteig, Vienna
1996 InterMedia Symposium, Schrattenberg, presentation of the catalogue Vienna Secession.
1996 Aktuelle Kunst 95. Austrian Parliament, Vienna und Austrian representation rooms Brussels, Belgium
1995 – 1996 InterMedia communications project Italy : Austria. Italian Cultural Institute, Palais Sternberg Vienna and Austrian Cultural Forum, Milan (Catalogue)
1990 Project Kunstkaufhaus. (Artstore Project) Frauenmuseum Bonn-Women's Museum Bonn, Germany (catalogue)
1989 Konfrontationen/Confrontations. Museumsquartier (Catalogue)
1988 Der verbrannte Engel. Galerie Bücher & Kunst, Vienna curated by Peter Gorsen (Catalogue)
1990 Co-founder of the group of women artists Vakuum
1993-1995 Collaboration with the architecture magazine Perspektiven. Magazin für Stadtgestaltung
Since 1996 Member of the group of artists Osmosis
Karin Wassmer
2019 Von Innen nach Außen (From Inside out), Auf der Giechburg (mit Manon Heupel,
Manfred Hürlimann, Gerald Hegewald, Irene Kress-Schmidt, Petra Krischke, Silvia Lobenhofer-Albrecht)
2017 Evas Töchter (Eve’s Daughters), Gedok Franken, Stadtmuseum Schwabach
Gedok Franken, Heimatministerium Nuremberg
Exhibition for 25 years of Gedok) Gedok Franken, Schweinfurt, Schwabach, Kulmbach and Coburg
------------
DAGMAR VOGT
Künstlerische Ausbildung an der Hochschule in Dortmund bei Prof. Kampmann und
Prof. Schubert
·1. und 2. Staatsexamen in den Fächern: Kunst und Geschichte
·Akademische Ausbildung in Malerei bei Prof. Markus Lüpertz und bei Mathias Lanfer, Meisterschüler von Tony Cragg
·Gründungsmitglied der Gruppe Ultramarin, Mitglied des Wittener Künstlerbundes und des BBK Bergisches Land
·Lehraufträge an Kunstakademien und Volkshochschulen (Malerei, Grafik und Grundlagen der freien Gestaltung)
·Lebt und arbeitet in Herdecke, Wuppertal und im Allgäu
PREISE, FÖRDERUNGEN, PROJEKTE
2020Auslobung zur Mehrfachbeauftragung für die Figur des Spätelesereiters im Schlosshof des Stadtschlosses Fulda
2019Nominierte Bildhauerin im Rahmen der Ausstellung “Mahnmal gegen Gewalt an Frauen in Kriegen und Krisen” im Frauenmuseum Bonn
2018 1.Preis Kitz Award für Skulpturen, Kitzbühel, Österreich
2017 nominiert zum Rhine Art Prize, Bonn
2016 Nominierung für den Wilhelm-Morgner-Simplizissimus-Kunstpreis
2015Artist in Residence, St.Christoph am Arlberg, Österreich
2015Nominierung für den Ennepe-Ruhr-Kunstpreis
2010Starke Orte im Rahmen der RUHR.2010 – Kulturhauptstadt Europas
2007 – 2009 Internationales Kunstprojekt „KöthenerQuadrate“
2006Neruda Projekt, Rotterdam
2005Katalogförderung anlässlich der Ausstellung im Märkischen Museum in Witten
2004Ankauf der Installation „Panta rhei“ durch das DRK in Münster
2003Kunstpreis der Stadt Schwerte für die Installation „Strömungen“
2001Katalogförderung durch die Dr. Carl-Dörken-Stiftung in Herdecke, der Sparkasse und den Stadtwerken in Witten
SAMMLUNGEN (AUSWAHL)
Bundesministerium für Wirtschaft, Berlin
·Sammlung Eggenberger, Schweiz
·Sammlung A. Gajic, Hong Kong
·Sammlung Ostermann, Witten
Sammlung Aral, Bochum
·Sparkassen Witten, Bochum, Dortmund, Düsseldorf
Sammlung Volksbank Bochum
·Werner Richard - Dr. Carl Dörken Stiftung, Herdecke
Deutsches Rotes Kreuz, Münster
·Vita Energie Service, Duisburg
·Sammlung Gea Centrum, Bochum
Sammlung Edelstahlwerke, Witten
DSW 21, Dortmunder Stadtwerke
Industriemuseum, Dortmund
Stadtwerke, Witten
EINZELAUSSTELLUNGEN
(AUSWAHL)
2019 WOGA, Wuppertal
2019 Galerie #23, Velbert
2019 Art Karlsruhe, Galerie Bengelsträter
2019 Galerie am Stern, Essen
2018 Vossius & Partner, Düsseldorf
2018 RIVV GmbH, Düsseldorf
2018 Praxair Deutschland Holding GmbH, Düsseldorf
2018 Waldeck Rechtsanwälte PartmbB,
Frankfurt am Main
2018 Debeka - Hauptverwaltung, Koblenz
2017 Kunsthaus Klüber, Weinheim
2017 BKG Galerie, Wuppertal
2016 Osthaus Museum Hagen, Hagener Fenster
2016 Ruhrgalerie Herdecke
2016 Park Weggis, Weggis/Luzern, CH
2015 Deutsche Bank, Wuppertal-Elberfeld
2015 Schokoladenfabrik, Wuppertal Elberfeld
2014 DEW21, Depot-Kulturort, Dortmund
2013 Evangelische Kirche Osterrath, Meerbusch
2013 BKG-Galerie, Wuppertal
2013 Stadtparktheater Iserlohn
2013 Gut Schede, Herdecke/Wetter
2011 BKG-Galerie, Wuppertal
2010 Galerie Bailer, Dortmund
2009 Artothek, Dortmund
2008 Edelstahlwerke, Witten-Krefeld
2007 Deutsche Bank, Bochum
2007 Art Rewir Dortmund (Katalog)
2007 Industrie- und Handelskammer, Dortmund
2007 Volksbank, Bochum
GRUPPENAUSSTELLUNGEN
(AUSWAHL)
2020 Stadtschloss Fulda
2019 Frauenmuseum Bonn
2018 Museum Wilhelm Morgner + Kunstverein Soest
2017 RhinePrize, Bonn
2016 /17 Museum Wilhelm Morgner, Soest
2016 A.I.R., Kunsthalle 1800m, St. Christoph, AUT
2015 Agora Gallery, New York, USA
2015 Artist in Residence, St. Christoph, AUT
2015 Märkisches Museum, Witten
2015 Landtag NRW, Düsseldorf
2014 Kunstverein Wasserwerk, Schwerin
2013 Lechnerhof, Witten
2013 Städtische Galerie Legnica, PLN
2012 Märkisches Museum, Witten
2012 Museum Hattingen-Blankenstein
2010 Märkisches Museum, Witten
2010 Weichenwerk, Witten
2009 Kunstdreieck, Witten
Thomas Manelli Mann
Gerard Caris
1925 Born in Maastricht, Holland
1939-43 Technical School Maastricht
1944-47 Military service in England, the United States, Malaysia and Indonesia
1947 Returns to the Netherlands
1948-54 Leaves for Indonesia and New Guinea in the service of an oil company, visits Australia
1955 Returns to the Netherlands, leaves for oil exploration in Nigeria
1956 Returns to the Netherlands, travels in Europe, works at İskenderun, Turkey
1957 Emigrates to the United States, works in New York, takes courses in art and philosophy at the City College of New York and New York University
1958-61 Leaves for Dhofar (Southern Arabia), works in the Arabian desert
1961 Returns to the United States, works as a site manager for construction and erection of the Telstar Horn Antenna at Andover, Maine
1962-64 Studies arts and humanities at the Monterey Peninsula College, the Monterey Institute of Foreign Studies and San José College in California
1964-67 Studies at the University of California, Berkeley et al with David Hockney, Ronald B. Kitaj, Elmer Bischoff and Richard Diebenkorn
1967 BA in philosophy from the University of California, Berkeley
1968 Returns to the Netherlands as a Special Status Student of the Art Department. of the University of California, Berkeley
1969 MA in art from the University of California, Berkeley,
works as full-time artist
1981 Guest lecturer at the Parsons School of Design, Fashion Institute of Technology, and Hunter College, New York
1987 Guest lecturer at the Universiteit Twente, Enschede, the Netherlands
1993 Lecture at the Wilhelm Lehmbruck Museum, Duisburg, Germany (Introduction to a Pentagonal Form Language)
1999 Lecture at the symposium Art, Science & Technology, Faculty Cultural Studies, Universiteit Maastricht, the Netherlands
2007 Seminar at the occasion of the exhibition “My gene, it has Five Corners…”Lecture Hall Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe
2011 Attended the Seminar on the 3rdFadjr International Festival of Visual Arts at
the Tehran Museum of Contemporary Art TMOCA Tehran – Iran
2015 Attended Conference "Calculation and Aesthetics" Akademie Schloss Solitude Stuttgart, Germany
lives and works in Holland, the United States and Germany
Solo Shows ( Selection)
