Donnerstag, 29. Oktober 2020

X-treme. Curator. Lily Fürstenow. October 2020. Participating Artists: Marianne Lang (AU), MARIA DEBORAH (AU), Esra Nesipoğulları (T), Hannes Uhlenhaut (De), Aurelia van der Burght (NL), Dagmar Vogt (DE), Edit Toaso (HU/UK),Fred El Bekkay (Fr), Konrad Thalmann (De), Marianne Lang (AU), Markus Butkereit (De), Martina Singer (DE), Frédéric el Bekkay (Fr), Harry Underwood (USA), Laurence Poole (UK), Thomas Manelli Mann (DE), Gerard Caris (NL), Maider López (DE), Annika Stoll (De), Sandra Strēle (Latvia), Péter A. Leigh (UK), Adrian Pocobelli (DE), Julia Ludwig, Stefania Pinsone (Swiss), Douglas Tausik Ryder (USA), Ulrike Martha Zimmermann (DE), Diego Gabriel Morales (Bolivia), Simon Felix Haas (Austria), Katy Shepherd (UK), Lidia Fiabane (It), Dörte Lützel-Walz (DE), Maarten de Mink (NL), Armin Baumgarten (DE), Tim Cierpiszewski (DE), Mara Wagenführ (DE), Franziska Stevick (DE), Tatyana von Leys (DE), Heikedine Günther (Swiss), Manuela Beyer-Bunk, Mathias Roloff (DE), Semra Sevin (DE), Karol Hurec (DE), Lisa Claire Stolzenberger (DE), Julie Davidson Smith (Canada), Thomas Reischauer (Austria), ROBERTO ROLANDO (It)


Karin Wassmer.


Thomas Reischauer. GOING INSANE DURING LOCKDOWN. 2039 views

 Extreme conditions call for extreme action. Online exhibition X-treme is an ongoing project curated by Lily Fürstenow that aims to exhibit online the work of contemporary artists across the globe in an attempt to analyse the role of art in the times of crisis. Facing repeated Corona lockdowns artists all over the world experience unprecedented circumstances where usual creative routine is interrupted with dismal artistic and financial prospects for the future. It is essencial therefore at this moment in history to analyse art at the extreme and artistic production under extreme conditions. It is an attempt to take art to the extreme, possibly to its extreme and utter limit /as far as the online format allows for that/. What is artistic practice like during the conditions of X-treme, like pandemic, financial crisis, political volatility and uncertain future? It is important to look into the strategies of artistic production and alternative modes of exhibiting art under the pandemic conditions - which is in short the aim of this online show. Artists who would like to reflect on these questions are welcome to participate, irrespective of age and country of origin. All kinds of formats are welcome: giffs, moving images, drawings, paintings, foto, sketches, open letters and poems and more. This exhibition is a follow-up on the two online exhibitions curated by Lily Fürstenow since the beginning of the Corona pandemic in March 2020 entitled Art against Corona. Kunst in der Coronakrise with over 50 participating artists. 

 For participation please contact via e-mail: liliartresearch@yahoo.com   /   Facebook -  Lily Fürstenow or instagram: @lilyfuerstenow   

Marianne Lang 2. Schattengewächs Sgraffito, Intervention Albertina, Wien, 2013-14



  • Hannes Uhlenhaut. Exhibition Views. Die Verwandlung. Museum Schloss Bad Pyrmont. 2017

Circle No 2  porcelain, wood, lacquer ø 160/30 cm. 2017

           Locco Canidati  Ceramics, plaster, styrofoam, wood, lacquer, dimensions variable. 2017

     photo. Jakob Adolphi 




Hannes Uhlenhaut. Brixton. Porzellan, Lack. 17/29/30 cm. 2018


János Brückner. Poem Reciter – acrylic, canvas, 120x160 cm, 2020

Semra Sevin. Draft for the Art project comeptition Draussenstadt Berlin that was cancelled due to the Corona pandemic. 



DAGMARA GENDA.  Searching for the value of art 

In her search for the true value of art Dagmara Genda invites anyone who feels interested to participate in  an exchange of correspondence during the isolation forced upon us by the pandemic. All you need is a postcard-sized piece of paper onto which you can make a drawing, print a photo, write a poem or your favorite family recipe – whatever gets you through this exceptional time and send it to Dagmara per post. Dagmara Genda is an award-winning artist living in Berlin. For her postal address and biography, please scroll below. 

Maider Lopez. Archipelago. FestenAvesta Art's, Verket. Avesta, Sweden, 2019

Extreme Bedingungen erfordern extreme Maßnahmen. Die Online-Ausstellung X-treme ist ein fortlaufendes Projekt, kuratiert von Lily Fürstenow. Das Ziel des Projekts ist es, Werke zeitgenössischer Künstler*Innen  online auszustellen. Angesichts der wiederholten Corona-Lockdowns erleben Künstler auf der ganzen Welt noch nie dagewesene Umstände, unter denen die übliche kreative Routine unterbrochen wird und die künstlerischen und finanziellen Aussichten für die Zukunft düster werden. Es ist daher in diesem Moment der Geschichte von wesentlicher Bedeutung, die Kunst in Krisenzeiten und die künstlerische Produktion unter extremen Bedingungen zu analysieren. Es ist ein Versuch, die Kunst auf die Spitze zu treiben, möglicherweise bis zur äußersten Grenze / soweit das Online-Format dies zulässt/. Wie sieht die künstlerische Praxis unter extreme Bedingungen aus wie z. B. Pandemie, Finanzkrise, politische Volatilität und ungewisse Zukunft? Es ist wichtig, sich mit den Strategien der künstlerischen Produktion und alternativen Ausstellungsmodi auseinanderzusetzen - was in Kürze das Ziel dieser Online-Ausstellung ist. Künstlerinnen und Künstler sind unabhängig von Alter und Herkunftsland zur Teilnahme eingeladen. Alle Formaten sind willkommen: Giffs, bewegte Bilder, Zeichnungen, Gemälde, Fotos, Skizzen, offene Briefe, Gedichte und vieles mehr. Diese Ausstellung ist eine Fortsetzung der beiden von Lily Fürstenow kuratierten Online-Ausstellungen seit Beginn der Corona-Pandemie im März 2020 Art against Corona mit über 50 teilnehmenden Künstlern. 

 Für die Teilnahme wenden Sie sich bitte per E-Mail an: liliartresearch@yahoo.com / Facebook - Lily Fürstenow oder instagram: @lilyfuerstenow



Hannes Uhlenhaut. Rooster Relict. Porcelain, iron
77/78/29 cm. 2020



Marianne Lang. Buchdrucker und Kupferstecher, Stuck, Ausstellung Haus im Grünen, Galerie Bäckerstrasse 4, Wien,  2015



Exhibition View. Hannes Uhlenhaut. Closer. Double solo exhibition with Winnie Seifert at Galerie Oel Früh, Hamburg. Photo. Antje Sauer 

Hannes Uhlenhaut. Blue China. Porcelain mounted on wood. 88,5/124/5 cm. 2020

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NEUE PRESSE ZEITUNG  and KUNSTFORUM INTERNATIONAL about artist  Karol Hurec and X-treme  representing his works online:




 

 For more by Karol Hurec please scroll below 

X-treme online in the Current Issue #14 of The Arts of the Working Class Newspaper. Featuring Martina Singer's “The Face Behind the Mask”:


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Marianne Lang. Schattengewächs Sgraffito, Intervention Albertina, Wien, 2013-14






Fikile Mqhayi 


Recent EVENTS Jan. 25.-13. Feb. 2021

Schaufenster Kino




 Markus Butkereit. Unfolded Perceptions. 

Zusammenarbeit mit X-treme online. Kuratorin Lily Fürstenow 
Kino für Moabit in Plattform Moabit/Berlin

Filmscreenings of

Parapluie. Markus Butkereit



The Jog. Musquiqui Chihying.

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Dagmar Vogt. Springerin am Teich




Manuela Beyer-Bunk, Exhibition View. Künstlerbuch - doch ist dort die Langeweile feiner - Badischer Kunstverein, Karlsruhe 2017





Fikile Mqhayi 



Konrad Thalmann. Head 36x32x32 cm keramik. 2016-Privatsammlung-Ibbenbüren


Esra Nesipoğulları. Red Cube' 2014, site-specific installation, Miramas, France
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X-treme online featuring KAROL HUREC. Kunstverein Kronach Hommage an Mileva Maric










Price upon request: 

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#lilyfuerstenow @ytrsbdg65


SIMON FELIX HAAS


Abeignung der Eitelkeit. Mixed media. 43x30cm. 2020

Es wäre schöner wenn du das in Zukunft lassen könntest. Mixed media. 42x67cm. 2020

Morgen wäre das nicht passiert. Mixed media. 20x30 cm. 2018

Framed Objects

Objects tend to have a strange power over us. The increasing commodification of art in the recent decades has irrevocably contributed to the commercial hype around art objects and to the conventions of their display. In his recent tableaux Simon Felix Haas rethinks the tradition of ready-made in art. 

By framing fashionable and decorative mass production objects the artist mimics forms of high-end design and display. His repertory of forms involves immediately recognisable symbols of desire, products of mass culture, phallic forms, fetischistic clichés that cause chains of associations. These dysfunctional commodity sculptures mounted onto decorative picture frames are informed with ambivalence. 

The psychically charged objects juxtapose the subject of the person and the objecthood of the thing. Monochrome colored surfaces look sleek due delicate finish in tones varying from all sorts of pastel hues to darker browns, aggressive reds, yellow and blues. Some objects burst the frames sprouting out, others are set on the surface serving as a tablet. The fetish aspect of the found objects is intensified by the titles that imply charged narratives, subjective memories, self-contained erotic phantasies or witty citations. The framed objects attached to polished surfaces or directly onto frames in place of image are signs for easel paintings turned into sculptural objects. 

They’re produced in certain series in various sizes and colors as a mock-up of the capitalist mode of production, reifying the seriality of contemporary artistic practice while simultaneously questioning productivity in the times of pandemics. The discrepancies of shape and color, sign and signifier evidence ambivalence in Simon Haas’s work that analyses the Duchampian tradition of ready-made, the surrealist symbolics attached to objects as well as more recent artistic practicies crtiticising art commodification trends such as those of Allan McCollum, Claes Oldenburg and others. All art is design serving various purposes across various epochs. With Simon Felix Haas it is among others an attempt to find out one's inner hostilities and affections, taboos and disturbances as well as to cast a critical view on the consumerist culture codes.


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Armin Baumgarten. "Figur", Bronze, Ex 2_5, Villa Glanzstoff, Heinsberg. 2012


Edit Toaso. Forrestier


Harry Underwood. Botanical Space, 26x26 inches, 2019, sold


Gerard Caris. Rhombohedra Sculpture # 3 - 2, 2017, polystyrene, lead, paint
Exhibited in Projecting Pentagonism  exhibition in Sidney Cooper Gallery, Canterbury 2018 

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Fikile Mqhayi 

1. A man is judged by the company he  keeps, 150  x 150 cm 

2. Reopening and closure in schools / confusion, 150 x 150 cm 

Fikile Mqhayi was born in Gugulethu township, Cape Town, South Africa. Fikile graduated in Fine Arts from the Michaelis School of Fine Art, University of Cape Town in 2011. He is a former member of the Guguletu Youth Brass Band and has experience in the film industry. He currently lives and works in Delft, Cape Town. He has participated in a number of group exhibitions locally and abroad: solo show - Khayelitsha kapkspunkilaisia, Helsinki,2017 

Assemblage at AVA Gallery Cape Town in 2018. 

Artworks of Mqhayi are included in the Nando’s Collection through Spier Arts Trust, where he sells his artworks.


Heikedine Günther


HG - Core No. 300 - Aug 2020 - oil on canvas - 110x165cm 



HG - Core No. 300 - Aug 2020 - oil on canvas - 110x165cm. Ausstellungsansicht



HG - Core No. 328 - 2019 - Oil on Canvas - 130x120cm. Exhibition View



HG - Core No. 328 - 2019 - Oil on Canvas - 130x120cm - Back 
View



Down to the Core

In our times when superficiality is omnipresent having an adverse  effect on contemporary artistic practice reaching out deeper into the core of things is a happy alternative. Core as the essential deeper substance underlying universal phenomena as well as artistic production is always worth taking a closer look especially in the times of crisis like pandemic, war and political instability. In her work Artist Heikedine Günther treats the concept of core as her major subject. What is the core of color, the essence of vision and how does core relate to the cosmic light and darkness? The paintings by Günther consist of multiple layers of color pigment applied one upon the other whereas the golden color serves as the very basis. This is responsible for the mysterious luminosity that shimmers through to the very surface and all along the contours of the oval elongated forms dominating the composition. 

The floating shapes work directly on the soul without destraction of subject matter or content. The paintings convey a unique equilibrium of color planes that evoke Goethe’s farbenlehre and offer a contemporary interpretation of the centuries-old tradition of rendering of color and light in painting. 

Heikedine Günther's paintings invite us to think of various stages of sublimation from physical to spiritual states that could be represented by geometric forms. The duality of figure and ground adds extra luminous vibrations to the picture surfaces. The non-perspective conception of space and anti-materialist idea of form characteristic for her work appeals directly to the mind of the spectator due to formal simplicity, subtle variations of color tones that results in a certain rhythm. The core paintings bring to mind celestial motion of the planets caused by cosmic energies that are translated into ranges of intense color applied onto canvas. The shimmering colours accentuate the Greenbergian “optical  illusion”  of painting and the flatness of its support. One’s eyesight is fascinated by the play of luminosity produced by the optical space created by the artist's hand. Heikedine Günther is a contemporary Swiss artist, who lives and works in Basel and exhibits internationally. Her works are displayed in the follwing collections:

Collections (Selection)

  • Graf Schönborn Collection, Unterfranken, Germany,

  • Darwin Reedy Collection, Saint Paul, Minnesota, USA

  • Christiane Leister Art Collection, Innerschweiz

  • Catherine and Bernard Soguel-Dreyfus Collection, Basel

  • Christoph Ackermann, Basel, former Director of Historisches Museum Basel

  • Reiner Speck Collection, Cologne

  • Dagmar and Lutz Helmig Collection, Munich

  • Micky Karton Collection, New York, USA

  • Peter Jäger Collection, Munich

To see more  by Heikedine Günther scroll down

Price upon request: 
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@lilyfuerstenow

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Lidia Fiabane



Greetings from Italy 5, The Last Supper, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020

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Annika Stoll. Wühltisch. Installation View. Palazzo Ziino, Palermo. 2019

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The Artist T-shirt from the Wühltisch - offered as a free take-away. 
Palazzo Ziino, Palermo. 2019

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Harry Underwood 






Pedestrians, 26x26 inches, 2020
Flesh, 26x26 inches, 2019, sold
Heighten Your Speech, 34x46 inches, 2020 
Intermission, 31x41 inches, 2018 
All works
acrylic, graphite, polyurethane, wood panel




Exhibition views Lindsay Gallery, 986 N High St, Columbus, OH 43201


Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow

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Katy Shepherd. Mother Drawn from my Memory. 2016


Katy Shepherd. Pat Swimming. 1998

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MARIA DEBORAHWhat did you say?, Pencil on Paper, 29.7 cm x 42.0 cm, 2020.