1968 Newman Hall Gallery, Berkeley CA.
Student Union Art Gallery , University of California , Berkeley CA
Kasteel Hoensbroek, Hoensbroek NL
Kritzraedthuis, Sittard NL
Galerie de Sfinx, Amsterdam NL
1969 Galerie Dejong-Bergers, Maastricht NL
Bonnefantenmuseum, Maastricht NL
1970 Cultureel Centrum, Venlo NL
Galerie Nouvelles Images, Den Haag NL
Galerie Design, Rotterdam NL
Galerie Kristiaan, Amsterdam NL
Galerie Van Hulsen, Leeuwarden NL
1971 Neue Galerie im Alten Kurhaus Sammlung Ludwig, Aachen D
1972 Galerie Van Hulsen, Amsterdam NL
Cultureel Centrum, Venlo NL
1975 Galerie Van Hulsen, Amsterdam NL
1977 Galerie Nouvelles Images, Den Haag NL
1979 Cultureel Centrum, Almere NL
1980 Technische Hogeschool, Eindhoven NL
Technische Hogeschool Delft NL
1981 Parsons School of Design, New York NY
1983Bouwcentrum, RotterdamNL
1987/88 Museum voor Hedendaagse Kunst, Utrecht NL
1988 Stadtmuseum Ratingen D
1991Wilhelm-Hack-Museum, Ludwigshafen D
1993Kunsthalle, Bremen D
1997 Stedelijk Museum, Amsterdam NL
1999 Wilhelm-Hack-Museum, Ludwigshafen D
2000 Museum für Konkrete Kunst, Ingolstadt D
2001 Stedelijk Museum, Amsterdam NL
2002DSM, Heerlen NL
2012 KUAD Gallery Istanbul Turkey
2015 Akademie Schloss Solitude Stuttgart D
2018 Sidney Cooper Gallery, Canterbury, Great Britain
GroupExhibitions (Selection)
1969 Goden en heiligen in Limburg , Utrecht NL
2detriënnale der ZuidelijkeNederlanden Stedelijk Van Abbe Museum, Eindhoven NL
2detriënnale der ZuidelijkeNederlanden Koninklijk Museum voor Schone Kunsten Antwerpen B
Made in HollandPlus-Kern, centrum voor constructieve vormgeving Gent B
1970 50 x 50 a Dutch graphical artist presentation at 50 different places in the Netherlands simultaneously NL
1971 Atelier 9Stedelijk Museum Amsterdam NL
1972Gerard Caris en Ries Linnartz Galerie Nouvelles Images, Den Haag NL
I.K.I. Internationaler Markt für aktuelle Kunst, Düsseldorf D
Galerie Teufel, Köln D
1973 NL kunst uit nederlands limburgKoninklijk Museum voor Schone Kunsten, Antwerpen B
Enkel des Stijl Neue Galerie im Alten Kurhaus Sammlung Ludwig Aachen D
1974Constructivistische tendentiesStedelijk Museum Amsterdam NL
36 graphiker aus den NiederlandenEine reisende Graphik-Ausstellung durch Deutschland D
1975Limburgse graficiGalerie Pryzmat, Kraków PL
1976 25eWinterausstellungKunstpalast im Ehrenhof, Düsseldorf D
1977Hommage à CasselGesamthochschule, Kassel D
Konstruktion, Funktion, ReduktionGalerie an der Neupforte, Aachen D
1978 Monumentale vormgevingCosa Delft NL
1979Grafiek uit de BeneluxThéâtre National de Belgique, Bruxelles B
Suermondt- Ludwig Museum, Aachen D
1979/80Grafiek uit de BeneluxEbes- Expo, Antwerpen B
1982Beeldhouwkunst uit hetZuiden van Nederland Middelheim, Antwerpen B
International exhibition of mail art Palazzo Nervi, Savona I
I sassi del finalese, Finale Ligure I
Goedkoper bouwen 2 Centrum Beeldende Kunst, Rotterdam NL
1983/84 Franklin Furnace, New York NY
Libreria Petrini, Torino I
1984Chiostri di S. Caterina, Finalborgo I
Huset, Copenhagen DN
1985 Biuro Wystaw Artystycznych, Lodzi PL
Diagonale, Espace Critique, Paris F
GlassboroStateCollege, Glassboro , New Jersey NY
1986 Museum voor Hedendaagse Kunst, Utrecht NL
Eyelevel / OoghoogteStedelijk Van Abbemuseum, Eindhoven NL
1987 Verein für Originalradierung, München & Mannheim D
1988 PlanBonnefantenmuseum, Maastricht NL
1990 Centraal ZuidArti et Amicitiae, Amsterdam NL
Centraal ZuidPulchri Studio, Den Haag NL
1993 Building plans & schemesmail art project, Cultuurcentrum Heusden- Zolder B
1994 Arte 94Les Pyramides, Bruxelles B
1999 Mail art project National Museum Sabac YU
2001 Documentatie tentoonstellingStichting Kunst Openbare Ruimte (SKOR), Den Haag NL
2002 Jubileumtentoonstelling DSM, HeerlenNL
2003 De bomen van Pythagoras Mondriaanhuis, Museum voor Constructieve en Concrete kunst, Amersfoort NL
2005 Lohn der Arbeit Städtisches Museum Gelsenkirchen D
2007 Ausgerechnet...Kunst und Mathematik Museum im Kulturspeicher WürzburgD
Mein Gen, das hat fünf Ecken...,ZKM | Museum für neue Kunst, Karlsruhe D
2008 BRIDGES 2008 Art Exhibit and international congress of mathematical connections in art, music, architecture and science, Leeuwarden NL
2016 Verknüpft. Haleh Redjaian und die Sammlung Museum für Konkrete Kunst, Ingolstadt D
2017aakvlakken,Beelden in Leiden 2017, Leiden, NL
2019Negative Space, ZKM | Center for Art and Media, Karlsruhe, Germany.
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myself in my „black box“, which I built especially for the
recordings in my studio. Blurriness is wanted. Martina Singer's
photographs are characterized by high liveliness and lightness.
Fabric – costume/everyday clothes, space – stage/scenery, light –
color/black-white, time – entertainment/short or long exposure,
mood – irony/seriousness are important elements of her photographs.
hall of theatre, dance, movement work (Feldenkrais, Kung Fu,
Butoh dance), appearances at the Munich Opera as Butoh dancer,
as well as several years of attendance at a drawing school
laid the foundations for her work.
fantastic and mystical. The protagonist experiences different
adventures, travels different worlds, always with a
breeze of humor. The second phase, the „Black Box Phase“,
makes use of similar structures. Here the costumes used in the
„Mary Phase“ are put together piece by piece to form
an evercreasing costume, which is staged anew in the
Black Box after each join. In the third phase,
the protagonist begins to travel into reality with
the completed costume and also other new costumes.
Fabric, clothing, costume, shell versus nudity stage,
these topics keep me busy.
inspired by the butoh dance influence my work:“
Tatyana von Leys
Date of birth: 08/27/1956
Place of birth: Innsbruck Tyrol - Austria - Europe
Elementary school, Graduation from commercial school,
French and philosophy studies at the Faculté des Lettres in Nice
1985 - 1989 intensive examination of painting, works in different studios in Austria
1989 to 2000 projects with the curator and art publicist Prof. Peter Weiermair (Director Frankfurter Kunstverein, Rupertinum Salzburg and Galleria d'Arte Moderna in Bologna)
Numerous individual Exhibitions, Exhibitions in groups in Austria and abroad
1996 Solo Exhibition
Gottfried Schmidt Gallery during the Alpbach International Cultural Forum, Tyrol - Austria
Group exhibitions:
Museum Odessa
Art Expo New York
Art books: Galerie Krinzinger Vienna: art books wwwgalerie-krinzinger-shop at / galerie-krinzinger-buch / Contributions to Hubert Schmalix, Manfred Lang, Ursula Krinzinger, Reimo Wukounig, Hannes Mienek, Tatjana Wirth (name during my first marriage)
Publications by Prof. Peter Weiermair (catalogs and articles for Art magazines)
Public Collections:
Klocker Foundation
Tyrolean State Museum - Ferdinandeum Innsbruck
Stadt Innsbruck
Stadt Imst
Land Tirol
Portrait orders at home and abroad
Writing/Publications
Essayist and Author: Das kleine Buch zum neuen Denken, 2018 ISBN 978-3-7460-5451-3
Essay for Unisversity Innsbruck / WuV Arbeitskreis Wissenschaft und Verantwortlichkeit
My Subjects: Trans- and Posthumanism
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Sweven
Sweven is a 22-year-old Southern California, United States, based artist that is currently on a promising path to a critical career. In his works he mainly lets his intuition guide him to make certain unique choices and such that create a profound emotional impact on the viewers. Sweven’s goal with the work is to take viewers through an emotional and humbling journey by untangling its hidden message one layer at a time, all within their minds.
Sweven has been expressing himself through art since young, painting being one of the many ways. He had a point where mental health took over and struggled tremendously at a young age. The only way he could spring back up from the struggle of mental health was through painting. Sweven re-found the purpose of paining; it was to spring back up from mental health. The works became more than paintings — it's the story behind it; the soul, pain, life, and thoughts instilled. Painting became a necessity, it’s a drug for Sweven (and his only drug).
Currently, Sweven is working on a painting series where he focuses on the imperfections of his touches on the canvas that are purposefully but at the same time intuitively embraced to bring light to the humanness in his practice in todays' digital age. He focuses on the practice of patience and imperfection in today’s digital era through purpose, resilience, and flow. Sweven has always been conscious of how our society was getting more addicted to digital — that everything needs to be perfect, and imperfections are not taken in like the word “perfect” does. As Sweven states, “as a perfectionist, it takes a toll, especially when it comes to art -- I get pretty extreme. It has been a constant practice to let go of that burden. My purpose in these practices is to find the reassurance and the beauty in our human imperfection — because it is ok to be imperfect. No one is perfect. At the same time, learning to be patient, and from trial and error with the creation of my art, I wish somewhere along the path that I can look for the notable strengthening of prowess and perhaps unleash the extraordinary.” The motion of just putting dots, one by one, helps Sweven spiritually explore and reflect. Sweven, in hopes, wants these works to be more than just a painting but a light and a form of communication for those who might have struggled or are in pain from mental health as well.
His works are rare and currently exist in some notable private collections. -----------------------------------------------------------------------------
Julia Lüdwig
Einzelausstellungen und Ausstellungs- und Messebeteiligungen [Auswahl]
2020Installation Waldstück/ Forest, U-Bahnhof Gesundbrunnen, Berlin
2020 Neue Kunst hat Freunde, Jahresausstellung im Neuen Kunsthaus Ahrenshoop
2020 Wir machen Druck- Ausstellung zu den trad. Drucktechniken, Alte Druckerei Sinzig
2020 PLAIN SIGHT. Radierungen und Zeichnungen. Galerie Graumalerei Berlin (Einzelausstellung)
2019 DAS TAPETENWERK TEILT 8.0. Auktion, Tapetenwerk Leipzig Halle
2019 Open Studios AR_29 2019, Berlin
2018 aufgekratzt & tiefgedruckt 2, Druckwerkstatt im Kulturwerk des bbk berlin //
Kunstquartier Bethanien am Mariannenplatz
2018 Open Studios AR_29 2018 mit Gastkünstlern, Berlin
2017 1st International Print Biennale Yerevan 2017, Jerewan, Armenien
2017 Schöner Anblick. Einzelausstellung, 09.09. - 30.10.2017, Galerie Oben, Salon Schloss Rabenstein, Chemnitz
2017 Pop-Up Art Gallery Berlin - Exhibition 2, The Ballery, Berlin
2017 125 Bilder suchen eine Kolonie, Ausstellungsbeteiligung, Galerie Peters-Barenbrock, Ahrenshoop
2016 Nichts als die Wahrheit. 50 mal Malerei. Klasse Pleuger 1999-2016, Ausstellungsbeteiligung, Kunststiftung Sachsen-Anhalt
2016 International Print Show, Wharepuke Gallery, New Zealand
2015 New Prints/SUMMER. IPCNY, International Print Center New York
2015 That rug really tied the room together. Das Gift, Berlin (mit Igor Bleischwitz und Detlef Suske)
2015 VEER. Galerie kurt im hirsch, Berlin (mit Robert Cossen und Jochen Schneider)
2015 Ereignis Druckgrafik 7, Tapetenwerk Leipzig
2014 Internationale Grafik Triennale Frechen
2014 Anonyme Zeichner, Pavillion am Milchhof, Berlin
2014 Open Studios AR_29, Berlin
2014 Galery Printmakers Inkshop/ Ithaka, N.Y.(USA)
2014 Ereignis Druckgrafik.6, Tapetenwerk Leipzig
2013 Open Studios AR_29, Berlin/
2013 Stipendiatenausstellung Galerie der GEDOK Schleswig-Holstein. Lübeck.(SOLO)
2013 Melancholie. Vom Tiefdruck in der zeitgenössischen Kunst. Neues Kunsthaus Ahrenshoop
2013 Ereignis Druckgrafik.5, Galerie VORORTOST, Leipzig/
2012 Berlin(er) am Meer. Galerie Parterre, Berlin/
2012 open]art[space, Projektraum Kunst, ehem. AEG-Gelände Berlin
2012 Assemblage. Neues Kunsthaus, Ahrenshoop/
2012 Ereignis Druckgrafik.4, Galerie VORORTOST, Leipzig
2012 3 junge Künstler.(mit Robin Zöffzig und Nina Hannah Kornatz),Kunstverein Halle
2012 Broadcast, Funkhaus Berlin
2011 Künstlerhaus Lukas, Ahrenshoop (SOLO mit Gudrun von Maltzan)
2011 Ausstellung der Stipendiaten. Städtische Galerie Wertingen (SOLO mit Ruth Baumann)
2010 Eberhard-Dietzsch Kunstpreis, Ausstellung der Nominierten, Geraer Bank
2010 Ausstellung Klasse Pleuger, Erholungshaus der Bayer AG, Leverkusen
2009 Klasse Pleuger. Galerie im Volkspark, Halle
2009 Freundschaftsspiel. Arbeiten von Julia Ludwig und Yifei Zhang. Halle
2009 abreisen. wegreißen. KunstinBetrieb 2009. Halle
2009 7ieben. Ausstellung von Studenten und Absolventen der Burg Giebichenstein, Magdeburg
2008 Utopie des Raumes. Nationalmuseum Kirgistan, Bishkek
2008 KunstinBetrieb 2008. Halle
Julia Ludwig // CV
lives and works in Berlin
01/ 2011 Master`s degree, class of Prof. Ute Pleuger [painting], Burg Giebichenstein University of Art and Design Halle
2009 Diploma in Painting and Graphic Arts, Burg Giebichenstein University of Art and Design Halle
2006/07 Erasmus Socrates Residency, Athens/Greece, Athens University of the Arts (ASFA)
2002-2009 Studies of Painting/Graphics Burg Giebichenstein University of Art and Design Halle
Scholarships and awards
2015 / 2017 Residency
Print workshop municipal gallery Wolfsburg (Wolfsburg Castle)
Since 2013 Studio funding from the bbk and the Berlin Senate
2013 GEDOK scholarship, Lübeck
Working residency, Neues Kunsthaus Ahrenshoop
2012 Art Award 'Neue Kunst hat Freunde', Neues Kunsthaus Ahrenshoop
2011 Scholarship Künstlerhaus Lukas, funded by the state of Mecklenburg- Western Pomerania
2011 Living and working scholarship of the city of Wertingen
2006 EILC- Scholarship Ioannina, Greece
2006/ 07 Erasmus Socrates Scholarship, Athens School of Fine Arts, Athens
Works in collections:Private, Wertingen Municipal Gallery
Solo exhibitions and participation in exhibitions and fairs in Germany, Kyrgyzstan, Greece, USA, Armenia, Bulgaria, New Zealand, among others.
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Armin Baumgarten
1967 geboren in Wolfsburg
1989-95 Studium der Malerei und Grafik an der Hochschule für bildende Künste
Braunschweig bei Prof. Hinnerk Schrader, Karl Möllers, Prof. Arwed D. Gorella und
Prof. Hermann Albert
1994 Beginn der Beschäftigung mit dem Thema Kopf
1996 Meisterschüler von Prof. Hermann Albert
1997 Wohn- und Arbeitsstipendium des Vereins Künstlerhaus Meinersen, Meinersen
Umzug nach Düsseldorf
2002 Beginn der Beschäftigung mit dem Thema Berg
2003 Erste Plastiken und Figuren-Bilder
2007 Kreuzbild für die Tersteegenkirche in Düsseldorf Golzheim
2008 Figurengruppen
2011 erste Großskulpturen für den Außenraum
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Douglas Tausik Ryder
Douglas Tausik Ryder was born in New York in 1954, and currently lives and works in UK.