MARIA DEBORAH. Outside, Acrylic on Canvas, 113 cm x 130 cm, 2020 

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Maider López



Archipelago

FestenAvesta Art's, Verket. Avesta, Sweden, 2019.

Archipelago is an action with the participation of a group of people in relation to the nature; while this action gives a human scale to the landscape it draws attention to the people and the territory, the individual in the collectivity and the level of the water.

1. Exhibition view, FestenAvesta Art's, Verket. Avesta, Sweden, 2019

2. Exhibition view, Espacio Minimo Gallery, Madrid 2020

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Fantasy Creatures Cycle. THOMAS MANELLI MANN

Fantasy Creature. Chinese Ink and acrylic paint on acid-free paper, 21 cm x 29,7 cm. 2020

Truth is stranger than fiction. Very much like the pandemic reality faced by us today. With this in mind the Fantasy Creatures - a recent work cycle by Thomas Manelli Mann might appear surreal leaving one constantly questioning the real. The insect- and bird-like biomorphic figures from the cycle render utter suffering. Smears of red pigment against the white background suggest blood stains spilling over. Halfabstract dissolving animal forms call for empathy. The creatures project the artist's inner self simultaneously serving as an allegory of reality transformed by epidemics, economic instability, uncertain future. Surreal fantasy creatures mark a withdrawal from the reality. They represent the unrepresentable: fear, dread, calamities beyond human comprehension. Chaotic, huddled lines forming bizarre, distorted body parts stand for anxiety. They point out to discrepancies between external natural environments, alienations between humans and ecosystems. The fantasy creatures frozen in abrupt motion look butchered, severely violated. They convey pain and agony that mankind inflicts on natural surroundings, causing animals to suffer. The images of bizarre, estranged creatures ripped out of their natural surroundings communicate isolation - mute witnesses of savage cruelty – all enhanced by the color palette of black, red, occasionally blue and yellow tones.  Reminiscent of surrealist animal motives of Max Ernst these ominous creatures register a dramatic disbalance, a condition of being on edge, throttled and driven to the limit - a dispersal of form within a hostile world. 

Fantasy Creature. Chinese Ink and acrylic paint on acid-free paper, 21 cm x 29,7 cm. 2020

To see more works by Thomas Manelli Mann scroll down


Price upon request: 
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@lilyfuerstenow
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KONRAD THALMANN




Bird, Sandstein, 80x60x50cm, 2016. Konrad-Thalmann-Aufstellungsort-Wasserwerke Schwarzenberg-internationales Bildhauersymposiu. 
Schwarzenberg



Grünfeuer. 43x60x40cm. Drahtskulptur-studio-one. 2018 



Three Times, Drahtskulptur. 2017 EU art network Symposium Cseelley Mühle, Oslip, Östereich


Vessel 1. Zeichnung. Monotypie. 55x76cm. 2021


Vessel 2. Zeichnung. Monotypie. 55x76cm. 2021


Vessel 3. Zeichnung. Monotypie. 55x76cm. 2021



Vessel 6. Zeichnung. Monotypie. 55x76cm. 2021





Price upon request: 
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GERARD CARIS

Exhibition view, Stedelijk Museum Amsterdam 2001


Exhibition view Sidney Cooper Gallery Canterbury United Kingdom 2018

Gallery of Prints, Exhibition Stedelijk Museum Amsterdam, 1997

 Helix 2 - 2 Braching, 2002, stainless steel, 64,5 x 34 x 28 cm
Collection C. Ruppert, Berlin


Star Sculpture 4X -1, 1997, polystyrene, fiberglass reinforced epoxy, steel, paint, 100,5 x 44 x 20 cmExhibited in Projecting Pentagonism  exhibition in Sidney Cooper Gallery, Canterbury 2018and in Negative Space exhibition ZKM Karlsruhe 2019




Polyhedral Net Structure # 3, 1977, steel, aluminium, paint, 200 x 200 x 90 cm

              Installation view Museum im Kulturspeicher, Würzburg 2007




Pentagon Complex (PC) 27, 1995, India ink, coloured pencil on paper, 88 x 73 cm
Collection Stedelijk Museum Amsterdam 



Pentagonal Radiation # 2, 2017, oil pastel, oil stick on paper, 73 x 51 cm
Exhibited in Projecting Pentagonism  exhibition in Sidney Cooper Gallery, Canterbury 2018



Price upon request: 
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Projecting Pentagonism. Film by Graham Johnston. Ladder MAN SDA
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Armin Baumgarten




"Figur", Bronze, Ex 2_5, Villa Glanzstoff, Heinsberg. 2012


Halbfigur, Bronze, Ex. 1:5, Private Collection, Düsseldorf. 2017


"Halbfigur", Bronze, Ex. 2_5, 36,5x9x11 cm, 2013, WVZ. S(9_13)


"Kopf", Bronze, Edition 25 Ex. + 4 e.A., 29,5 x 11,5 x 11,5 cm, 2010


"Pferd", Bronze, 6 Ex., 53 x 18 x 18 cm, 2020


"Figur und Baum", Bronze, Ex. 1_6, Culture Without Borders, Kaarst. 2019


"Barke", Bronze, Ex 1_6, Culture Without Borders, Kaarst. 2019


"Figur und Berg", Gips für Bronze, Sommerausstellung 2020 bei Culture Without Borders, Kaarst


Price upon request: 
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@lilyfuerstenow


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Douglas Tausik Ryder 



Reclining Nude. Wood. 162 x 180 cm. 2019. Jason Vass
Gallery. Los Angeles. CA


Myth of Freedom. Wood. 168 x 71 x 61 cm. 2011. Jason Vass Gallery. Los Angeles. CA


Outburst. Wood. 213 x 117 x 81 cm. 2016


Venus. Wood. 243 x 243 x 243 cm. 2019


Shadow. Wood. 210 x 137 x 68 cm. 2019


Inner Light. Wood. 152 x 81 x 81 cm. 2019



Price upon request: 
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@lilyfuerstenow


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Marianne Lang


Marianne Lang. Double Sight 1. Bleistift auf Papier, 80x100cm, 2017


Marianne Lang. Double Sight 2. Bleistift auf Papier, 80x100cm, 2017



Marianne Lang Haus im Grünen, Mischtechnik auf Papier, 60x50cm, 2017.jpg


Marianne Lang Haus im Grünen, Mischtechnik auf Papier, 70x90cm, 2020


Marianne Lang, Abgründe, Buntstift auf Papier, 2020


Marianne Lang. Laube, Holzspalier, 500x250cm, 2020


Marianne Lang1. Morituri te satutant, Brandgravur auf Papier, 50x60cm 2018


Marianne Lang. Morituri te satutant, Brandgravur auf Papier, 50x60cm 2018


Marianne Lang Illuminated, Brandzeichnung auf Papier, 50x60cm, 2017


Marianne Lang Illuminated Brandzeichnung auf Papier, 50x60cm, 2019





Ausstellungsansichten, Vermessung der Leere, Stadtgalerie Salzburg, 2020


Marianne Lang, Ausstellung Obsession Zeichnen, Bruseum, Neue Galerie Graz, 2018



Marianne Lang. Kahlschlag oder die große Leere, Kreide und Bleistift auf Papier, 300x500cm, 2016


Price upon request: 
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Aurelia van der Burght 





2020 ART WORKS windowpresentation solo

heading for a new future. 240 x 140 cm painting in acryl on paper, textile, epoxy, experimental

process pictures




Exhibtion View. Aurelia van der Burght. 2020





under the surface 10 cm x 10 cm, from the series under the the surface, unica, print on 

ceramic / mdf



Price upon request: 
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Hannes Uhlenhaut



Hannes Uhlenhaut. Inception. Porzellan
20/20/27 cm. 2017


Helvin. Hannes Uhlenhaut. Porcelain, artificial flowers, stainless steel
66/42/34 cm. 2020


 
  • Canibal's Candlestick 2020 - porcelain, candles - 22/40/9 cm

    Team Kunsthalle.Ost

Group exhibition of the Kunsthalle.Ost team members, with Kirill Ivlev, Peter Weisbrich, Benedikt Demmer, Hannes Uhlenhaut at Kunsthalle.Ost Leipzig

photo. Felix Brenner

 


HANNES UHLENHAUT. KOTZ GARDEN OF DEATH. 2020. photo  Marian Luft


HANNES UHLENHAUT. GARDEN OF DEATH. photo  Marian Luft

  • Garden of Death - Part III: Kotz, if you exist

online-off-site-exhibition curated by Plague Collective, Krasnodar, Russland

This show takes place in a little grove near Leipzig. Plague collective invited 8 Art collectives around the globe to organise off site exhibitions for an online event launched summer 2020.

works: both pictures shows parts of the installation Not yet a desire; 

pic 24: Louboutin 2019 - porcelain - 23/27/10 cm 

pic 31: Hermes 2019 - porcelain - 18/19/7 cm 



  • Not yet a Desire

2010 - Porcelain, yoga mat, earth

Dimensions variable
photo by Chang Liu, Jingdezhen China


Price upon request: 

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Simon Felix Haas 





Exhibition  Views. WHA Gallery. Linz, Austria


Ti ordino di sederti. Mixed media. 25x90 cm. 2020





Exhibition  Views. Galleria Spazio Aperto. Reggio Emilia, Italy


Exhibition  View. WHA Gallery



Wunschlos glücklich.  Mixed media. 30x40cm. 2020



Price upon request: 
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Julia Ludwig



Julia Ludwig. Bumblebee. mezzotint plate. 10x10cm. 2020


Julia Ludwig. Dust Cloud. Mezzotint line etching plate. 10 cm x 14 cm. 2020


Julia Ludwig. Dog. line etching aquatint mezzotint plate. 14 cm x19. 5 cm. 2020

Julia Ludwig. Grandmother's hands. 2. line etching aquatint drypoint vernis mou plate. 14 cm *19.5  cm. 2020

Julia Ludwig. Grandmother's Hands.mezzotint. plate. 10 cmx10  cm. 2020


Julia Ludwig. Nordstrand.charcoal on paper. 15 cm x 20 cm. 2020


Installation view Städtische Galerie Wertingen. 2012.


Installation view. Gesundbrunnen undergound station. Berlin. 2020


Installation view. Galerie Graumalerei. Berlin.2020



Installation view Städtische Galerie Wertingen. 2012



Installation view Städtische Galerie Wertingen. 2012


Installation view. open studios. Berlin.2016


Price upon request: 
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Maarten de Mink





Thorax Two 



Supraclavicula


Moody



Chasms 



Thorax Two: Ink on paper 21x29,7cm, framed  3200
Supraclavicula: Ink on paper 21x29,7cm, framed  3200
Moody: Ink on paper 21x29,7cm, framed  3200
Chasms: Ink on paper 21x29,7cm, framed  3200


Wijn & KUnst, The Hague (nl)  2020




Studio Battery, Hoofddorp (nl) 2020

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Katy Shepherd



Mother Drawn from my Memory. Graphite, Pencil and Patel on paper, 2016


Self Portrait for Passport. Acrylic on acetate. 2020


Inside 1. Self Portrait. Acrylic on an inkjet print of my drawing of my living room.


Inside 2. Acrylic on acetate. 2020.


“ Anthropocene Sketchbook (version 1)” at Wells Art Contemporary 2019




.

Price upon request: 

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Ulrike Martha Zimmermann


Studio Mask


Test the Best


Pluck up courage 


Did you notice I'm human again?


The Good Day


Mariposa Famosa

The Cyclops


Price upon request: 

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Thomas Manelli Mann




Fantasy Creatures Cycle. Chinese Ink and acrylic paint on acid-free paper, 21 cm x 29,7 cm. 2020


Price upon request: 

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Waldausstellung "Seeing Rocks, Think of Flowers" 

  Amelie Bosse, Lisa Claire Stolzenberger (Koeniksphoeniks Art collective), Miriam Hermsen (Cultur Centrale Ottenbek). 31.7.2020 bis 6.8.2020.
 Rasbraten. Schweden








 Waldausstellung "Seeing Rocks, Think of Flowers" 
31.7.2020 bis 6.8.2020, Rasbraten in Schweden
von Amelie Bosse, Lisa Claire Stolzenberger (Koeniksphoeniks Art collective) 
und Miriam Hermsen (Cultur Centrale Ottenbek)

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Tatyana von Leys

Posthuman Circle after Ingres/Portrait Mme. de Rothschild (ca. 60 works) 




Posthuman Studies after Ingres. Mme. de Rothschild Is Going Crazy. 

Oil on Canvas, 100 x 70 cm 



Posthuman Studies after Ingres. Three Faces in the Posthuman Era. 
Mixed Media on Canvas, 100 x 70 cm 


Posthuman Studies after Ingres. I am a Nomadic Subject. Mixed Media on Canvas, 100 x 70 cm 



Posthuman Studies after Ingres. Mme. de Rothschild Is Happy in Her Home. 
Mixed Media on Canvas, 100 x 70 cm 

Posthuman Studies after Ingres. Mme. de Rothschild Meets Donna Haraway. 
Mixed Media on Canvas, 100 x 70 cm 



Posthuman Studies after Ingres. Mme. de Rothschild Is Thinking about a New Job. 
Oil on Canvas, 100 x 70 cm 


------------------------------------------


Heikedine Günther



HG - Core No. 328 - 2019 - Oil on Canvas - 130x120cm 



HG - Core No. 328 - 2019 - Oil on Canvas - 130x120cm - Back




HG - Core No. 341 - 2019 - Oil on canvas - 110x100cm 







HG - Core No.415.  oil on canvas - 110x140cm.  2020 


Artist Heikedine Günther

----


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SWEVEN













Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow


--------------------------------------------------------------------

Mara Wagenführ



A Quick Pulse. 40 x 50 cm. 2020

so a quick pulse is alright
so a hot kiss is alright
soa long kiss is alright
so a long night is alright
   Jason Milina




Wenn wir uns ansehn. 40 x 50 cm. 2020

Wenn wir uns ansehn
Blühn unsere Augen
Und wie wir staunen
Von unseren Wundern - nicht?
Und alles wird so süß
Von Sternen sind wir eingerahmt
Und flüchten aus der Welt
Ich glaube wir sind Engel
   Else Lasker Schüler


--------------------------------------------------------


Franziska Stevick



untitled 52x67 cm

untitled3.52x34 cm


untitled3.52x34 cm
untitled4. 52x34 cm


untitled3.52x34 cm

Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow

-------------------------------------------------------------------

Mathias Roloff




Mathias Roloff. Exhibition views. Banzin. Sept-Oct. 2020. 


Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978

-----------------------------------------------------

Martina Singer



Martina Singer. Face Behind the Mask. Performative Photography. Works selected for the  exhibition at the GH36 art space in Berlin. Cancelled due to the corona pandemic. 










DERVISCH Cycle


Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow


-----------------------------

KAROL HUREC







big bang spirit. explaining thought reflections 2020, wood, acrylic, chalk, Led, 
80 cm x 40 cm x 6 cm


The secret´s revelation     80 cm x 80 cm x 6 cm   LED-ART ,  wood, acrylic, led-trafo  Detail, 20 cm x 20 cm , variation Nr. 2


Karol Hurec in front of his work


Two Energies  Are One. Duality ,      80 cm x 80 cm x 6 cm   LED-ART,   wood,  acrylic,  led-trafo 


Press. Kronach Newspaper on Karol Hurec's recent work:




“MUC” uinque    Hommage to Munich,    (here in twilight)   2018    stainless steel, acrylic, led      200 cm x 135 cm x 6 cm 



“MUC” open    Hommage to Munich,    (here in twilight)   2018    stainless steel, acrylic, led      200 cm x 135 cm x 6 cm  






 PRICE List


"big bang spirit"
 white or black

                                     
                                       
one or two crossings                   80 cm x 80 cm x 6 cm        € 5500,00

crossings,  three to nine              80 cm x 80 cm x 6 cm        € 5000,00
Shivas dance                               80 cm x 80 cm x 6 cm        € 5000,00

variations,  big bang spirit          40 cm x 80 cm x 6 cm         € 2800,00
                                                    40 cm x 40 cm x 2 cm         € 1400,00
                                           DIN A 4                 €  750,00
                                                   

"hommage to Mileva Maric/Einstein"

                               size:           80 cm x 80 cm x 6 cm         € 5000,00


"mesons"
Crossing mesons, cloud of mesons :                                    

ring of mesons                                20 cm x 20 cm x 2 cm         €    500,00



"ex praeteritis lux"  
                                    
light lines:                  size:            200 cm x    75 cm x 7 cm       € 8000,00
                                                      75 cm x   200 cm x 7 cm       € 8000,00 
                                                     160 cm x    60 cm x 8 cm       € 6000,00



All objects with battery or/and transformator
                                        

       -------------------------


Karol Hurec. Catalogues. 


 




------------------------------------

Fred El Bekkay 



Vide

Je ne crois pas

Que le vide peut

Exister

En le nommant

On le fait exister

On lui donne sa

Matière

Quand je pense

À ce plein

Au plein du

Vide

Je me sens

Rassuré

Et je sais

Que même si

Je ne crois en rien

Je serai toujours

Bien au-delà

De mon existence

Passée



Solitude

Pourquoi j’ai toujours

Ça à l’intérieur


À chaque fois que

J’y pense


J’ai cet air

De Purcell qui

Rentre dans ma tête


Oh Solitude

… Oh Solitude


C’est une prière

Un voeu


C’est une défense

Un excès, un décès

Un accès


Le décès de ce

Qui m’est

Le plus cher


Mur

J’ai beaucoup de

Respect


Et je me sens

Très humble


Face au mur


J’essaie de voir

D’observer


Tout ce qu’il dit

Tout ce qu’il a

À me raconter


Et je ne fais

Que de traduire

Son aspect


Chaque mur

Est unique


Chaque mur

Aime

À se raconter


Contrainte

L’autre jour

Tu m’

as dit ne

Plus vouloir le

Faire


Que tu n’en pouvais

Plus

Que c’était au

Delà

De tes forces


Que cette habitude

Ne pouvait plus

Exister


J’y ai réfléchi

Je comprends

Et je fais en sorte

De t’aider                                   

                                              Demarche



Depuis tout petit

Jai ça en

Tête

 

Je crois bien

Que jpense

Tous les jours

 

Traduire

Transmettre

Rendre

Donner

 

Ce nest peut

Être quune question

De point de vue

 

Mais le point de

Vue est important

 

                                   Pour celui qui

                                  Voit




_ Loneliness 
_ The constraint 
_ The void 
_ The wall 

The poems complementing the works will be specially written for X-treme and will soon appear online


-------------------------------------

Sandra Strēle



Sandra_Strele_NOSTALGIA_c_mm_270x400cm_2019


Exhibitions_that_never_happened_Sandra_Strele_canvas_mixed_media_200x300cm


Exhibitions_that_never_happened_Sandra_Strele_200x450cm_canvas_mixed_media_2020


NOSTALGIA_Sandra_Strele_Riga_art_space_2019


NOSTALGIA_Sandra_Strele_Riga_art_space_2019



NOSTALGIA_Sandra_Strele_Riga_art_space_2019


NOSTALGIA_Sandra_Strele_Riga_art_space_2019_4


Sandra_Strele_Exhibitions_that_never_happened_c._mixed_media_200x300cm_2020


Sandra_Strele_Exhibitions_that_never_happened_canvas_mixed_media_85x105cm_2020




Sandra Strele. Exhibition views





Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow


----------------------------

Péter A. Leigh


MASCULINE (Work in progress. 2020) 


According to the artist: "This is from a project during the first lockdown, work in progress but not yet resolved. Representation of masculinity in this hard edged and fragmented coloured way. The Pristine manufactured toys here repurposed and re-thought of as symbols of outmoded masculinity, a redundancy of a conventional representation - an object exaggerated, affected and verging on the theatrical. The fighting (frightening) element of the perceived role becoming camouflaged. colours functioning as a roll to take physical objects into a realm that is more optical and maximalist. The exaggerated representations and ideals of masculinity become more and more ridiculously camp as muscles almost burst like armour protecting what is underneath but close to the surface"









------------------------------------------


Manuela Beyer-Bunk



mabebuart, Kuenstlerbuch - doch ist dort die Langeweile feiner, Bad. Kunstverein, Karlsruhe 2017


mabebuart, Kuenstlerbuch - doch ist dort die Langeweile feiner, Bad. Kunstverein, Karlsruhe 2017


mabebuart, Kuenstlerbuch - ZEICHEN. 2020

inspiriert durch die Lektüre „Das Reich der Zeichen“ von Roland Barthes, Suhrkamp 2019

---

alles auf dem tisch

am rechten platz

-

tief

ein

atmen

-

-GERTRUDE-

reib

die

tusche

-

zeichen

alla prima

konserviert

fehler

unauslöschlich

-

striche

reihen

folge

mit

willkür



Kuenstlerbuch - ZEICHEN. 2020 

das zeichen 
nicht einheitsklasse
sondern absolute 
einzigartigkeit
für die hand
des 
kalligraphen



mabebuart, Collage auf handgesch. Papier je 30x20, 2020


mabebuart, Collage auf handgesch. Papier je 80x60 cm, 2020


mabebuart, Kuenstlerbuch - alles ist bizarr - gedichte teil 6, Bad. Kunstverein, Karlsruhe 2019, Foto Jan Bunk


mabebuart, Mixed-Media auf Canvas. je 20x15x4 cm, 2020


mabebuart, Mixed-Media auf Canvas je 20x15x4, 2020



Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow

---------------------------------------

DAGMAR VOGT











Die Haarwäscherin, Sammlung in Melle

Freude - Pina. Die Tanzenden

Die Baumtänzerin


Die Springerin, Dörken Stifung, Herdecke

Die Springerin

Kopfstand, Privat Sammler in Wuppertal



Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow



---------------------------------------

János Brückner

You will laugh, and you will cry.
János Brückner opens up the reality around us, using a method he calls 'emotional realism'. His works give a simple and accurate insight into actual but often hidden paradoxes of society. 
By subverting good old stereotypes using the absurdity of his frank approach, the artist generates situations, which present the opportunity to open our worldview.







Works:
Poem Reciter – acrylic, canvas, 120x160 cm, 2020
Summertime Snack Time at My Grandma – acrylic, canvas, 50x40 cm, 2018
A funny day in WW2 – acrylic, canvas, 50x40 cm, 2018
A shittier day in WW2 – acrylic, canvas, 50x40 cm, 2018
God Bless The – acrylic, canvas, 61x48 cm, 2019
My grandma in the forest – acrylic, canvas, 50x40 cm, 2018

The Heritage is a series of short movies which recount some of my family stories. My intention is to show a contradictional, messy past, which is common for so many Eastern European people. This past lives in the family stories and their physical manifestations like albums and in the personal recounts (with that I mean the way someone remembers or assembles the memories and stories). Both the paintings and the short films do the same in this regard (reclaiming a past through personal recount), however in different medium and thus giving the audience a different kind of experience. 

Part of an eastern-european identity is, I think, the fact that there is no "justice" in this kind of common past, or one can not recount the stories from one idealistic perspective of justice, or say, this past is made out of many parallel and contradictional truths.

Even in one family story-saga (and that's what partly The Heritage also shows) the historical or socio-political role of "victim" or "oppressor" changes. Sometimes even more times. And what the beauty of this is to me, that now we can talk about all this freely and in any kind of humor, seriousness, or emotional tone. Somebody's grandpa would or probably even did kill the others just because they were on the opposite sides of political regimes or nationalities, but today - by the help of art - we can freely recount and appropriate our own stories in each other's countries.

Plus here is a quote which I like and fits here well:

“Well then, if Pieter Breughel could place the Alps directly at the edge of his landscapes and genre scenes, then why couldn’t I use these very same scissors to not only cut out from my landscapes and characters that which comes in handy, but why couldn’t I cut out from my mind that and only that which I ponder the most intensely and, thus, which I like the most? And now that I have left the mess behind me, I once again foolishly believe that I have the key to certain events and that it is solely up to me to write them.”

From: Bohumil Hrabal: “The Little Town Where Time Stood Still“

-----

Adrian Pocobelli



Exhibiition Views. Fata Morgana Space. Berlin 2020


St. Catherine of Alexander, 112 cm x 146 cm, Inkjet and acrylic on canvas (2020)


'St. George and the Dragon', 112 cm x 147 cm, Inkjet and acrylic on canvas (2020)


'Virgin and Child with St. Anne', 112 cm x 151 cm, Inkjet and acrylic on canvas (2020)


'Bacchus and Ariadne', 111 cm x 140 cm, Inkjet and acrylic on canvas (2020)


--

Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow
-------------------------

Lidia Fiabane


Greetings from Italy 5, The Last Supper, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020




Greetings from Italy 1, The expulsion from Paradise, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm. 2020



Greetings from Italy 6, The Baptism of Christ, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020



Greetings from Italy 3, The Last Judgement, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020



Greetings from Italy 2Crucifixion, mixed media, acrylic and collage on cardboard, 14,5 x 20,5 cm, 2020



Greetings from Italy 4, The School of Athens, mixed media, acrylic and collage on cardboard, 16,5 x 22,5 cm. 2020

Lidia Fiabane. Exhibition Views



Italian Cultural Institute, Palais Sternberg, Vienna. Project Italia:Austria. Labyrinth of clichés


Edition Splitter & Galerie Splitter Art, Batya Horn, Fata Morgana - Alltagsvariationen, curated by Burghart Schmidt. Auslage Installation/ Shop Window. Vienna




Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow


Esra Nesipoğulları







 


Red Cube' 2014, site-specific installation, Miramas, France


Gazzetta di mantova about Esra Nesipoğulları

---------------------------


Edit Toaso






---------------------------

Karin Wassmer













---

Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow




-------------------------

Tim Cierpiszewski







CELLAR 2019. Marie Wolfgang - project space for contemporary art. Essen, Gemany


Tim Cierpiszewski LIKE A HOUSE 2019.  Society for Contemporary Art, Osnabrück, Germany


Tim Cierpiszewski. TERROR EREBUS 2019. 
Hilbert Raum - project space, Berlin, Germany
---

Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow


---------------

Thomas Reischauer




Alien I

2013

80 x 120 x 2,4 cm
Acryl auf Keilrahmen




The Battle For Inner Peace

2017

90 x 130 x 2,4 cm

Acryl auf Keilrahmen



Thomas Reischauer. Time is Running. 2016. 50 x 50 x 2,4 cm. Acryl auf Keilrahmen


-----

Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow

-----------------------

MARIA DEBORAH


The View, Acrylic on Canvas, 140 cm x 140 cm, 2020

-----------------------


Diego Gabriel Morales




Exhibition Views. La Paz Municipal Theatre. Bolivia


Poster. 