In his body of work, Tausik Ryder responds to the digital age with conceptual, digital, and analog practices about structural and surface decisions. Tausik Ryder’s technology-assisted art making responds through a pioneering creative process, which delivers expressive, crafted sculptures. His theme has consistently been the figure in combination with geometry in compositional narratives.
Tausik Ryder has shown previously at Jason Vass, Los Angeles, CA; Denk Gallery, Los Angeles, CA; Guild Hall, Hampton, NY; and Pennsylvania College of Technology. His exhibition at Jason Vass was reviewed by by Christopher Knight, a Pulitzer prize winning art critic for the Los Angeles Times. And his sculptures are in the prominent notable private and public collections including that of Tom Ford, former creative director at Gucci and Yves Saint Laurent; Grand Park, Irvine CA; and Kite Pharama Inc, Santa Monica, CA.
In 2020, one of Tausik Ryder’s sculptures will be shown as part of the European Cultural Center’s exhibition at the Venice Architecture Biennale 2021.
Fikile Mqhayi
Fikile Mqhayi was born in Gugulethu township, Cape Town, South Africa. Fikile graduated in Fine Arts from the Michaelis School of Fine Art, University of Cape Town in 2011. He is a former member of the Guguletu Youth Brass Band and has experience in the film industry. He currently lives and works in Delft, Cape Town. He has participated in a number of group exhibitions locally and abroad: solo show - Khayelitsha kapkspunkilaisia, Helsinki,2017
Assemblage at AVA Gallery Cape Town in 2018.
Artworks of Mqhayi are included in the Nando’s Collection through Spier Arts Trust, where he sells his artworks.
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Manuela Beyer-Bunk - mabebuart
Geboren in Kempten / Allgäu / Germany.
In der Kunst der Perfektion im Bereich der Technik übte ich mich in meinen Berufen als Bauzeichnerin im Hochbau und später als Detailkonstrukteurin im Karosseriebau.
In der Perfektion im Bereich der bildenden Kunst mit und ohne Technik übe ich mich „öffentlich“ seit Ende 2011 als Autodidaktin.
2014 – 2018 Mitglied der Autoren Galerie 1 in München
Seit 2017 Mitglied im Badischen Kunstverein Karlsruhe
Meine Ausstellungstätigkeit, hier ein Ausschnitt:
2013
Ausstellung „Die Perfektheit und dasFehler“, G.A.S-station in Berlin / Kreuzberg
2014
34. Friedberger Kunstausstellung in der Aula der Stadthalle Friedberg
2014 / 2015 / 2016 / 2017 / 2018
Bilder, Briefe, Noten LXXXII / LXXXIV / LXXXVII / XC / XCIV in der Autoren Galerie 1 in München
2017 / 2018
51. / 52. Westallgäuer Kunstausstellung in Lindenberg
2017 / 2018 / 2020 online
Badischer Kunstverein, Mitgliederausstellungen 2017/2018, 2018/2019, 2020/2021 (online wegen Corona) in Karlsruhe
2019
„dailypoetry“ , Art-Diary-Dokumentation - Visuelles Poesie-Projekt 2019 auf Instagram
2020
Veröffentlichung eines Gedicht-Beitrags aus meinem „dailypoetryproject“ im Buch „Instagram Poetry For Every Day“, edited von Jessica Atkinson & Chris McCabe – National Poetry Library, Laurence King Publishing
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Emily Thomas
Emily Thomas is an internationally exhibiting British visual artist and woodworker, exploring architecture as an indicator of place identity. She studies the history, society and culture of particular places, initially through the thematic features of buildings, as well as their structural forms, materiality and colour. She uses photography to document her observations of these characteristics and then carries out academic research to inform, contextualise and reaffirm her findings. Taking her practical and theoretical studies into consideration, Emily then selects her most informative photographs to make collages and inspire drawings. This allows her to study her images further, kickstarting conceptual ideas and sculptural designs.
Emily became fascinated by urban environments when she moved from the British countryside to London in 2014. Throughout her bachelors degree at Chelsea College of Arts Emily developed her research of architecture, gentrification and urbanistics, and produced multiple artworks and exhibitions based on the city’s urban infrastructure. She has completed artist residencies at GlogauAIR Berlin and Soulangh Cultural Park Taiwan, and is currently developing another project remotely for La Escocesa Barcelona. In Taiwan, Emily explored six architectural genres influenced by invading colonies across time. In Barcelona, she is focusing on gentrification in Poblenou due to the 1992 Olympics. Emily’s Berlin residency uncovered new interests and questions about gentrification and affordable housing that encouraged her to move to the city in 2020. She is now based in Berlin and is engaging with social movements that work to improve quality of life in cities.
Emily’s knowledge of architecture, urbanistics and gentrification is combined with her technical skills in construction and carpentry, alongside her artistic skills in painting, drawing, photography and collage. This allows her to effectively develop and communicate innovative conceptual ideas with regards to place identity and architecture through distinct aesthetic means. Her final artworks are indefinable in terms of medium as they sit somewhere between painting, sculpture, object and architecture.
Emily’s artwork encourages the viewer to question social, cultural and political issues, their influences on architecture and its impact on society today.
Solo Exhibitions
2019 Shapeshifter,Soulangh Cultural Park, Tainan, Taiwan
2019 Emily Thomas, GlogauAIR Showcase Window, Glogauer Strasse, Berlin
2019 London is Open,Global 12 Festival, London
2018 Hackney, I love you. I lost you., Hoxton Cabin, London
2018 Disintegrating Space, The Royal Marsden Hospital, Sutton, England
Group Exhibitions
2019 Anniversary Exhibition, La peau de l’ours, Brussels
2019 Open Studios Exhibition, GlogauAIR, Berlin
2018 Orbit UK Art Graduates Show,Oxo Tower, London
2018 Young Talents,Tour and Taxis, Affordable Art Fair, Brussels
2018 Black Swan Arts Open, Black Swan Arts, Frome, England
2018 Fine Art Degree Show, Chelsea College of Arts, London
2018 Interim Show, The Cookhouse, London
2018 UAL Olympus Photography Awards, Bermondsey Project Space, London
2017 Translations,The Morgue, London
2017 Second Year Show, The Triangle Space, London
2017 Director and Curator ofHoney, I’m Home, A217 Gallery, London
2017 Liminal Ecosystems, Copeland Gallery, London
2016 Artists as Curators, A217 Gallery, London
2016 Territories, DLG13, London
2016 Cognitive Faculties, IKLECTIK Art Lab, London
2015 Synonyms for Exploration, The Cookhouse, London
2015 CCW Foundation Summer Show, Camberwell College of Arts, London
Education
2015 - 2018 BA (Hons) Fine Art, Chelsea College of Arts (University of Arts London)
2014 - 2015 Foundation Diploma in Art & Design, Camberwell College of Arts (University of Arts London)
Residencies
2020 (January - February) La Escocesa, Barcelona
2019 (April - June) Soulangh Cultural Park, Tainan, Taiwan
2019 (January - March) GlogauAIR, Berlin
Grants
2020 Emergency Response Fund For Individuals: Arts Council England
2020 Residency Funding Barcelona: La Memoria Artística Chema Alvargonzalez
2019 Artist Fellowship: Cultural Affairs Bureau of the Tainan City Government
2019 STEP Travel Grant: European Cultural Foundation
Press
2020 Soulangh Cultural Park: Live Interview with Emily Thomas《變形》(Shapeshifter)
2020 Daily Art Magazine: An Interview with Emily Thomas
2020 Daily Art Magazine: Exploring Place with Emily Thomas
2020 La Escocesa: Emily Thomas Solo Exhibition at Homesession (In The Melting Pot)
2020 La Escocesa: International Artist in Residence Emily Thomas
2020 Degree Art: Meet the Artist | Interview with Emily Thomas
2019 4SEE Magazine: Art, Interview, Emily Thomas
2019 Liberty Times Net: ‘Shapeshifter’ by Emily Thomas at Soulangh Cultural Park
2019 Nantian Local Tainan News: ‘Shapeshifter’ by Emily Thomas at Soulangh Cultural Park
2019 GlogauAIR: Live Interview with Emily Thomas
2019 European Cultural Foundation: Shapeshifting Berlin by Emily Thomas
2019 GlogauAIR: Showcase // Emily Thomas
2019 GlogauAIR: Emily Thomas Artist in Residence
2018 Chelsea College of Arts Degree Show: Emily Thomas
2018 La peau de l’ours: Focus On Emily Thomas
Commission Prizes
2018 New Dawn Risk Commission Prize, London
2017 Frontier Economics Commission Prize, London
Award Nominations
2018 The UAL Olympus Photography Award
2016 The Lynn Painter-Stainers Prize
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Simon Felix Haas
Simon Felix Haas, geboren 1992 in Schärding am Inn (AT)
Er studierte Lehramt für Deutsch und Geschichte in Salzburg und Linz. Die Schwerpunktsetzung des Studiums lag auf der Diskursanalyse und einer literaturwissenschaftlichen Analyse des Bösen in der Literatur.
Seit 2018 studiert er an der Kunstuniversität Linz Plastische Konzeption und Keramik. Neben Readymades arbeitet der Künstler bevorzugt skulptural mit Gips, Holz, Pappmaché und Keramik. Zurzeit lebt und arbeitet er in Reggio Emilia, Italien.
„Mit meiner Kunst versuche ich Gedanken und Gefühle in eine Form zu bringen, für die es meiner Sprache an Ausdrucksmöglichkeiten fehlt. Ziel ist nicht, Klarheit zu schaffen, sondern der Unklarheit ihren Platz einzuräumen. Nicht das Finden von Antworten, sondern das Unterstreichen von Fragen steht im Vordergrund. Je mehr ich verstehe, desto weniger verstehe ich.“
„Durch die monochromen Oberflächen verliert das Ausgangsmaterial an Relevanz und die Objekte fungieren lediglich als Platzhalter für die aus ihnen gewonnenen Assoziationen. Storytelling zum Anfassen – aber bitte nicht berühren“
Ausstellungen
2019 Rundgang Kunstuniversität (Colletiva), Linz (AT), Strafsachengalerie
2020 Ab heute nur noch Dosenbrot, Linz (AT), WHA-Galerie
2020 La belle époque der Einsamkeit, Reggio Emilia (IT), Galleria Spazio Aperto
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Sandra Strēle
Sandra Strēle graduated in 2016 from the Art Academy of Latvia, acquiring her Master's degree at the Department of Painting, also she had spent one semester as part of a student exchange programme at the Royal Academy of Fine Arts in Antwerp. She received the visual arts scholarship of the Boris and Ināra Teterev Foundation in 2012, the Brederlo von Sengbusch Art Prize in 2014, the SEB Banka scholarship in painting in 2016, the prestigious grant from The Elizabeth Greenshields foundation in Canada and Young Painter Prize in 2019. Sandra Strēle has held a number of solo exhibitions, participated in group exhibitions and artist residences in Italy, Belarus, Estonia, Lithuania, Norway, India, Belgium, Germany, France and elsewhere. Sandra’s works are in the collections of Latvian National Museum of Art, National Art Gallery of Lithuania, Lewben Art Foundation and Boris and Ināra Teterev Foundation, in Raivis Zabis collection, SEB bank collection and in other private collections in Latvia and abroad.
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Tim Cierpiszewski
2003 bis 2009 Studium der freien Kunst an der Kunstakademie Münster bei
Prof. Maik und Dirk Löbbert, 2007 Meisterschüler, seit 2009 Akademiebrief
2007 bis 2008 Gaststudium bei Prof. Martin Gostner, Kunstakademie Düsseldorf
2001 bis 2003 Studium der Philosophie an der Universität Essen
Ausstellungsbeteiligung: (Auszug)
2020 ICH SCHREIB DIR VON ZU HAUSE, dst Gallerie, Münster
2020 TAPE, Museum Abteiberg, Mönchengladbach
2020 POLAR, ARTWORK EARTH, The Atlas for Art on Ecology and Climate
2020 THE WRONG SIDE, Stroma Projectspace, Köln
2020 FIVE WORX, NEW DIGITAL COLLAGE
2020 ARCHIVE, DAS KONVOLUT
2020 RAUMWWW, Project by Daniel Hahn / Johannes Mundinger, Berlin
2020A6 Murals Worldwide, Instagram Project by Lydia Wierenga, Ten Boer, Niederlande
2020 EILAND, Eiland Projektraum, Essen
2019 WERKTALK, Monika Jarecka / Christl Mudrak, Berlin
2019 LIKE A HOUSE, Gesellschaft für Zeitgenössische Kunst, Osnabrück
2019 Hilbert Cierpiszewski Kersten, Hilbert Raum, Berlin
2019 CELLAR, Marie Wolfgang - Werkstatt und Praxis aktueller Kunst, Essen
2019 MGame, Stiftung Digitale Spiel Kultur, Mönchengladbach
2019 DEW21 Kunstpreis 2019, Dortmunder U, Dortmund
2019 NEULAND, Montag Stiftung für Kunst und Gesellschaft, Mönchengladbach Rheydt
2019The Cologne Art Book Fair, Kölnischer Kunstverein, Köln
2019 Artist Work Release, Josef Albers Museum, Quadrat, Bottrop
2019BEAT DOWN MIDNIGHT SWIM, Knappschaft, Unna [E]
2018 THE DARK SIDE OF THE ROOM, Salzamt, Linz, Österreich [E]
2018 HOMAGE TO THE SQUARE ARCHITECTURE, Salzamt, Linz, Österreich [E]
2018LOUD NOISE, Tyson, Köln [E]
2018 AT THE WELL, Josef Albers Museum, Quadrat, Bottrop
2018 SYNCHRON, Matjö – Raum für Kunst, Köln [D]
2018 ATRIUM, Kunsthalle Lüneburg, KulturBäckerei, Lüneburg [E]
2018 Kunst & Leidenschaft, 50 Jahre Kunstverein Gelsenkirchen
2018 DIN A 4, Kunst-Quartier, BBK-Osnabrück
2018 The Cologne Art Book Fair, Kölnischer Kunstverein, Köln
2017Berufung, Beruf, Verruf – Zur Absicherung der künstlerischen Existenz, Lecture,
(E) / Einzelausstellung (D) / Doppelausstellung
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Péter A. Leigh. Biography
Recent exhibitions
2016
2015
2014
2013
Institut für alles mögliche Berlin, Germany. Space Ophen Art Gallery, Salerno, Italy. Hortensia Gallery 2013 Exhibition Chelsea.
Dreamspace Gallery GFEST, London. A&D Gallery (Post Ray Johnson) London. Hackney WickED Festival The Outside World, London.
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KAROL HUREC
1948 geboren in MÜnchen
1969 - 1974 Studium an der Akademie der Bildenden Künste München
Ausstellungen
Seit 1970 ( Auswahl )
Kempten, Residenz
München, städt. Galerie
Erlangen, städt. Galerie
"Offenes Atelier"Kronach,
städt. Galerie im Rathaus
Fürth, Galerie Förstermühle
München, Haus der Kunst - Kunstsalon
London, P.O.S.K. Gallery
Coburg, Galerie am Hexenturm
München, Kunst im Lila Haus
Fürth, Kulturzentrum
Kulmbach, Plassenburg
Hof, Hypogalerie
Bamberg, Galerie am Stephansberg
Leipzig, MZvD Weltkongress 1997
Kronach, Kronacher Kunstverein e.V.
München, Forum Rutzmoser
Kronach, Kunstverein, LED-ART
Kronach, Festung
Rosenberg, Retrospektive
Kunst am Bau, Fotostudio
THRON, Kronach
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Harry Underwood is a self taught painter living in Nashville Tennessee. Born in Miami during 1969 and raised in the rural "Redlands" farming area near the city of Homestead Florida. His father was a Carpenter and his mother worked at a Supermarket. He has one sister. With his family he attended the Church of God pentecostal church until 1982. As a teenager he cleaned swimming pools at many of the Motels in the area and bussed tables at the Capri Italian Restaurant in Florida City. Uprooted by Hurricane Andrew in 1992 he lived in New Orleans and Austin, eventually settling in Nashville where he worked in the construction industry until 2005. His artwork has been shown by galleries in United States, France and England.