-----

Price upon request: 
liliartresearch@yahoo.com
Tel.: +49 (0) 151 614 38 978
@lilyfuerstenow


Upcoming OPEN CALL:

Looking for artists for art in public spaces exhibition curated by me in 2021. Precise schedule to be defined. Stay tuned. Apply via e-mail to curator Lily Fürstenow: liliartresearch@yahoo.com








----------------------------------------------------------------------------

ARTIST BIOGRAPHIES


Hannes Uhlenhaut



* 1985 in Lauchhammer



2005 - 2011 Studied at the Burg Giebichenstein Art Academy in Halle/Saale, 
Germany

2010 Erasmus Scholarship Accademia di belle Arti Rome, Italy

2011 Diploma with Prof. Martin Neubert and Prof. Daniel Kruger

2013 Opening of Studio Paunsdorf in Leipzig

2015 - 2017 Master student at the HfBK Dresden with Prof. Wilhelm Mundt

2018 Opening Project Space Kunsthalle.Ost in Leipzig



lives and works in Leipzig and Dresden



Prizes / Scholarships / Projects

2021 Funding exhibition programme Kunsthalle.Ost by the Cultural Office of the City of Leipzig
Cultural Foundation of the Free State of Saxony

2020 Denkzeit scholarship by Cultural Foundation of the Free State of 
Saxony

2020 Funding exhibition programme Kunsthalle.Ost by the Cultural Office of the City of Leipzig 

2020 Guest performance sponsorship Visual Arts, Cultural Foundation of the Free State of 
Saxony

2019 Travel Grant of the Cultural Foundation of the Free State of Saxony and Goethe Institute
China for Beijing, China 
Artist in Residence at Red Gate Gallery in Beijing and at The Star Project in Jingdezhen 

2019 Guest performance sponsorship Visual Arts, Cultural Foundation of the Free State of 
Saxony

2018 Project Funding Masterclass (Curator/ Artist)

2015 Working scholarship LVA Saxony-Anhalt, Castle Hundisburg

2013 Ceramics at the „Pulverturm“, Oldenburg 

2009 Young Talent Award Ceramic Museum, Bürgel

Solo/Double Exhibition

2020 Closer, with Winnie Seifert at Galerie Oel Früh, Hamburg 

2019 Eternity, with Winnie Seifert at Curva Pura Rome Italy

2017 Seifert/Uhlenhaut, with Winnie Seifert at The Room Studios, Rome taly

2017 Die Verwandlung, Castle Bad Pyrmont with Undine Bandelin *

2017 blue birds singing white swans bringing with Ralf Born, Kulturny Dom Lipsk, Leipzig 

2015 Klischee Royal, Gallery Potemka, Leipzig

2015 Oel Früh Cabinet Teil XIV, Gallery Oel Früh Cabinet/ Pane e Tulipani, Hamburg

2013 Memento Vivere, Pulverturm Oldenburg *

2012 Even Now!, Galerie Kontrapost, Leipzig

2011 Monumenta Uhlenhaut, Monaco Beach Club, Leipzig

Selected Group Exhibition 


2020

  • The Fragile Edge - Majolika Gallery Karlsruhe

  • Team Kunsthalle.Ost at Kunsthalle.Ost, Leipzig

  • Love in the time of covid19 - Art Gallery of South Australia, Adelaid

  • Garden of Death - Part III: Kotz, if you exist,
    online-off-site-exhibition curated by Plague Collective, Krasnodar, Russia

  • Flowers from Stephanie - Gallery Stephanie Kelly, Dresden

  • Love in the time of covid19 - Gag Projects, Kent Town, Australien



2019

  • Open Studio - Red Gate Gallery, Beijing, China

  • Leipcigas Pleijliste, Kuldiga Artiste Residence Gallery, Kuldiga, Latvia

  • The Rock - Underwater exhibition, Westbrook Lake Brandis

  • At The Car Dealer, Autohaus Leipzig

2018 

  • Galerie Oel-Früh Salon II, Berlin

  • X-Jahre Kunst in Hamburg: Der Mensch muss unter die Leute II, Gallery Affenfaust, Hamburg

  • AVE Magazin #2, Kunstraum Super, Vienna, Austria

2017 

  • Wintersalon, Gallery Kristine Hamann, Wismar

  • Cold Turkey / Master Class Project, Keller III, Hannover ( Curator/Artist)

  • Hard, Gallery Stephanie Kelly, Dresden

  • Meister 17, Motorenhalle, Riesa Efau, Dresden

  • SUPERVISION, Studio Lange Strasse 31, Frankfurt/Main

  • Full Stop - Pilotenküche, Leipzig

  • Acchrocharge, Gallery Schwarz, Greifswald

2016 

  • Studio 45 Wendenstraße, Collection Breker, Hamburg

  • 1. Porzellan Biennale Meissen, Albrechtsburg Meissen *

  • Change your culture, Gallery Potemka, Leipzig

  • Internationaler Neujahrsempfang im Salon des Haus Seepferdchens, Gallery Oel-Früh, Hamburg

  • Am ewigen Ort, O space Kaisitz, Käbschütztal *

  • Terra Arte, State Broadcasting House, Magdeburg *

  • Work Out, Brühlsche Gallery HfBK Dresden *

  • Just Physical at Westwerk/Box Club Olympia, as part of Lindenow 12 art festival, Leipzig (Curator/Artist)

2015 

  • Sometimes Darkness Doesn‘t Feel Like The Absence Of Light, Kreuzberg Pavillon, Berlin 

  • Steady Signs, BBK Leipzig e.V.

  • Oel-Früh Residenz im Rahmen von 60 Jahre Kunst in Hamburg, Gallery Oel Früh, Hamburg

2014 

  • Second Faces, Kunsthalle der Sparkasse Wiesbaden * 

  • Erwerb, University Gallery in the Volkspark, Halle Saale

2013 

  • Richard Bampi Preis 2013, Grassi Museum ,Leipzig *

  • Ausgewählt, University Gallery in the Volkspark, Halle Saale

  • Art Figura - Skulptur in Keramik, Ceramics Museum Westerwald *

2012 

  • SonderfAhrt, White Box, Munich * 

  • Malerei Pur, AABER Artspace, Munich

2011 

  • Gallery Opening, The Room Rome, Rome, Italy

  • Ceramics Prize Bürgel, Award Winners and Purchases 2006 - 2011, Bürgel

2010 

  • Richard Bampi Preis 2010, Hetjens Museum, Düsseldorf *

  • Identy, Galeria Spazio Mecenate, Rome Italy

  • Emergenza arte roma 2010, Rome, Italy *

  • Neue Rituale, Kunstverein Jena

* Catalog


-----------------------------

DAGMARA GENDA



ADDRESS:

Dagmara Genda

Siegmunds Hof 21

SFL Rechts

10555

Berlin


SOLO EXHIBITIONS 
2020 : Making Bad on History, or, Drawing Blood from the Same Old Stone, Berlin Weekly, Berlin 
2018 : Everything That's Lost, aceartinc., Winnipeg, CA 
2015 : cutting out the snow, vitrine installation at Gallery 44, Toronto, CA 
2015 : Beating the Bush, Dunlop Art Gallery, Sherwood Branch, Regina, CA 
2015 : Baby, it's cold inside, Aquarium Gallery Project Space, Ann Arbor Arts Center, Ann Arbor, US
2015 : Panorama Defsup Art Gallery, Thunder Bay, CA
2013 : cutting out the snow, Make Work Projects project space installation, Saskatoon, CA
2013 : Scenic Route, The Esker Foundation, Calgary, CA
2013 : Memoirs of a Time of Immaturity, Line Gallery, North Bay, CA
2012 : Tracing Tomorrow, KWT Contemporary, Toronto, CA
2011 : Building Disaster 3rd Ward, Brooklyn, US 
2011 : From Venus to the Gods Headbones Gallery, Vernon, CA
2010 : Building Disaster, Stride Gallery, Calgary, CA
2008 : Screamers and Bangers : The Wallpaper Project, Walter Phillips Gallery, Banff, CA

GROUP EXHIBITIONS
2020 : The Body of Drawing, oqbo, Berlin. Canceled due to Corona Virus 
2019 : In & Out of Saskatchewan, Art Museum at the University of Toronto, Toronto, CA 
2019 : Etwas kam auf uns zu (Something was coming upon us), Englische Strasse 29, Berlin, DE 
2018 : Ritualia, Modern Fuel Artist-Run Centre, Kingston, CA 
2017 : Was sich abzeichnet, Forum Alte Post, Pirmasens, DE 
2017 : Was sich abzeichnet, Arp Museum Bahnhof of Rolandseck, Remagen, DE 
2017 : Made In Balmoral, Künstlerhaus Schloss Balmoral, Bad Ems, DE
2016 : Assemble: Five years of contemporary Canadian drawing Art Gallery of Sudbury, Sudbury, CA
2015 : The Sky is the Limit Remai Modern, Saskatoon, CA
2014 :Curiouser & Curiouser Judith & Norman Alix Art Gallery, Sarnia, CA
2014 : Ecotopia, Kenderdine and College Art Galleries, Saskatoon, CA
2013 : Ecotopia, Nickle Galleries, Calgary, CA
2013 : Ecotopia, Southern Alberta Art Gallery, Lethbridge, CA
2013 : No Overnight Camping, Hamilton Artists Inc., Hamilton, CA
2012 : Ecotopia, Kitchener-Waterloo Art Gallery, Kitchener, CA
2012 : Unplanned Architectures, Neutral Ground, Regina, CA
2011 : Summer Group Show, KWT Contemporary, Toronto, CA
2010 : 56th Annual Juried Art Show, Durham Art Guild, Durham, US
2010 : Under Skirt: A Peek at the Institution of Art Mendel Art Gallery, Saskatoon, CA
2010 : Beyond the Mountain Two Rivers Gallery, Prince George, CA
2010 : upArt, Gladstone Hotel, Toronto, CA
2010 : Liminal Place Artspace, Peterborough, CA
2010 : Homelands, Modern Fuel, Kingston, CA
2010 : Toronto Outdoor Art Exhibition's Best of '09 First Canada Place, Toronto, CA
2009 : Order/Chaos, Xpace Cultural Centre, Toronto, CA
2009 : Birds, Forest City Gallery, London, CA
2007 : Shift, Gales Gallery, York University, Toronto, CA
2007 : The Emerging Landscape, Nickle Galleries, Calgary, CA

PUBLIC ART
2020 : Reorganization of One Hedge, public art project for Kennedy Station on the Toronto Subway, organized by Metrolinx 
2014 : It Should Always Be This Way, Contemporary Art Forum Kitchener & Area Biennial, Kitchener, CA
2011 : "Building Disaster," vinyl wall work in 421 W22nd Street, New York, NY 
2011 : Vinyl wall work at 3rd Ward, Brooklyn, US 

OTHER PROJECTS
2018 : Poems About Forgetting, an artist project for Forgetting – Brumaria #9, a publication of essays about forgetting 
2018 : (Madrid, Spain).
2016 : Reorganization of One Hedge, artist project for BlackFlash Magazine, 33.3 (Summer 2016) 

EDUCATION
2010 : London Consortium, University of London, London UK, 
2010 : Masters of Research w/ Distinction in Humanities and Cultural Studies
2007 : The University of Western Ontario, London CA, Masters of Fine Arts
2005 : University of Manitoba, Winnipeg CA, Bachelor of Fine Arts Honours 

RESIDENCIES
2016 : Künstlerhaus Schloss Balmoral, Bad Ems, DE
2015 : Plug In Summer Institute, Winnipeg, CA
2015 : Vermont Studio Center Artist Residency; Johnson, US 
2015 : Banff Artist in Residence, Banff Centre, Banff, CA
2014 : MacDowell Colony Residency; Peterborough, US 
2014 : Canada Council International Residency at Acme Studios, London, UK 
2014 : Winterjourney, Banff Centre Thematic Residency, Banff, CA
2013 : Residency and 2nd biannual Art Festival at XuCun Commune, China 
2011 : Artist in Residence at 3rd Ward, Brooklyn, US
2008 : Making Artistic Inquiry Visible, Thematic Residency at the Banff Centre, Banff, CA

AWARDS
2021: Canada Council Research and Creation Grant 
2019 : 3. Prize for the design of the Chemnitz Market Fountain for the City of Chemnitz 
2019 : 2. Prize for the design of the floor for the Bundesministerium des Innern (The Ministry of the Interior), Berlin 
2019 : Project funding for the presentation of visual art / Förderung für die Präsentation der bildenden Kunst,
2019 : Senatverwaltung für Kultur und Europa, City of Berlin 
2018 : Short-listed for the International Awards in Art Criticism, an award co-organized by Shanghai 21st Century Minscheng Art 
2018 : Museum and The School of Fine Art, Royal College of Art
2017 : Canada Council Project Grant 
2016 : Ontario Arts Council Mid-Career Visual Arts Grant 
2016 : Fellowship, Künstlerhaus Schloss Balmoral 
2015 : Vermont Studio Center Fellowship supported by the Joan Mitchell Foundation 
2014 : Pollock-Krasner Foundation Grant 
2014 : Saskatchewan Arts Board Established Artist Grant 
2014 : Canada Council International Residency Production Grant 
2013 : Access Copyright Foundation Professional Development Grant 
2012 : Saskatchewan Arts Board Established Artist Creative Grant
2012 : Canada Council Project Grant 
2011 : Winner of 3rd Ward's 2011 Open Call, Brooklyn

COLLECTIONS 
Saskatchewan Arts Board 

Various private collections 


----------------------------------

János Brückner


János Brückner graduated at the University of Fine Art Budapest in painting (2012) and at the Eötvös Lóránt University Budapest in language and literature (2011), and at the Universität der Künste Berlin at Art in Context postgraduate MA. He was research artist at the Newcastle University’s Culture Lab, Digital Media Departement, resident artist at FUTURA Contemporary Art Centre Prague (2013), studio das weisse haus, Wien (2015), MuseumsQuartier Wien (2015), Gallery Municipal, Lisboa (2016) and Accademia d’Ungheria, Roma (2017). Independent curatorial boards awarded his work by Ludwig Foundation scholarship in 2011, K&H Bank scholarship in 2012, Derkovits scholarship in 2013, 2014, 2015, and Smohay Prize 2016. 

----------------------------------

HEIKEDINE GÜNTHER CV

Exhibitions

2020

«entrée&hommage 2020» M54, Basel

«Premio Combat 2020»
Granai di Villa Mimbelli, Livorno, Italy

«Heikedine Günther» M54, Basel

«Aufbruch ins Ungewisse» Goetheanum, Dornach

«Re-Seen»
Independent & Image Art Space, Chongqing, China

«Divided World»
Basilica of Saint Servatius, TEFAF Maastricht

«Women in the Arts» Orange County Library

«Malamegi Art Lab 14»
Associazione Culturale Imagoars, Venice

«Own the Night»
Envision Arts Online Gallery

2019

«The Core is now!»
Galerie Artem-Reich, Unterer Heuberg, Basel

«Heikedine Günther. Core & Cosmos» Clarakirche, Basel

«Personal Fit: Utopie II» Kornschütte, Lucerne

«Heikedine Günther»
Art Paris Art Fair, Grand Palais, Paris

2018

«Heikedine Günther»
Art Paris Art Fair, Grand Palais, Paris

«Heikedine Günther» Artmuc, Isaforum, Munich

«Heikedine Günther. Triptych Kern No. 285 – 287» Historical Museum Basel, Barfüsserkirche, Basel

«Heikedine Günther»
The Other Art Fair, Saatchi Art, Victoria House & The College Southampton Row, London

«Heikedine Günther»
Malamegi LAB 10, Palazzo Ferrini-Cini, Rom

«De fils ou de fibres «
Abbaye Saint-André, Centre d’art contemporain, Meymac, France

2017

«Heikedine Günther»
The Other Art Fair, Saatchi Art, Old Truman Brewery, London

«Heikedine Günther. Blanche Blatt» WopArt, Work on paper art fair Centro Esposizioni, Lugano

«Corepaintings. Heikedine Günther»
Galerie Artem-Reich, Unterer Heuberg, Basel

«Heikedine Günther. Core – Paintings and unique prints» Galerie Artem-Reich, Unterer Heuberg, Basel

«Heikedine Günther. Paintings and unique prints» Livre rare & objets d’art, Grand Palais, Paris

«Heikedine Günther» Fondation Herzog, Basel

Publications (Selection)
Dagmar Brunner
Kunstwoche(n), in: ProgrammZeitung, No. 351, June 2019, Basel

2019, p. 21.