Artist statement
Meine Drahtskulpturen: Man hat eine feste Form vor Augen und und schaut zugleich durch sie hindurch. Das Geflecht aus Knoten und schwarzen Linien ist eine dreidimensionale Zeichnung, die sich mit jeder Ansicht verändert. Aus einer abstrakten Vorstellung heraus, wie dem Erleben von Freiheit, entstehen bei mir Skulpturen mit assoziativen Formen. Beim „Drahtweben“ knüpfe ich Strukturen, die biologischen Zellen ähnlich sind. Manchmal bekommen die „Webmuster“ eine rhythmische Ordnung wie sie Maschinen erzeugen, im Detail sind sie chaotisch und „handschriftlich“. Durch die handwerkliche Seite des Drahtflechtens erfahre ich mich selbst und erspüre die „Proportion“ meiner Arbeit.
Die Grafiken werden wie die Skulpturen von der Linie bestimmt. Sie entstehen im freien improvisatorischen Spiel. Räumlichkeit wird angedeutet und an anderer Stelle in die Fläche „gedrückt“, Formen und Anatomien werden dekonstruiert, beabsichtigte Striche werden teilweise unvollständig ausgeführt, um die „Offenheit“ der Grafik nicht zu gefährden. Ich vergesse mich beim Zeichnen. Es sind starke Momente aus Literatur, Musik und dem Leben, die ich dabei verehre. Die Natur, in der das „Zufällige“ seine Platz hat, hat mein Verständnis vom Entstehen und Gelingen von Kunst geprägt. Selbstgebaute und gefundene Zeichenwerkzeuge ergänzen die Handschrift und nehmen ihr das Absichtsvolle
Vita / Ausstellungen
Am 16.09.1966 in Dessau geboren
Steinmetzausbildung
Architekturstudium
Gaststudium Bildhauerei, Burg Giebichenstein, Halle-Saale 1999 – 2000
Aufbaustudiengang Denkmalpflege, Archäologie, Kunstgeschichte,
Ausbildung zum Mediengestalter – Printdesign in Leipzig,
Grafikkurse in Leipzig bei Tatiana Petkova und Andreas Weißgerber,
Mitglied im Bund Bildender Künstler seit 2009
Stipendien / Symposien
2020 Denkzeitstipendium
2019 Interdisziplinäres Symposium Schaddelmühle
2017 eu art network: Symposium 2019 Cseelley Mühle, Oslip, Östereich
2016 Internationale Bildhauerwerkstatt Schwarzenberg
2015 XI. Internationales Bildhauersymposium
Steine ohne Grenzen im Bucher Forst
2015 Esco-Salzwerk Stipendium
2014 Keramiksymposium Schaddelmühle
2013 Bildhauerpleinair Pegau
2012 Kügelgenstipendium Bernburg
2011 Projekt „Regenerativverfahren“,
Kunstverein Frankfurt / Oder
Ausstellungen und Ausstellungsbeteiligungen
2020 Voila, 30 Jahre BBK
2020 Blue Quarantine, vier Ausstellungsorte Leipzig
2019 Raum Schaddel, Galerie 4D Projektort Leipzig
2019 Galerie Flox“Still-Leben
2018 Art GO East Doppelausstellung mit Bea Nielsen im Japanischen Haus
2018 Auktionen Pögehaus, Tapetenwerk
2018 Din A> Leipzig
2018 Kunstinitiative “Im Friese” e.V.
Sonderausstellung „all we need is color“
2017 Friese.ev, „Tabu und Bruch“
2017 ArtFigura Schwarzenberg,“Re-Formation“, Juryauswahl
2016 Studio one
2016 esco Werk Bernburg
2015 Archäologisches Museum Chemnitz
2015 Alte Handelsschule Leipzig
2015 ArtFigura Schwarzenberg Juryauswahl
2015 Artcapella Schkeuditz
2014 Keramikzentrum Schaddelmühle
2013 Kunstinitiative “Im Friese” e.V.
Ausstellung: „Sinn und Glück“, Kurator: Christian Gracza
2012 Kunstverein Ibbenbüren mit Tatiana Petkova
2012 Sparkasse Bernburg,
Gemeinschaftsausstellung zum Stipendium
2012 Galerie d‘été ,Vitrac St. Vincent, Frankreich,
mit Katja Enders und Marta Runge
Marianne Lang
*1979, Graz / Steiermark
Ausbildung
1998-2005 Universität Mozarteum
Klasse für Malerei und neue Medien bei Professor Dieter Kleinpeter Stipendien / Preise ( Auswahl)
2010 Staatsstipendium für bildende Kunst Österreich, FörderpreisLandSalzburg
2003-09 Atelierstipendien Berlin, Budapest, Montrouge, Virginia, Paris
2007 Jahresstipendium für bildende Kunst, Land SalzburgEinzelausstellungen ( Auswahl)
2020 Vermessung der Leere, Stadtgalerie Salzburg
2018 Spiegelbildlich, Bildraum 01. Wien
2017 Wald, Galerie Zimmernann Kratochwill, Graz
2015 Das Haus im Grünen, Galerie Bäckerstrasse4, Wien
2013 Intervention (3) Albertina, Wien
2011 Wallpaper, Studio Kunstverein, Salzburg
2010 Mein Zimmer im Raum, Kunstverein das Weisse Haus, Wien
2009 A Room of one´s own, Stadtmuseum, Graz
2004 „Living Room“, Galerie 5020, SalzburgAusstellungsbeteiligungen / Projekte (Auswahl)
2020 Beethoven unter einem D-A-CH, Künstlerforum, Bonn
2020 4x4 Galerie Schloss Wiespach, Hallein
2019 Art Austria, Galerie Loft8, Wien
2019 Veränderung, FH Campus, Wien
2018 Obsession Zeichnung, Bruseum, Joanneum, Graz
2017 Drawing Now, Messestand Galerie Bäckerstrasse 4, Paris
2016 No Panic It´s Organic, Galerie Zimmernann Kratochwill, Graz
2015Der Raum nach dem Raum, Kunsthaus Muerz, Mürzzuschlag
2014 Phasenraum - Zeichnerische Ansichten, Loft 8, Wien
2013 New Frontiers, Forum Frohner, Krems
2012 Zones of Habitation, Krokus Galerie, Bratislava
2011 Ortung, Kunstverein, Salzburg
2010 Diözesankunstpreis, Minoriten Galerie, Graz
2009 Salzburg-Litauen, Traklhaus Salzburg / Vilnius
Stefania Pinsone
Stefania Pinsone is an Award-winning artist (EWAL Premier Art Award London 2019 Top Prize winner). Awarded by the head judge Professor Emeritus Dan Fern at the Royal College of Art of London. Her artworks are characterized by a powerful personal painting style that combines a strong figurative imagery with the elegance of a new contemporary impressionism of the digital age.
Her artistic project is double and dedicated to exploring both the inner space of the brain mechanics using a complex system of symbols and signs, and the external space, distorting the images as seen through a video screen in its multiple meanings. This last project is characterized by extreme experimentation in style and in the use of different materials, among them Plexiglas, aluminum, iron, rhinestones, LED lights, copper, resin and metallic or fluorescent colors.
Stefania Pinsone was born and raised in Rome, she holds an MFA degree and a MA in Art History. After some years of professional artistic work - mainly in Rome and Milan - and a long period of art teaching in high schools in Rome, in 2009 she moved to the Basel area in Switzerland starting an international activity. Her artworks are published in the Art book: International art today – 2016 and 2017 editions, curated by Dr. Ingrid Gardill. Published also in the autumn and winter 2020 editions of House & Garden, Tatler, GQ and Vogue (The Condé Nast Publications Ltd, Vogue House, London).
She has received in 2019 the recognition certificate by the Ambassador of Italy to Switzerland, H. E. Silvio Mignano for being the best expat Italian talent in her field.
Since 2018 she has started a parallel activity of professional Graphic Designer for IES ltd in Basel
Education
MFA in visual arts.Accademia di Belle Arti di Roma, 1997
University Diploma: Bachelor course in Cultural Services, Università degli Studi di Firenze, 2004
Degree in Art History, M.A. with honors, Università degli Studi di Roma Tor Vergata, 2007
Exhibitions
2020 Personal exhibition in Gh36, during the Berlin art week, 12 -22 September 2020, Co-curator Dr. Lily Fürstenow, Berlin.
Starting a commercial partnership with Vogue, House & Garden, Tatler and GQ(The Condé Nast Publications Ltd, Vogue House, London).