José VillarealClarachurch Basel presents a selection of works by Heikedine Günther, artdaily, 3rd of June 2019. (http://artdaily.com/news/114340/Clarachurch- Basel-presents-a-selection-of-works-by-Heikedine-G-uuml-nther#.XQizoS1XZBw)

Abbaye Saint-André, Centre d’art contemporainDe fils ou de fibres, 8th of July – 14th October 2018, p. 6.

Verein Gottlob Kunstpreis (ed.), Wertvoll. Malerei macht Werte sichtbar. Buch zur Ausschreibung Kunst fürs Herz 2018, Liestal 2018, p. 86f.

Bettina WohlfarthEine Generation nimmt Abschied. Zwanzig Jahre Art Paris, in: Frankfurter Allgemeine, 7th of April 2018, p. 15.

Artnet Gallery NetworkAt Art Paris, Artist Heikedine Günther Uses a Meticulous Painting Process to Explore Her Own Sense of Self, 5th of April 2018. (https://news.artnet.com/partner-content/artem-reich-brings-new-heikedine-gunther- works-art-paris)

ARTPILArt Paris 2018 / Part II, 5th of April 2018. (https://artpil.com/news/art-paris-2018-part-ii/)

Ministère de la cultureDe fils ou de fibres, exposition collective à l'Abbaye Saint- André, 7th of August 2018. (http://www.culture.gouv.fr/Thematiques/Arts-plastiques/Expositions-en-France/De- fils-ou-de-fibres-exposition-collective-a-l-Abbaye-Saint-Andre)

srfSchweizer Kunst in Paris, Tagesschau, 5th of April 2018, 7:30pm. (https://www.srf.ch/play/tv/tagesschau/video/tagesschau-vom-05-04-2018- 1930?id=eaa54e01-3528-4c4c-801c-f9d19a02ee2e)

The Global Art Awards«Heikedine Güther’s Art does not reflect the visible, but makes visible», 14th of August 2018. https://www.theglobalartawards.com/news/?tag=Heikedine+Günther

Collections (Selection)

  • Graf Schönborn Collection, Unterfranken, Germany,

  • Darwin Reedy Collection, Saint Paul, Minnesota, USA

  • Christiane Leister Art Collection, Innerschweiz

  • Catherine and Bernard Soguel-Dreyfus Collection, Basel

  • Christoph Ackermann, Basel, former Director of Historisches Museum Basel

  • Reiner Speck Collection, Cologne

  • Dagmar and Lutz Helmig Collection, Munich

  • Micky Karton Collection, New York, USA

  • Peter Jäger Collection, Munich

----------------------------------

Maider López (1975, Spain)


Maider López's interest relays in interrupting norms in space and architecture, inviting us to experience common spaces in potentially rewarding ways.

She has exhibited extensively internationally as 51st Venice Biennale, Sharjah Biennial 9 and13thIstanbul Biennial. 

Some of her works include: Arnasa, Bilbao Museum of Fine Arts (2020), Prospect 4. Contemporary Art Triennial. New Orleans (2017); 1645 Pieces of Chalk, Matadero Madrid (2016); Play Time, 4th Les Ateliers de Rennes Biennial. Rennes. France (2014); Mom, Am I barbarian?, 13thIstanbul Biennial (2013); Between you and I, Witte de With and Skor, The Netherlands; Eclats, Centre Pompidou Metz (2010); Sharjah Biennial 9, United Arab Emirates (2009)SCAPE Christchurch Biennial of Art in Public Space, New Zealand; Line of sight, Zendai Moma Museum, Shanghai (2008)AdosAdos, Guggenheim Bilbao, Spain (2007); Columnes, Caixa Forum, Barcelona (2006); AtaskoaARTIUM, Vitoria and 51st Venice Biennale (2005).

----------------------------------

Lidia Fiabane

Born in Belluno, Italy.

Istituto Tecnico Industriale, Belluno – architectural drawing, design, diploma in architecture.

Studies at the University of Milans Istituto Universitario Lingue Moderne - history of  art and literature. Doctorate.

Stays in Paris and Mexico. Lives in Vienna as a freelance artist.

Working in the fields of painting (mainly in acrylics on layered paper), collage, objects and installations.

The main theme of her artistic research is the stereotype and the cliché.

Her projects often have a multimedial character with involvement of people outside the art world.

Exhibitions and exhibition participations in Austria, Italy, Germany, Belgium, Poland, Croatia, USA, Israel, South Korea

Works purchased by: Austrian Federal Ministry (Art Section), City of Vienna, Bank Austria Creditanstalt, private collections in Austria and abroad.

Texts on L. Fiabane have been written by: P.Gorsen, L. Mare, P. Zawrel, W. Hilger, M. Fischer, W. Patterer, M. C.Holter, G. Leghissa, A. D. Marianacci , M. Mander, M. Seif,  B. Schmidt.

 

Selected Exhibitions

 

2020 Formato A4. Sguardo oltre la pandemia, Biblioteca Civica G. Tartarotti, MART, RoveretoItaly

2020 Greetings from, Conference, Università degli Studi di Trieste, Facoltà di Architettura, curated by Adriano Venudo, Arch., Italy

2019 Final Touch, Jumee Kim Gallery, Daejeon, South Korea
2015 – 2016 Vitamine, Tavolette energetiche, curated by Laura Monaldi, MART, Contemporary and Modern Art Museum of Trento and Rovereto, CAMeC, La Spezia, Villa Caruso, Signa, GAMC, Palazzo delle Muse, Viareggio, Italy (Catalogue)

2015 Atrium ArtÖBV - Atrium, curated by Jacqueline Chanton (Fine Art Calendar)

2013 132 tavolette Zavattini” C. Palli Collection, Galleria darte Studio Rosai und Biblioteca Nazionale, (National Library) Florence.

2012 – 2013 Fata morgana - Alltagsvariationen, Galerie Splitter Art. Batya Horn, Vienna, curated by Burghart Schmidt

2011 Solitario, Italian Cultural Institut Palais Sternberg, Vienna and ÖBV - Atrium, Vienna, curated by Arnaldo Dante Marianacci and Maria Christine Holter (Catalogue)

2010 Fioritura O, Osmosi, Festival PAC 108, Parco Centro Villa Basaglia, Livorno, Italy

2007 Contenitore di cultura contemporanea Bau3, Studio Gennai, Pisa, Galerie AREA N.O., Florence, Italy

2007 Bau saluta fluxus, GAMC, Palazzo delle Muse Viareggio, Italy

2006 Austrian Cultural Forum Tel Aviv, Israel

2001 – 2003 Vom Blühen und Reifen. Erotisches aus Kunst und Natur. Museum auf Abruf, Vienna and Warsaw, Poland, curated by Wolfgang Hilger and Berthold Ecker (Catalogue)

2002 Sisma. Artoteca O', Milan

1998 InterMedia communication project Woman: Man, Galerie am Mölkersteig, Vienna.

1998 Flaschenpost.Forum Stadtpark, Graz.

1998 Artomatica.Torre Matilde (MatildeTower) Viareggio, Italy (Catalogue)

1997 Illimite – Aufschließung. Osmosi, Baluardo S. Paolino, city wall of Lucca, Italy and Galerie am Mölkersteig, Vienna

1996 InterMedia Symposium, Schrattenberg, presentation of the catalogue Vienna Secession.

1996 Aktuelle Kunst 95. Austrian Parliament, Vienna und Austrian representation rooms Brussels, Belgium

1995 – 1996 InterMedia communications project Italy : Austria. Italian Cultural Institute, Palais Sternberg Vienna and Austrian Cultural Forum, Milan (Catalogue)

1990 Project Kunstkaufhaus. (Artstore Project) Frauenmuseum Bonn-Women's Museum Bonn, Germany (catalogue)

1989 Konfrontationen/Confrontations. Museumsquartier (Catalogue)

1988 Der verbrannte Engel. Galerie Bücher & Kunst, Vienna curated by Peter Gorsen (Catalogue)

 

 

1990 Co-founder of the group of women artists Vakuum

1993-1995 Collaboration with the architecture magazine Perspektiven. Magazin für Stadtgestaltung

Since 1996 Member of the group of artists Osmosis


------------

DAGMAR VOGT




Künstlerische Ausbildung an der Hochschule in Dortmund bei Prof. Kampmann und 

Prof. Schubert

·1. und 2. Staatsexamen in den Fächern: Kunst und Geschichte

·Akademische Ausbildung in Malerei bei Prof. Markus Lüpertz und bei Mathias Lanfer, Meisterschüler von Tony Cragg

·Gründungsmitglied der Gruppe Ultramarin, Mitglied des Wittener Künstlerbundes und des BBK Bergisches Land

·Lehraufträge an Kunstakademien und Volkshochschulen (Malerei, Grafik und Grundlagen der freien Gestaltung)

·Lebt und arbeitet in Herdecke, Wuppertal und im Allgäu

 

PREISE, FÖRDERUNGEN, PROJEKTE

 

2020Auslobung zur Mehrfachbeauftragung für die Figur des Spätelesereiters im Schlosshof des Stadtschlosses Fulda

2019Nominierte Bildhauerin im Rahmen der Ausstellung “Mahnmal gegen Gewalt an Frauen in Kriegen und Krisen” im Frauenmuseum Bonn

2018    1.Preis Kitz Award für Skulpturen, Kitzbühel, Österreich

2017   nominiert zum Rhine Art Prize, Bonn

2016    Nominierung für den Wilhelm-Morgner-Simplizissimus-Kunstpreis

2015Artist in ResidenceSt.Christoph am Arlberg, Österreich

2015Nominierung für den Ennepe-Ruhr-Kunstpreis

2010Starke Orte im Rahmen der RUHR.2010 – Kulturhauptstadt Europas

2007 – 2009 Internationales Kunstprojekt „KöthenerQuadrate“

2006Neruda Projekt, Rotterdam

2005Katalogförderung anlässlich der Ausstellung im Märkischen Museum in Witten

2004Ankauf der Installation „Panta rhei“ durch das DRK in Münster

2003Kunstpreis der Stadt Schwerte für die Installation „Strömungen“

2001Katalogförderung durch die Dr. Carl-Dörken-Stiftung in Herdecke, der Sparkasse und den Stadtwerken in Witten

 

SAMMLUNGEN (AUSWAHL)

 

Bundesministerium für Wirtschaft, Berlin

·Sammlung Eggenberger, Schweiz

·Sammlung A. GajicHong Kong

·Sammlung Ostermann, Witten

Sammlung Aral, Bochum

·Sparkassen Witten, Bochum, Dortmund, Düsseldorf

Sammlung Volksbank Bochum

·Werner Richard - Dr. Carl Dörken Stiftung, Herdecke

Deutsches Rotes Kreuz, Münster

·Vita Energie Service, Duisburg

·Sammlung Gea Centrum, Bochum

Sammlung Edelstahlwerke, Witten

DSW 21, Dortmunder Stadtwerke

Industriemuseum, Dortmund

Stadtwerke, Witten

 

EINZELAUSSTELLUNGEN 

(AUSWAHL) 

 

2019 WOGA, Wuppertal

2019 Galerie #23, Velbert

2019 Art Karlsruhe, Galerie Bengelsträter

2019 Galerie am Stern, Essen

2018 Vossius & Partner, Düsseldorf

2018  RIVV GmbH, Düsseldorf

2018 Praxair Deutschland Holding GmbH, Düsseldorf

2018 Waldeck Rechtsanwälte PartmbB

        Frankfurt am Main

2018 Debeka - Hauptverwaltung, Koblenz

2017 Kunsthaus Klüber, Weinheim

2017 BKG Galerie, Wuppertal

2016 Osthaus Museum Hagen, Hagener Fenster

2016 Ruhrgalerie Herdecke

2016 Park Weggis, Weggis/Luzern, CH

2015 Deutsche Bank, Wuppertal-Elberfeld

2015 Schokoladenfabrik, Wuppertal Elberfeld

2014 DEW21, Depot-Kulturort, Dortmund

2013 Evangelische Kirche Osterrath, Meerbusch

2013 BKG-Galerie, Wuppertal

2013 Stadtparktheater Iserlohn

2013 Gut Schede, Herdecke/Wetter

2011 BKG-Galerie, Wuppertal

2010 Galerie Bailer, Dortmund

2009 Artothek, Dortmund

2008 Edelstahlwerke, Witten-Krefeld

2007 Deutsche Bank, Bochum

2007 Art Rewir Dortmund (Katalog)

2007 Industrie- und Handelskammer, Dortmund

2007 Volksbank, Bochum


GRUPPENAUSSTELLUNGEN 

(AUSWAHL) 

 

2020 Stadtschloss Fulda

2019 Frauenmuseum Bonn

2018 Museum Wilhelm Morgner + Kunstverein Soest 

2017 RhinePrize, Bonn

2016 /17 Museum Wilhelm Morgner, Soest

2016 A.I.R., Kunsthalle 1800m, St. Christoph, AUT

2015 Agora Gallery, New York, USA

2015 Artist in Residence, St. Christoph, AUT

2015 Märkisches Museum, Witten

2015 Landtag NRW, Düsseldorf

2014 Kunstverein Wasserwerk, Schwerin

2013 Lechnerhof, Witten

2013 Städtische Galerie Legnica, PLN

2012 Märkisches Museum, Witten

2012 Museum Hattingen-Blankenstein

2010 Märkisches Museum, Witten

2010 Weichenwerk, Witten

2009 Kunstdreieck, Witten





Thomas Manelli Mann


1957 geboren in Ludwigshafen am Rhein
Fernstudium Neue Kunstschule Zürich
Über 20 Jahre Art Director – seit 2016 freier Grafiker & Künstler
Seit 1994 Einzel- und Gruppenausstellungen – 
u.a. Blickachse Worms, Kunstverein Leimen, Kunstverein und Künstlerhaus Speyer
Vorstandsmitglied im Künstlerbund Speyer 
Wohnt und arbeitet in Speyer und Schifferstadt

Zitate aus der Laudatio von Kunsthistorikerin Dr. Susanne Kaeppele (Mannheim) zu seiner Ausstellung in Kunsthalle Speyer: „Sie sehen schon: sehr originell und gleichzeitig gruselig und kindlich… Das Nichtakademische, das Widerständige macht seine Arbeit aus… Mut und Ich-pfeif-auf-die-Meinung-anderer stecken da dahinter.“ 


-------------------------------


 Gerard Caris


1925 Born in Maastricht, Holland

1939-43 Technical School Maastricht

1944-47 Military service in England, the United States, Malaysia and Indonesia

1947 Returns to the Netherlands

1948-54 Leaves for Indonesia and New Guinea in the service of an oil company, visits Australia

1955 Returns to the Netherlands, leaves for oil exploration in Nigeria

1956 Returns to the Netherlands, travels in Europe, works at İskenderun, Turkey

1957 Emigrates to the United States, works in New York, takes courses in art and philosophy at the City College of New York and New York University

1958-61 Leaves for Dhofar (Southern Arabia), works in the Arabian desert

1961 Returns to the United States, works as a site manager for construction and erection of the Telstar Horn Antenna at Andover, Maine

1962-64 Studies arts and humanities at the Monterey Peninsula College, the Monterey Institute of Foreign Studies and San José College in California

1964-67 Studies at the University of California, Berkeley et al with David Hockney, Ronald B. Kitaj, Elmer Bischoff and Richard Diebenkorn

1967 BA in philosophy from the University of California, Berkeley

1968 Returns to the Netherlands as a Special Status Student of the Art Department. of the University of California, Berkeley

1969 MA in art from the University of California, Berkeley,

works as full-time artist

1981 Guest lecturer at the Parsons School of Design, Fashion Institute of Technology, and Hunter College, New York

1987 Guest lecturer at the Universiteit Twente, Enschede, the Netherlands

1993 Lecture at the Wilhelm Lehmbruck Museum, Duisburg, Germany (Introduction to a Pentagonal Form Language)

1999 Lecture at the symposium Art, Science & Technology, Faculty Cultural Studies, Universiteit Maastricht, the Netherlands

2007 Seminar at the occasion of the exhibition “My gene, it has Five Corners…”Lecture Hall Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe

2011 Attended the Seminar on the 3rdFadjr International Festival of Visual Arts at

the Tehran Museum of Contemporary Art TMOCA Tehran – Iran

2015 Attended Conference "Calculation and Aesthetics" Akademie Schloss Solitude Stuttgart, Germany

 lives and works in Holland, the United States and Germany

Solo Shows ( Selection)

1968 Newman Hall Gallery, Berkeley CA.

Student Union Art Gallery , University of California , Berkeley CA

Kasteel Hoensbroek, Hoensbroek NL

Kritzraedthuis, Sittard NL

Galerie de Sfinx, Amsterdam NL

1969 Galerie Dejong-Bergers, Maastricht NL

Bonnefantenmuseum, Maastricht NL

1970 Cultureel Centrum, Venlo NL

Galerie Nouvelles Images, Den Haag NL

Galerie Design, Rotterdam NL

Galerie Kristiaan, Amsterdam NL

Galerie Van Hulsen, Leeuwarden NL

1971 Neue Galerie im Alten Kurhaus Sammlung Ludwig, Aachen D

1972 Galerie Van Hulsen, Amsterdam NL

Cultureel Centrum, Venlo NL

1975 Galerie Van Hulsen, Amsterdam NL

1977 Galerie Nouvelles Images, Den Haag NL

1979 Cultureel Centrum, Almere NL

1980 Technische Hogeschool, Eindhoven NL

Technische Hogeschool Delft NL

1981 Parsons School of Design, New York NY

1983Bouwcentrum, RotterdamNL

1987/88 Museum voor Hedendaagse Kunst, Utrecht NL

1988 Stadtmuseum Ratingen D

1991Wilhelm-Hack-Museum, Ludwigshafen D

1993Kunsthalle, Bremen D

1997 Stedelijk Museum, Amsterdam NL

1999 Wilhelm-Hack-Museum, Ludwigshafen 

2000 Museum für Konkrete Kunst, Ingolstadt D

2001 Stedelijk Museum, Amsterdam NL

2002DSM, Heerlen NL

2012 KUAD Gallery Istanbul Turkey 

2015 Akademie Schloss Solitude Stuttgart D 

2018 Sidney Cooper Gallery, Canterbury, Great Britain 

GroupExhibitions (Selection)

1969 Goden en heiligen in Limburg , Utrecht NL

2detriënnale der ZuidelijkeNederlanden Stedelijk Van Abbe Museum, Eindhoven NL

2detriënnale der ZuidelijkeNederlanden Koninklijk Museum voor Schone Kunsten Antwerpen B

Made in HollandPlus-Kern, centrum voor constructieve vormgeving Gent B

1970 50 x 50 a Dutch graphical artist presentation at 50 different places in the Netherlands simultaneously NL

1971 Atelier 9Stedelijk Museum Amsterdam NL 

1972Gerard Caris en Ries Linnartz Galerie Nouvelles Images, Den Haag NL 

I.K.I. Internationaler Markt für aktuelle Kunst, Düsseldorf D

Galerie Teufel, Köln 

1973 NL kunst uit nederlands limburgKoninklijk Museum voor Schone Kunsten, Antwerpen B

Enkel des Stijl Neue Galerie im Alten Kurhaus Sammlung Ludwig Aachen D

1974Constructivistische tendentiesStedelijk Museum Amsterdam NL

36 graphiker aus den NiederlandenEine reisende Graphik-Ausstellung durch Deutschland D

1975Limburgse graficiGalerie Pryzmat, Kraków PL 

1976 25eWinterausstellungKunstpalast im Ehrenhof, Düsseldorf  D

1977Hommage à CasselGesamthochschule, Kassel D

Konstruktion, Funktion, ReduktionGalerie an der Neupforte, Aachen 

1978 Monumentale vormgevingCosa Delft NL 

1979Grafiek uit de BeneluxThéâtre National de Belgique, Bruxelles 

Suermondt- Ludwig Museum, Aachen D  

1979/80Grafiek uit de BeneluxEbes- Expo, Antwerpen B

1982Beeldhouwkunst uit hetZuiden van Nederland Middelheim, Antwerpen B

International exhibition of mail art Palazzo Nervi, Savona I

I sassi del finalese, Finale Ligure I

Goedkoper bouwen 2 Centrum Beeldende Kunst, Rotterdam NL

1983/84 Franklin Furnace, New York NY

Libreria Petrini, Torino I

1984Chiostri di S. Caterina, Finalborgo I

Huset, Copenhagen DN

1985 Biuro Wystaw Artystycznych, Lodzi PL

Diagonale, Espace Critique, Paris F

GlassboroStateCollege, Glassboro , New Jersey NY  

1986 Museum voor Hedendaagse Kunst, Utrecht NL 

Eyelevel / OoghoogteStedelijk Van Abbemuseum, Eindhoven NL

1987 Verein für Originalradierung, München & Mannheim D

1988 PlanBonnefantenmuseum, Maastricht NL 

1990 Centraal ZuidArti et Amicitiae, Amsterdam NL

Centraal ZuidPulchri Studio, Den Haag NL

1993 Building plans & schemesmail art project, Cultuurcentrum Heusden- Zolder B

1994 Arte 94Les Pyramides, Bruxelles 

1999 Mail art project National Museum Sabac YU

2001 Documentatie tentoonstellingStichting Kunst Openbare Ruimte (SKOR), Den Haag NL

2002 Jubileumtentoonstelling DSM, HeerlenNL

2003 De bomen van Pythagoras Mondriaanhuis, Museum voor Constructieve en Concrete kunst, Amersfoort NL

2005 Lohn der Arbeit Städtisches Museum Gelsenkirchen D

2007 Ausgerechnet...Kunst und Mathematik Museum im Kulturspeicher WürzburgD

Mein Gen, das hat fünf Ecken...,ZKM | Museum für neue Kunst, Karlsruhe D  

2008 BRIDGES 2008 Art Exhibit and international congress of mathematical connections in art, music, architecture and science, Leeuwarden NL 

2016 Verknüpft. Haleh Redjaian und die Sammlung  Museum für Konkrete Kunst, Ingolstadt D

2017aakvlakken,Beelden in Leiden 2017, Leiden, NL 

2019Negative Space, ZKM | Center for Art and Media, Karlsruhe, Germany. 


----------------------------------------------------------------------------------------------



MARTINA SINGER

1960 born in Munich
based in Munich
artistically active since 1986 

2018 Group exhibition
Fürstenfeldbruck/Munich
2018 Master examiation Kung Fu, 
Ajahn Lao, Munich
2018 Exhibition, "Census to Bethlehem"
in Arskrippana, Losheim/Eifel
2016 Exhibition, scupltural interpretation "Census to Bethlehem" by
Pieter Brueghel the Elder 1566in the Bavarian National Museum
2013 Opera Munich, Opera festival, soloist Butoh dance,
"La trovatore"/Verdi, Olivier Py
2013 Participant Art fair
"obacht", Munich
2012 Group exhibition from Gedok, munich

1988 – 1990 Participant of seminars,
academy of visual arts, Munich

1985 – 1986 Cooperation with the theatergroup, located in Düsseldorf,
www.theaterlabor-traumgesicht-ev.de
assistant in the design of the scenery and development of own roles.

Selftaught artist, busy in art since 32 years, located in Munich.
„10 seconds self-timer – that's how much time I have to position 
myself in my „black box“, which I built especially for the 
recordings in my studio. Blurriness is wanted. Martina Singer's 
photographs are characterized by high liveliness and lightness. 
Fabric – costume/everyday clothes, space – stage/scenery, light – 
color/black-white, time – entertainment/short or long exposure, 
mood – irony/seriousness are important elements of her photographs.
Various experiences such as an internship in the painter's
 hall of theatre, dance, movement work (Feldenkrais, Kung Fu,
 Butoh dance), appearances at the Munich Opera as Butoh dancer,
 as well as several years of attendance at a drawing school
 laid the foundations for her work. 
In the first place, the series „Mary“ was created, fairy-tale,
 fantastic and mystical. The protagonist experiences different
 adventures, travels different worlds, always with a 
breeze of humor. The second phase, the „Black Box Phase“, 
makes use of similar structures. Here the costumes used in the 
„Mary Phase“ are put together piece by piece to form 
an evercreasing costume, which is staged anew in the 
Black Box after each join. In the third phase, 
the protagonist begins to travel into reality with 
the completed costume and also other new costumes.
The „stage inventory“ is also created by Martina Singer
„I also deal with different women roles, take often ironically.
 Fabric, clothing, costume, shell versus nudity stage, 
these topics keep me busy.
Mythological aspects, - the animal, the plant – 
inspired by the butoh dance influence my work:“

-------------------------------

Tatyana von Leys

Date of birth: 08/27/1956 
Place of birth: Innsbruck Tyrol - Austria - Europe 
Elementary school, Graduation from commercial school,
French and philosophy studies at the Faculté des Lettres in Nice

1985 - 1989 intensive examination of painting, works in different studios in Austria 

1989 to 2000 projects with the curator and art publicist Prof. Peter Weiermair (Director Frankfurter Kunstverein, Rupertinum Salzburg and Galleria d'Arte Moderna in Bologna) 

Numerous individual Exhibitions, Exhibitions in groups in Austria and abroad 

1996 Solo Exhibition 

Gottfried Schmidt Gallery during the Alpbach International Cultural Forum, Tyrol - Austria 

 Group exhibitions: 

Museum Odessa
Art Expo New York 

Art books: Galerie Krinzinger Vienna: art books wwwgalerie-krinzinger-shop at / galerie-krinzinger-buch / Contributions to Hubert Schmalix, Manfred Lang, Ursula Krinzinger, Reimo Wukounig, Hannes Mienek, Tatjana Wirth (name during my first marriage) 

Publications by Prof. Peter Weiermair (catalogs and articles for Art magazines) 

Public Collections: 

Klocker Foundation 
Tyrolean State Museum - Ferdinandeum Innsbruck 
Stadt Innsbruck 
Stadt Imst 
Land Tirol 

Portrait orders at home and abroad 

Writing/Publications

Essayist and Author: Das kleine Buch zum neuen Denken, 2018 ISBN 978-3-7460-5451-3
Essay for Unisversity Innsbruck / WuV Arbeitskreis Wissenschaft und Verantwortlichkeit 

My Subjects: Trans- and Posthumanism 

-----------------------------------------------------------------------------

Sweven 



Sweven is a 22-year-old Southern California, United States, based artist that is currently on a promising path to a critical career. In his works he mainly lets his intuition guide him to make certain unique choices and such that create a profound emotional impact on the viewers. Sweven’s goal with the work is to take viewers through an emotional and humbling journey by untangling its hidden message one layer at a time, all within their minds.

Sweven has been expressing himself through art since young, painting being one of the many ways. He had a point where mental health took over and struggled tremendously at a young age. The only way he could spring back up from the struggle of mental health was through painting. Sweven re-found the purpose of paining; it was to spring back up from mental health. The works became more than paintings — it's the story behind it; the soul, pain, life, and thoughts instilled. Painting became a necessity, it’s a drug for Sweven (and his only drug). 

Currently, Sweven is working on a painting series where he focuses on the imperfections of his touches on the canvas that are purposefully but at the same time intuitively embraced to bring light to the humanness in his practice in todays' digital age. He focuses on the practice of patience and imperfection in today’s digital era through purpose, resilience, and flow. Sweven has always been conscious of how our society was getting more addicted to digital — that everything needs to be perfect, and imperfections are not taken in like the word “perfect” does. As Sweven states, “as a perfectionist, it takes a toll, especially when it comes to art -- I get pretty extreme. It has been a constant practice to let go of that burden. My purpose in these practices is to find the reassurance and the beauty in our human imperfection — because it is ok to be imperfect. No one is perfect. At the same time, learning to be patient, and from trial and error with the creation of my art, I wish somewhere along the path that I can look for the notable strengthening of prowess and perhaps unleash the extraordinary.” The motion of just putting dots, one by one, helps Sweven spiritually explore and reflect. Sweven, in hopes, wants these works to be more than just a painting but a light and a form of communication for those who might have struggled or are in pain from mental health as well. 