Starting collaboration with E.ARTISauction Haus , May, Chemnitz (DE)
$€X¥ Gstaad, art exhibition organised by ArtsFemin,Huus Resort Hotel, Feb.-Mar. 2020, Gstaad (CH)
2019 Personal Exhibitionat R4L art Gallery Nov.-Dec, Seon (CH)
Premier Art Award Exhibition London2019,Top Prize winner(10/31/19), head juror: professor emeritus Dan Fern at the Royal College of Art of London. LaGalleria Pall Mall, London
Selected artist for the "Director's choice" in ArtMuc, October, Munich (DE)
Consignment of the recognition certificate by the Ambassador of Italy to Switzerland, H. E. Silvio Mignano, and the Italian Consul in Basel, Pietro Maria Paolucci during the 1st Edition of the "Young Italian Talent Day in Switzerland" (5 October, CH)
When art meets jewellery: Brahmfeld & Gutruf. org. by affordableart.de, Sept-Oct., Hamburg
Duo Exhibitionat Posk Gallery, 26 - 31 August, London
Platform for emerging artist #22, selected for exhibition in Leyden Gallery, 13-25 May, London
London-Kyoto FAPDA Award, winner in art print category, exhibition in Be Gallery, May, Kyoto
2018 Selected artist for the Director's choice" in ArtMuc, November, Munich
The Discovery Art Fair, with Parcus Gallery, November, Frankfurt (DE)
“Grand Salon 2018“, Villa Berberich, Jan.-Feb., Bad Säckingen (DE)
2017 Exhibition in the public museum Wanlin Art Museum, Hubei Art Festival, Nov., Wuhan, China
Selected artist atEWAAC 2017, category painting, exhibition in the Pall Mall Gallery, Oct., London
Selected forEWAAC-Artist in Residence 2017with final exhibition in Posk Gallery, August, London
Selected artist for Personal Exhibitionat Onepeak Hubei Culture Media Co., Ltd., TS1 Gallery, Wuhan City, with the agency Amalart S.r.l.May-June, Wuhan,China
2016 “AAF, Affordable Art Fair”, with Galerìa Gaudì, February, Brussels
Representationat Atkinson Collection Gallery, Chicago
“Modern Woman In Art”, Exhibition for modern and current art, Basel Art Center, June, Basel
LISTE 21/Art Basel - art fair,represented by Kaskadekondensator& Dr. Kuckucks Labrador,June,Basel
ExhibitionatLe Dame Art Gallery, June-December, London
AwardedatEWAAC 2016 withEncouragement Price; exhibition La Galleria Pall Mall, Oct. London
“Seeking Peace: Figurative or Abstract Art?”, collective exhibition in Basel Art Center, Nov., Basel
2015 Double exhibitionin the art Gallery Haus am Bach, April, Sissach (CH)
“Kölner LISTE”art fair, with A-Space gallery, April, Cologne
Solo Exhibition, Art & Context 101,Art Gallery, October-November, Basel
“Satellit 15”, collective exhibition with SGBK Basel,November, “Kultur Nacht Liestal”
2014 “Under One Roof”collective exhibition, Gum Gallery, May, Moscow
“Cutlog NY” Art Fair, May, New York
“Frisch Gestrichen”double exhibition, Galerie Eulenspiegel,Aug.-Sept., Basel
“Copenhagen Art Contemporary art fair”,September, Copenhagen
2013 “Sommerausstellung”collective exhibition, Galerie Schöneck, Riehen, Basel
“Selection”collective exhibition, Galerie Schöneck, Riehen, Basel
2004 “Collocazioni domestiche: percorsi urbani”collective exhibition. Show RoomSMIT, Rome
2003 “Blerò” Personal Exhibition.Fondazione Katinca Priniand Contini Gallery, Bardonecchia
2002 “Nuovo Quadro Contemporaneo” collective exhibition. Palazzo Cedir, Reggio Calabria
2001 “Hellzapoppin”collective exhibition.Galleria d’Arte Mascherino, Rome
“Match”collective exhibition. Galleria d’Arte F. Russo, Rome
2000 Collective Exhibition.Galleria Comunale d’Arte Moderna e Contemporanea di Roma, Rome
1999 Personal Exhibition.Studio D’Arte Cannaviello, curated by E. Cannaviello, Milan
1998 Personal Exhibition, with catalogue, Galleria d’Arte Mascherino, curated by G. Marziani, Rome
Work experience
Exclusive Contractwith the art gallery, Galleria d'Arte Mascherino, Rome, 1998-2008
High school teacherin art history and drawingin San Sisto Vecchio, Rome, 2002-2009 and in state schools
Work order: double portrait of the client and his wife, December 2014
Graphic designer forIES ltd from January 2018, for Anapath Ltd from June 2019, Basel (CH)
Publications
Sant’Urbano alla Caffarella: nuove indagini e scoperte,Rivista dell’Istituto Nazionale d’Archeologia e Storia dell’Arte, no. 59, 2010
“Stefania Pinsone”, Catalogue for the personal exhibition, curated by G. Marziani, Rome, 1998
“Violence and Perception”,Catalogue for the personal exhibition, curated by Dr. B. Reuter, Basel, 2015
Inclusion in the art book: International art today – 2016 and 2017, curated by Dr. Ingrid Gardill,(May 2016, May 2017), IKH-Publishing Martina Kolle -www.internationalekunstheute.com
Adrian Pocobelli (1979) was born in Saskatoon, Saskatchewan, in Canada's midwest. He became interested in images at a young age when he began collecting postcards of Roman mosaics on his first trip to Italy and was given the stamp collection of his late Italian grandfather. As a teenager he became interested in sports cards, and later comics, eventually working his first job at a comic store in Saskatoon.
In his twenties he completed a Masters in English Literature at the University of Saskatchewan, writing a thesis on The Atrocity Exhibition by J.G. Ballard, after which he moved to Montreal, where he worked as a graphic designer. He later moved to Toronto, where he spent four years as a news editor before moving to Berlin in September 2016. Pocobelli currently lives and works in Berlin, Germany.
Screen Memories
The history of art is etched into our collective psyche. Although we have different exposure to art based on our interests and education, there is nonetheless a general consciousness of what art is and what it looks like, and generally these notions are transferred through famous, so-called canonical, images. In this respect, art history acts as a visual anchor of sorts — a reference point — in a visually overstimulated world.
Sigmund Freud coined the term screen memoryto describe a distorted visual memory originating in childhood. Based on its ubiquity, the history of art can be seen as a kind of visual childhood memory of the mass psyche. By masking parts of these canonical works with screenprinted areas of colour based on digital techniques, I’m attempting to celebrate the fresh look of technology, using the smartphone as compositional tool, while also commenting on a covered up, painted over spiritual world, which, for good or ill, remains largely hidden in our secular society. In simple terms, technology is masking the divine, and the results are ambiguous. From a technical perspective, my core interest is what I call “travelling through the mediums.” How does an image transform from its original incarnation as an artwork in a gallery, to the photo of the artwork, to its compressed version as a JPG and its representation on Google Images search results to being scanned, printed and screenprinted overtop? Through this visual alchemy, I hope to have created a contemporary and relevant art object.
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Franziska Stevick
Franziska Stevick catches the gentle dynamics between evolution and definition. Her often surreal depictions of transformations in movement and meaning are forever alleviating.
Born into Berlin’s urban creed of grey skylines and enthralling nightlife, she has an affinity for nature and a great love for the outdoors. Frequenting the outer limits of Brandenburg under the stars or not; Franziska brings much of that connection to her sought tranquillity towards the natural ebb and flow of things, into her works.
Franziska Stevick has over the years been a part of many intimate collections - be that performative, exhibitions, commissions or print. Alone or in collaborative projects alike her work spans many varied techniques with a sure focus on collage. Not limited to this however, Franziska has explored paint, shop installations and lithography (gravure).
Franziska has continued her exploration of painting, drawing, installation and lithography and has found paper, in the form of collage, to be a satisfying and inspiring media. Often using discarded magazines and newspapers, her reform of the structure and the characteristic uniformed grid used in printed media combined with her drawings perfectly exemplify the noted comfort in nature’s ebb and flow.
Franziska’s most notable projects include; collages / drawings of characters, untitled, newspaper on paper.
“When people see my work, I hope they experience the world of details”
Maarten de Mink (b. 1977) was born in Limerick, Ireland, but raised in various places all over The Netherlands. He currently lives and works in Amsterdam, The Netherlands. He graduated from the RUG University in Groningen (NL) in 2002 after having studied literature. Perhaps due to this academic background, Maartens' works seem to have a storytelling aspect to them. Maarten aims to tell graphic 'tales' that have many angles, but at the same time appear very clear-cut.
Maarten is a graphic artist whose work oozes and flows with energy. In his very characteristic way he carefully combines the abstract with the figurative, creating a fine balance between the two. To achieve this, he combines pictures out of magazines with shapes and figures from his own imagination. His collage-style drawings have been described as 'psychedelic windows into a fractured universe that tastes like Picasso meets Monty Python.