His works are rare and currently exist in some notable private collections. -----------------------------------------------------------------------------

Julia Lüdwig

Einzelausstellungen und Ausstellungs- und Messebeteiligungen [Auswahl]

2020Installation Waldstück/ Forest, U-Bahnhof Gesundbrunnen, Berlin

2020 Neue Kunst hat Freunde, Jahresausstellung im Neuen Kunsthaus Ahrenshoop

2020 Wir machen Druck- Ausstellung zu den trad. Drucktechniken, Alte Druckerei Sinzig

2020 PLAIN SIGHT. Radierungen und Zeichnungen. Galerie Graumalerei Berlin (Einzelausstellung)

2019 DAS TAPETENWERK TEILT 8.0. Auktion, Tapetenwerk Leipzig Halle 

2019 Open Studios AR_29 2019, Berlin

2018 aufgekratzt & tiefgedruckt 2, Druckwerkstatt im Kulturwerk des bbk berlin //

Kunstquartier Bethanien am Mariannenplatz

2018 Open Studios AR_29 2018 mit Gastkünstlern, Berlin

2017 1st International Print Biennale Yerevan 2017, Jerewan, Armenien

2017 Schöner Anblick. Einzelausstellung, 09.09. - 30.10.2017, Galerie Oben, Salon Schloss Rabenstein, Chemnitz

2017 Pop-Up Art Gallery Berlin - Exhibition 2, The Ballery, Berlin

2017 125 Bilder suchen eine Kolonie, Ausstellungsbeteiligung, Galerie Peters-Barenbrock, Ahrenshoop

2016 Nichts als die Wahrheit. 50 mal Malerei. Klasse Pleuger 1999-2016, Ausstellungsbeteiligung, Kunststiftung Sachsen-Anhalt

2016 International Print Show, Wharepuke Gallery, New Zealand

2015 New Prints/SUMMER. IPCNY, International Print Center New York

2015 That rug really tied the room together. Das Gift, Berlin (mit Igor Bleischwitz und Detlef Suske)

2015 VEER. Galerie kurt im hirsch, Berlin (mit Robert Cossen und Jochen Schneider)

2015 Ereignis Druckgrafik 7, Tapetenwerk Leipzig

2014 Internationale Grafik Triennale Frechen

2014 Anonyme Zeichner, Pavillion am Milchhof, Berlin

2014 Open Studios AR_29, Berlin

2014 Galery Printmakers Inkshop/ Ithaka, N.Y.(USA)

2014 Ereignis Druckgrafik.6, Tapetenwerk Leipzig

2013 Open Studios AR_29, Berlin/

2013 Stipendiatenausstellung Galerie der GEDOK Schleswig-Holstein. Lübeck.(SOLO)

2013 Melancholie. Vom Tiefdruck in der zeitgenössischen Kunst. Neues Kunsthaus Ahrenshoop

2013 Ereignis Druckgrafik.5, Galerie VORORTOST, Leipzig/

2012 Berlin(er) am Meer. Galerie Parterre, Berlin/

2012 open]art[space, Projektraum Kunst, ehem. AEG-Gelände Berlin

2012 Assemblage. Neues Kunsthaus, Ahrenshoop/

2012 Ereignis Druckgrafik.4, Galerie VORORTOST, Leipzig

2012 3 junge Künstler.(mit Robin Zöffzig und Nina Hannah Kornatz),Kunstverein Halle

2012 Broadcast, Funkhaus Berlin

2011 Künstlerhaus Lukas, Ahrenshoop (SOLO mit Gudrun von Maltzan)

2011 Ausstellung der Stipendiaten. Städtische Galerie Wertingen (SOLO mit Ruth Baumann)

2010 Eberhard-Dietzsch Kunstpreis, Ausstellung der Nominierten, Geraer Bank

2010 Ausstellung Klasse Pleuger, Erholungshaus der Bayer AG, Leverkusen 

2009 Klasse Pleuger. Galerie im Volkspark, Halle

2009 Freundschaftsspiel. Arbeiten von Julia Ludwig und Yifei Zhang. Halle

2009 abreisen. wegreißen. KunstinBetrieb 2009. Halle

2009 7ieben. Ausstellung von Studenten und Absolventen der Burg Giebichenstein, Magdeburg

2008 Utopie des Raumes. Nationalmuseum Kirgistan, Bishkek

2008 KunstinBetrieb 2008. Halle

Julia Ludwig // CV

lives and works in Berlin

01/ 2011 Master`s degree, class of Prof. Ute Pleuger [painting], Burg Giebichenstein University of Art and Design Halle

2009 Diploma in Painting and Graphic Arts, Burg Giebichenstein University of Art and Design Halle

2006/07 Erasmus Socrates Residency, Athens/Greece, Athens University of the Arts (ASFA)


2002-2009 Studies of Painting/Graphics Burg Giebichenstein University of Art and Design Halle

Scholarships and awards

2015 / 2017 Residency

Print workshop municipal gallery Wolfsburg (Wolfsburg Castle)


Since 2013 Studio funding from the bbk and the Berlin Senate


2013 GEDOK scholarship, Lübeck


Working residency, Neues Kunsthaus Ahrenshoop


2012 Art Award 'Neue Kunst hat Freunde', Neues Kunsthaus Ahrenshoop 


2011 Scholarship Künstlerhaus Lukas, funded by the state of Mecklenburg- Western Pomerania


2011 Living and working scholarship of the city of Wertingen


2006 EILC- Scholarship Ioannina, Greece

2006/ 07 Erasmus Socrates Scholarship, Athens School of Fine Arts, Athens

Works in collections:Private, Wertingen Municipal Gallery

Solo exhibitions and participation in exhibitions and fairs in Germany, Kyrgyzstan, Greece, USA, Armenia, Bulgaria, New Zealand, among others.


-----------

Armin Baumgarten


1967 geboren in Wolfsburg

1989-95 Studium der Malerei und Grafik an der Hochschule für bildende Künste

Braunschweig bei Prof. Hinnerk Schrader, Karl Möllers, Prof. Arwed D. Gorella und

Prof. Hermann Albert

1994 Beginn der Beschäftigung mit dem Thema Kopf

1996 Meisterschüler von Prof. Hermann Albert

1997 Wohn- und Arbeitsstipendium des Vereins Künstlerhaus Meinersen, Meinersen

Umzug nach Düsseldorf

2002 Beginn der Beschäftigung mit dem Thema Berg

2003 Erste Plastiken und Figuren-Bilder

2007 Kreuzbild für die Tersteegenkirche in Düsseldorf Golzheim

2008 Figurengruppen

2011 erste Großskulpturen für den Außenraum

-------------------

Douglas Tausik Ryder 


Douglas Tausik Ryder was born in New York in 1954, and currently lives and works in UK

In his body of work, Tausik Ryder responds to the digital age with conceptual, digital, and analog practices about structural and surface decisions. Tausik Ryders technology-assisted art making responds through a pioneering creative process, which delivers expressive, crafted sculptures. His theme has consistently been the figure in combination with geometry in compositional narratives. 

Tausik Ryder has shown previously at Jason Vass, Los Angeles, CA; Denk Gallery, Los Angeles, CA; Guild Hall, Hampton, NY; and Pennsylvania College of Technology. His exhibition at Jason Vass was reviewed by by Christopher Knight, a Pulitzer prize winning art critic for the Los Angeles TimesAnd his sculptures are in the prominent notable private and public collections including that of Tom Ford, former creative director at Gucci and Yves Saint Laurent; Grand Park, Irvine CA; and Kite Pharama Inc, Santa Monica, CA.

In 2020, one of Tausik Ryders sculptures will be shown as part of the European Cultural Centers exhibition at the Venice Architecture Biennale 2021.


-------------------------------------------------

Manuela Beyer-Bunk - mabebuart 

Geboren in Kempten / Allgäu / Germany.

In der Kunst der Perfektion im Bereich der Technik übte ich mich in meinen Berufen als Bauzeichnerin im Hochbau und später als Detailkonstrukteurin im Karosseriebau.

In der Perfektion im Bereich der bildenden Kunst mit und ohne Technik übe ich mich „öffentlich“ seit Ende 2011 als Autodidaktin. 

2014 – 2018 Mitglied der Autoren Galerie 1 in München

Seit 2017 Mitglied im Badischen Kunstverein Karlsruhe


Meine Ausstellungstätigkeit, hier ein Ausschnitt:

2013

Ausstellung „Die Perfektheit und dasFehler“, G.A.S-station in Berlin / Kreuzberg

2014

34. Friedberger Kunstausstellung in der Aula der Stadthalle Friedberg 

2014 / 2015 / 2016 / 2017 / 2018

Bilder, Briefe, Noten LXXXII / LXXXIV / LXXXVII / XC / XCIV in der Autoren Galerie 1 in München

2017 / 2018

51. / 52. Westallgäuer Kunstausstellung in Lindenberg

2017 / 2018 / 2020 online

Badischer Kunstverein, Mitgliederausstellungen 2017/2018, 2018/2019, 2020/2021 (online wegen Corona) in Karlsruhe

2019

dailypoetry“ , Art-Diary-Dokumentation - Visuelles Poesie-Projekt 2019 auf Instagram

2020

Veröffentlichung eines Gedicht-Beitrags aus meinem „dailypoetryproject“ im Buch „Instagram Poetry For Every Day“, edited von Jessica Atkinson & Chris McCabe – National Poetry Library, Laurence King Publishing

------


Aurelia van der Burght – visual artist

Curriculum vitae Aurelia van der Burght – visual artist

born 1950 The Hague

atelier -and livingadress: Dorpstraat 6a, 5504 HH Veldhoven

Exhibitions 

2015 - 2020 

2020 ART WORKS windowpresentation solo 

2020 Groupsexhibition ‘under the surface’ Liesbeth Bijkerk, Aurelia van der Burght, Fred Geven, Janus

Metsaars, Marielle van den Bergh, ​Anneke Hendrikx, Marieke Peters – De Kunstpraktijk, Veldhoven

2019 groupsexhibition OUD HOUT – Museum t Oude Slot Veldhoven – painting ROOTS

2019 epiloog, duoexhibition, installation ‘missing some green’ – paper, acrylic paint, East-Indian ink, branches 

from trees

2019 Vogelverschrikkerfestival Valkenswaard - birdY ‘69 - groupproject

2018 even the trees are crying – art-installation by Aurelia with glass, ceramics, ironwire

a multidisciplinaire artproject / dance, music, art, with Hanne Schillemans e.a.. movie

2017 BIGGER THAN ME – murals – De Kunstpraktijk Veldhoven; 2018 Venice / Italy (video)

2016 ‘about those leaves’ – installation, video. Glass, glassbeats and East-Indian ink

2015 ‘uit onbehagen’ - installation - ceramics, paper, video, performance

2004 - 2014

2014 sustainability in Cu, jubileumexhibition / De Kunstpraktijk – performance en installation, groupsexhibition 

2014 meetingpoint - Ho Chi Minh Fine Art Museum - Vietnam
2013 'a sad histroy, or is it futurism' - installation – lime paper, ceramics, videostill, 

compound sound – De Gruyterfabriek, ’s-Hertogenbosch movie
2011 ‘no butter, cheese and eggs’ - installation - De Kunstpraktijk
2010 Paperwork - opening De Plaatse, Veldhoven – kids create their own paper from founded paper with their 

faces on it
2009 Expo ‘foliage and figures among heavy stuff’, De Kunstpraktijk Veldhoven, performance with stones
2008 Landart Diessen Diessen, ‘an altar for an ordinary animal’
2007 Scarecrow festival Valkenswaard i.s.m. chorus Camus
2007 exhibition ‘The sea comes, installation, Eindhoven
2006 ‘Rode kool met appeltjes’, performance, Editfestival Strijp S
2005 contest Fused Space, project Digital City Gates, STROOM, Den Haag
2005 Beelden in de Aa, Veghel met 'une force vulnérable'
2004 Groepsexhibition DE VERBEETERING, Breda with ´there must be hope´ / mosaïc

AWARDS

1997 Krabbedans, shaping with PUR, Eindhoven
1995 Alha Papier, Maarssen, groupsexhibition
1994 Fourteen Dutch Paperartists, Royal Library, The Hague

1994 - 2003

2003 Solo-exhibition 'Tarnishing', installation, Woudrichem
2002 Handel kent Grenzen, manifestatie / de Dam Amsterdam
2002 Realization 'Kinderkopjes, maar dan anders' te Hapert, sculpture in public space / winner of contest
2001 installation: ‘time for resetting our values’, postoffice Tilburg

ART PROJECTS, WORKSHOPS AND LECTURES

Ideation, design, realization of exhibitions, in e.g. gallery / projectspace De Kunstpraktijk / artcurator

1993 untill the present

Balletschool / Studio for Dance and MovementVeldhoven. 

Balletteacher. Classic, Jazz, Tapdance, lassiek, jazz, tap, movement expression, aerobics / 1981-1989

Aurelia van der Burght / visual artist 

Her visual work is characterized by a social commitment. ‘I often work on location and react to spaces. I analyze such a space, looking at its history, use or current issues. In the process I let myself be led by my own experiences, emotions and interpretations. The fact that this way of working leads to different forms or solutions every time is for me comparable to the way in which life shows itself to me. Each time I am confronted with new facets of life, where the solutions are not unambiguous. 

I do not work in one material, but choose materials that express what I am aiming for.

Change, contrast and rhythmic repetition are aspects that regularly recur in my work, which consists of sculptures, performances, installations and paintings.

After Aurelia van der Burght was active within dance as a ballet teacher for almost 10 years, she has been working as visual artist and art-teacher since 1993.

In addition, she wielded the pen as a freelancer in journalism.

De Kunstpraktijk in Veldhoven is her enterprise in which she has bundled her activities. In a building that can best be called as a wonderful playground for the arts! 

In the gallery she develops, together with other artists, changing exhibitions and one of the guest rooms for bed and breakfast (apartments) is always decorated with visual arts - following the current exhibition.

In the studio she organizes inspiring creative workshops for groups and develops her sculptures and paintings.


------


Simon Felix Haas

Simon Felix Haas, geboren 1992 in Schärding am Inn (AT)

Er studierte Lehramt für Deutsch und Geschichte in Salzburg und Linz. Die Schwerpunktsetzung des Studiums lag auf der Diskursanalyse und einer literaturwissenschaftlichen Analyse des Bösen in der Literatur.