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Esra Nesipoğulları
Esra Nesipoğulları, 1991 Turkey, architect / self-thought multidisciplinary artist, born and raised in Turkey. Currently resident in Italy. After working two years in several architectural design studios in London, Istanbul, and Mantua, she moved to the art and curatorial field. Her works often respond to personal stories in the cultural and political contexts. She is with Amal Muntaser, the associate founder of Ambaradan Think Tank.
Think Tank Manifest
The main idea of the think tank centers around critical dialogue focusing but not limited to art, architecture, museology, urbanism, and culture. Moving away from institutionalized knowledge by creating a framework to look at the past, knowledge, and academy builds upon a less authoritative manner but in a more open-ended, cumulative mode sincethe academy suffers from representational crises (self\other), especially in art and architecture.
Statement
Contemporary art is, to me; the question of consecrating anything to do with art and art per se, which is not complete without the viewer and its narration. Very personal response to the concerns of the present social, political world from the necessity of expressing oneself is the ultimate personal approach to my works. I am exploring different tools to translate that need of producing into a form. Storytelling is my predominant conceptual reference origin to represent what I am living through. Personal founds and memories as art materials and my process transmit a sense of reality that manifests itself. My long architectural education permitted me to be experimental with the structural tools and always thinking in the context of space.
Education
2017-2020 Politecnico di Milano, Architecture and History, Master's Degree
2009-2015 Mimar Sinan Fine Arts University, Architecture, Bachelor's degree
Competition & Awards
2013 EAAB (Emre Arolat Researching Scholarship)
Case study: Cuba, Santa Clara: Changing in the use of public and semi-public spaces from 1951 until USSR's disintegration
2011 Mamak Housing Design Competition (2nd Mention)
Academic Representations
2014 Presentation - Spatial Organisation of Public Squares- Case study: Cuba, Santa Clara
2011 Presentation - Urban Renewal in Istanbul
Selected Exhibition Group
2020 Monaco Art Fair Art3f Represents by Van Gogh Gallery -Madrid, Monaco/France
2020 In 24-Hours exhibition curated by Ayshia Taskin at The Wall Space Gallery, Scotland, UK
2014 Red Cube, Installation, CYME Association Art Project, Miramas, France
Selective Press
Gazetta di Mantova
Esra ha ricostruito il mistero della soffitta
https://gazzettadimantova.gelocal.it/mantova/cronaca/2020/08/10/news/mantova-una-valigia-abbandonata-e-i-ricordi-del-passato-cosi-esra-ha-ricostruito-il-mistero-della-soffitta-1.39179251
In 24 Hours Online Exhibition
http://ibpcpa.co.uk/in-24-hours/
Points of view Conventia
http://pointsofview.salotto58.com/2020/05/06/conventia/
The Circa Project Conventia
https://thecircaproject.com/39-ESRA-NESIPOGULLARI
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Katy Shepherd
Katy Shepherd was born in Bournemouth in 1961 and studied painting at Sheffield Polytechnic. She later received an MA for painting from the Royal College of Art, London, in 1991. After leaving the RCA she quickly became interested in working digitally with the new software that had become widely available and learnt how to create short films from manipulated photographs. In recent years Katy has found herself beguiled by early cinema and has introduced more "old school”, lo tech, methods to create animations, employing her skills as an artist to paint and draw images for the frames.
After nearly thirty years in London Katy has now returned to Dorset on the south coast of England where she has built her own studio.
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Fred El Bekkay
Fred El Bekkay was born in Paris, graduated in architecture, he develops an eclectic approach based on architecture, writing and photography. He collaborated with Purple Editions between 1995 and 2001 and published several short stories in Purple Fiction magazine. In 2016, he created social housing in Paris, in a minimalist style and offered the Graphic Surgery the creation of a fresco on the building. Today he devotes himself mainly to photography and writing short text.
Fred El Bekkay est né à Paris, diplômé d’architecture, il développe une démarche éclectique basée sur l’architecture, l’écriture et la photographie. Il collabore avec les éditions Purple entre 1995 et 2001 et publie plusieurs nouvelles dans la revue Purple Fiction. En 2016, il réalise des logements sociaux à Paris dans un style minimaliste et propose au Graphic Surgery de réaliser sur le bâtiment, une fresque.
Aujourd’hui, il se consacre essentiellement à la photographie et à l’écriture de texte court.
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Thomas Reischauer
1972geboren in Schärding, Austria
1988 - 1994Lehre zum Kfz-Mechaniker
1994 - 1996Umschulung zum Bautechnischen Zeichner
1996 - 2001arbeitet im Glasbau und Brandschutztechnik
2002 - 2011IT Application Manager
2003 - heuteautodidakter Künstler
Ausstellungen:
2005Burgtaverne Wassertor, 4780 Schärding, Austria
2007Private View im Studio, 4681 Rottenbach, Austria
2009Velvet Hair and Artworks, 4840 Vöcklabruck, Austria
2010Private View im Studio, 4780 Schärding, Austria
2011Biennale Internazionale D‘Arte Contemporanea, Florence, Italy
2012Private View im Studio, 4780 Schärding, Austria
2013Tage des offenen Ateliers, 4780 Schärding, Austria
2014„Universen der Kunst“ 51. Ausstellung,
Kulturkeller der Energie AG, 4090 Engelhartszell, Austria
2014See Me Takeover Projektion, Times Square, New York City, USA
2014Tage des offenen Ateliers, 4780 Schärding, Austria
2014Fahrschule SAFARI, 5280 Braunau am Inn, Austria
2014See Me Art Takes Miami Projektion, Miami, USA
2015Tage des offenen Ateliers, 4780 Schärding, Austria
2016„Momente“, 4786 Brunnenthal, Austria
2016Tage des offenen Ateliers, 4780 Schärding, Austria
2017„KUNST:dialog“, 4780 Schärding, Austria
2017„Kreuz und quer“, 4780 Schärding, Austria
2017Kulturnacht Friedrichstadt, 25840 Friedrichstadt, Germany
2018Kunstraum Naturkost, 25840 Friedrichstadt, Germany
2018Wirt in der Rosenau, 4863 Seewalchen, Austria
2019Lebensraum Neumarkt, 4720 Neumarkt, Austria
2019WINWIN Schärding, 4780 Schärding, Austria
Künstlerischer Ansatz
Meine Arbeiten sind Abbilder von Erlebtem. Gehörtes, Gefühltes, Gesehenes ist in ihnen verarbeitet. Musik spielt dabei eine sehr große Rolle.
Erleben bedeutet Identität. Identität entwickelt durch Erleben.
Diese sich immer während ändernde Identität spiegelt sich in meinen Arbeiten wieder. Dabei sind die einzelnen Werke jeweils nur Momente einer Identität kommuniziert durch das jeweilige Werk.
Identität ist zwangsläufig ein Prozess, ein ständiges Ändern und kann nur durch völlige Isolation oder dem Tod zum Stillstand gelangen.
Was ich zum Ausdruck bringen möchte ist IDENTITÄT = ECHTHEIT einer Person. Die Flucht vor dem gesellschaftlichen Müssen, Individualität sollte das Ziel sein.
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Diego Gabriel Morales
The troubles that modern society charges with its, mixed with visual learning carried out from its beginnings, are points that define and seek to portray the experiences of what Diego Morales' work is. A peculiar character who sees into humanity as an insignificant portion of cosmos, but as insignificant as been humanity changed interpretation of the newest perception of what insignificant is, generating alterations on natural in an accelerated way and without a possibility to go back. That’s why it’s taking that as a starting point to understand that reality is surreal and pieces what he worked until his 27-year-old come to make more sense.
Thinking of what surrounds us doesn’t change the perception of each one, is like seeing this page on blank page without any kind of message. All his pieces reflect each moment lived since Diego’s birth in Bolivia; at the same time that his steps through graphic experimentation and biggest contact with live art was construct meanwhile he lived in Europe until the new reality bounded by four walls, having as the only tool the imaginary of what the world remains and how it develops on the way to its end of season.
As same as a series, one's life can be summarized in the previous scenes to each episode. Having with this a human passionate about the image and comprehension of each environment; he’s profession is graphic designer and visual communicator, but with an immerse inclination to art, through to his temporary training in art during times he lived in Barcelona. Thinking about one of his skills is versatility and understand how infinite graphic representation is, he never tried to limit himself on one technique and went through multiple techniques such as video projections, photography until his last form to manipulation and alteration of image within collage.
Diego currently resides in Bolivia but more specific in his room until the world is restarts again.
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