Seit 2018 studiert er an der Kunstuniversität Linz Plastische Konzeption und Keramik. Neben Readymades arbeitet der Künstler bevorzugt skulptural mit Gips, Holz, Pappmaché und Keramik. Zurzeit lebt und arbeitet er in Reggio Emilia, Italien.

Mit meiner Kunst versuche ich Gedanken und Gefühle in eine Form zu bringen, für die es meiner Sprache an Ausdrucksmöglichkeiten fehlt. Ziel ist nicht, Klarheit zu schaffen, sondern der Unklarheit ihren Platz einzuräumen. Nicht das Finden von Antworten, sondern das Unterstreichen von Fragen steht im Vordergrund. Je mehr ich verstehe, desto weniger verstehe ich.“

„Durch die monochromen Oberflächen verliert das Ausgangsmaterial an Relevanz und die Objekte fungieren lediglich als Platzhalter für die aus ihnen gewonnenen Assoziationen. Storytelling zum Anfassen – aber bitte nicht berühren“

Ausstellungen

2019 Rundgang Kunstuniversität (Colletiva), Linz (AT), Strafsachengalerie

2020 Ab heute nur noch Dosenbrot, Linz (AT), WHA-Galerie

2020 La belle époque der Einsamkeit, Reggio Emilia (IT), Galleria Spazio Aperto



------------------

Sandra Strēle

Sandra Strēle graduated in 2016 from the Art Academy of Latvia, acquiring her Master's degree at the Department of Painting, also she had spent one semester as part of a student exchange programme at the Royal Academy of Fine Arts in Antwerp. She received the visual arts scholarship of the Boris and Ināra Teterev Foundation in 2012, the Brederlo von Sengbusch Art Prize in 2014, the SEB Banka scholarship in painting in 2016, the prestigious grant from The Elizabeth Greenshields foundation in Canada and Young Painter Prize in 2019. Sandra Strēle has held a number of solo exhibitions, participated in group exhibitions and artist residences in Italy, Belarus, Estonia, Lithuania, Norway, India, Belgium, Germany, France and elsewhere. Sandra’s works are in the collections of Latvian National Museum of Art, National Art Gallery of Lithuania, Lewben Art Foundation and Boris and Ināra Teterev Foundation, in Raivis Zabis collection, SEB bank collection and in other private collections in Latvia and abroad.



----------------------------------------------------

Tim Cierpiszewski

2003 bis 2009 Studium der freien Kunst an der Kunstakademie Münster bei 
Prof. Maik und Dirk Löbbert, 2007 Meisterschüler, seit 2009 Akademiebrief 

2007 bis 2008 Gaststudium bei Prof. Martin Gostner, Kunstakademie Düsseldorf 

2001 bis 2003 Studium der Philosophie an der Universität Essen

Ausstellungsbeteiligung: (Auszug) 

2020 ICH SCHREIB DIR VON ZU HAUSE, dst Gallerie, Münster 

2020 TAPE, Museum Abteiberg, Mönchengladbach

2020 POLAR, ARTWORK EARTH, The Atlas for Art on Ecology and Climate

2020 THE WRONG SIDE, Stroma Projectspace, Köln 

2020 FIVE WORX, NEW DIGITAL COLLAGE

2020 ARCHIVE, DAS KONVOLUT 

2020 RAUMWWW, Project by Daniel Hahn / Johannes Mundinger, Berlin 

2020A6 Murals Worldwide, Instagram Project by Lydia Wierenga, Ten Boer, Niederlande

2020 EILAND, Eiland Projektraum, Essen 

2019 WERKTALK, Monika Jarecka / Christl Mudrak, Berlin 

2019 LIKE A HOUSE, Gesellschaft für Zeitgenössische Kunst, Osnabrück 

2019 Hilbert Cierpiszewski Kersten, Hilbert Raum, Berlin 

2019 CELLAR, Marie Wolfgang - Werkstatt und Praxis aktueller Kunst, Essen

2019 MGame, Stiftung Digitale Spiel Kultur, Mönchengladbach 

2019 DEW21 Kunstpreis 2019, Dortmunder U, Dortmund 

2019 NEULAND, Montag Stiftung für Kunst und Gesellschaft, Mönchengladbach Rheydt 

2019The Cologne Art Book Fair, Kölnischer Kunstverein, Köln

2019 Artist Work Release, Josef Albers Museum, Quadrat, Bottrop

2019BEAT DOWN MIDNIGHT SWIM, Knappschaft, Unna [E] 

2018 THE DARK SIDE OF THE ROOM, Salzamt, Linz, Österreich [E]

2018 HOMAGE TO THE SQUARE ARCHITECTURE, Salzamt, Linz, Österreich [E] 

2018LOUD NOISE, Tyson, Köln [E]

2018 AT THE WELL, Josef Albers Museum, Quadrat, Bottrop

2018 SYNCHRON, Matjö – Raum für Kunst, Köln [D] 

2018 ATRIUM, Kunsthalle Lüneburg, KulturBäckerei, Lüneburg [E] 

2018 Kunst & Leidenschaft, 50 Jahre Kunstverein Gelsenkirchen

2018 DIN A 4, Kunst-Quartier, BBK-Osnabrück 

2018 The Cologne Art Book Fair, Kölnischer Kunstverein, Köln 

2017Berufung, Beruf, Verruf – Zur Absicherung der künstlerischen Existenz, Lecture, 

(E) / Einzelausstellung (D) / Doppelausstellung 


----------------


Péter A. Leigh. Biography


Recent exhibitions

2019 Cyprus College of Art - Pafos. Gavin Turk - Portrait of an egg, Somerset House.
2018
Solo Exhibition - Certainties (Positive - Negative), The Brewery Tap, Folkestone.

2017
Lubomirov/Angus-Hughes. Chiara Williams Contemporary Art, Afternoon Tea: Works on Paper, Margate Festival. Menier Gallery, London.

2016
508 Kings Road Gallery, Chelsea. Sikkema Jenkins & CO, New York.

2015
Galerie Metanoia, Paris. Mall Galleries 7th Passion For freedom, London.

2014
Kawasaki City Museum, JAALA Biennale, Japan. Hortensia Gallery Chelsea Exhibition.

2013
Pump House gallery Battersea, London.  MuBE Brazilian Museum of  Sculpture Brazil.
 Institut für alles mögliche Berlin, Germany. Space Ophen Art Gallery, Salerno, Italy.  Hortensia Gallery 2013 Exhibition Chelsea. 
2012
Mile End Art Pavilion Project 2012 London.  Unit 24 Gallery Passion For Freedom, London.  Cork Street Open Exhibition London.  Castel San Pietro Terme Bologna, Italy.  Random Project – Rich Mix Bethnal Green Road London.  Gallery40 Brighton.  The Stone Space Gallery London.  The Gallery on the Corner, Project 2012, Battersea, London.
2011
Utopian cities Night of the Museums Buenos Aires, Argentina.  National Gallery Cosenza Italy.
 Dreamspace Gallery GFEST, London.  A&D Gallery (Post Ray Johnson) London.  Hackney WickED Festival The Outside World, London.


-------------------------------------------------------




KAROL HUREC


LED - ART


1948  geboren in MÜnchen

1969 - 1974  Studium an der Akademie der Bildenden Künste München


Ausstellungen

Seit 1970 ( Auswahl )

 

Kempten, Residenz


München, städt. Galerie 



 Erlangen, städt. Galerie


 "Offenes Atelier"Kronach, 


städt. Galerie im Rathaus

rth, Galerie Förstermühle



nchen, Haus der Kunst - Kunstsalon


London, P.O.S.K. Gallery



Coburg, Galerie am Hexenturm


nchen, Kunst im Lila Haus


rth, Kulturzentrum


Kulmbach, Plassenburg


Hof, Hypogalerie


Bamberg, Galerie am Stephansberg


Leipzig, MZvD Weltkongress 1997


Kronach, Kronacher Kunstverein e.V.



München, Forum Rutzmoser


Kronach, Kunstverein, LED-ART


Kronach, Festung 


Rosenberg, Retrospektive


Kunst am Bau, Fotostudio 


THRON, Kronach



---------------------------------------

Harry Underwood is a self taught painter living in Nashville Tennessee. Born in Miami during 1969 and raised in the rural "Redlands" farming area near the city of Homestead Florida. His father was a Carpenter and his mother worked at a Supermarket. He has one sister. With his family he attended the Church of God pentecostal church until 1982. As a teenager he cleaned swimming pools at many of the Motels in the area and bussed tables at the Capri Italian Restaurant in Florida City. Uprooted by Hurricane Andrew in 1992 he lived in New Orleans and Austin, eventually settling in Nashville where he worked in the construction industry until 2005. His artwork has been shown by galleries in United States, France and England.

--------------------------------------

KONDRAD THALMANN

Artist statement
Meine Drahtskulpturen: Man hat eine feste Form vor Augen und und schaut zugleich durch sie hindurch. Das Geflecht aus Knoten und schwarzen Linien ist eine dreidimensionale Zeichnung, die sich mit jeder Ansicht verändert. Aus einer abstrakten Vorstellung heraus, wie dem Erleben von Freiheit, entstehen bei mir Skulpturen mit assoziativen Formen. Beim „Drahtweben“ knüpfe ich Strukturen, die biologischen Zellen ähnlich sind. Manchmal bekommen die „Webmuster“ eine rhythmische Ordnung wie sie Maschinen erzeugen, im Detail sind sie chaotisch und „handschriftlich“. Durch die handwerkliche Seite des Drahtflechtens erfahre ich mich selbst und erspüre die „Proportion“ meiner Arbeit.

Die Grafiken werden wie die Skulpturen von der Linie bestimmt. Sie entstehen im freien improvisatorischen Spiel. Räumlichkeit wird angedeutet und an anderer Stelle in die Fläche „gedrückt“, Formen und Anatomien werden dekonstruiert, beabsichtigte Striche werden teilweise unvollständig ausgeführt, um die „Offenheit“ der Grafik nicht zu gefährden. Ich vergesse mich beim Zeichnen. Es sind starke Momente aus Literatur, Musik und dem Leben, die ich dabei verehre. Die Natur, in der das „Zufällige“ seine Platz hat, hat mein Verständnis vom Entstehen und Gelingen von Kunst geprägt. Selbstgebaute und gefundene Zeichenwerkzeuge ergänzen die Handschrift und nehmen ihr das Absichtsvolle

Vita / Ausstellungen

Am 16.09.1966 in Dessau geboren
Steinmetzausbildung
Architekturstudium
Gaststudium Bildhauerei, Burg Giebichenstein, Halle-Saale 1999 – 2000
Aufbaustudiengang Denkmalpflege, Archäologie, Kunstgeschichte,
Ausbildung zum Mediengestalter – Printdesign in Leipzig,
Grafikkurse in Leipzig bei Tatiana Petkova und Andreas Weißgerber,
Mitglied im Bund Bildender Künstler seit 2009

Stipendien / Symposien

2020 Denkzeitstipendium
2019 Interdisziplinäres Symposium Schaddelmühle
2017 eu art network: Symposium 2019 Cseelley Mühle, Oslip, Östereich
2016 Internationale Bildhauerwerkstatt Schwarzenberg
2015 XI. Internationales Bildhauersymposium
Steine ohne Grenzen im Bucher Forst
2015 Esco-Salzwerk Stipendium
2014 Keramiksymposium Schaddelmühle
2013 Bildhauerpleinair Pegau
2012 Kügelgenstipendium Bernburg
2011 Projekt „Regenerativverfahren“,
Kunstverein Frankfurt / Oder

Ausstellungen und Ausstellungsbeteiligungen

2020 Voila, 30 Jahre BBK
2020 Blue Quarantine, vier Ausstellungsorte Leipzig
2019 Raum Schaddel, Galerie 4D Projektort Leipzig
2019 Galerie Flox“Still-Leben
2018 Art GO East Doppelausstellung mit Bea Nielsen im Japanischen Haus
2018 Auktionen Pögehaus, Tapetenwerk
2018 Din A> Leipzig
2018 Kunstinitiative “Im Friese” e.V.
Sonderausstellung „all we need is color“
2017 Friese.ev, „Tabu und Bruch“
2017 ArtFigura Schwarzenberg,“Re-Formation“, Juryauswahl
2016 Studio one
2016 esco Werk Bernburg
2015 Archäologisches Museum Chemnitz
2015 Alte Handelsschule Leipzig
2015 ArtFigura Schwarzenberg Juryauswahl
2015 Artcapella Schkeuditz
2014 Keramikzentrum Schaddelmühle
2013 Kunstinitiative “Im Friese” e.V.
Ausstellung: „Sinn und Glück“, Kurator: Christian Gracza
2012 Kunstverein Ibbenbüren mit Tatiana Petkova
2012 Sparkasse Bernburg,
Gemeinschaftsausstellung zum Stipendium
2012 Galerie d‘été ,Vitrac St. Vincent, Frankreich,
mit Katja Enders und Marta Runge

--------------------------------------

Marianne Lang

*1979, Graz / Steiermark

Ausbildung

1998-2005 Universität Mozarteum

Klasse für Malerei und neue Medien bei Professor Dieter Kleinpeter Stipendien / Preise ( Auswahl)

2010 Staatsstipendium für bildende Kunst Österreich, FörderpreisLandSalzburg

2003-09 Atelierstipendien Berlin, Budapest, Montrouge, Virginia, Paris

2007 Jahresstipendium für bildende Kunst, Land SalzburgEinzelausstellungen ( Auswahl)

2020 Vermessung der Leere, Stadtgalerie Salzburg

2018 Spiegelbildlich, Bildraum 01. Wien

2017 Wald, Galerie Zimmernann Kratochwill, Graz

2015 Das Haus im Grünen, Galerie Bäckerstrasse4, Wien

2013 Intervention (3) Albertina, Wien

2011 Wallpaper, Studio Kunstverein, Salzburg

2010 Mein Zimmer im Raum, Kunstverein das Weisse Haus, Wien

2009 A Room of one´s own, Stadtmuseum, Graz

2004 „Living Room“, Galerie 5020, SalzburgAusstellungsbeteiligungen / Projekte (Auswahl)

2020 Beethoven unter einem D-A-CH, Künstlerforum, Bonn

2020 4x4 Galerie Schloss Wiespach, Hallein

2019 Art Austria, Galerie Loft8, Wien

2019 Veränderung, FH Campus, Wien

2018 Obsession Zeichnung, Bruseum, Joanneum, Graz

2017 Drawing Now, Messestand Galerie Bäckerstrasse 4, Paris

2016 No Panic It´s Organic, Galerie Zimmernann Kratochwill, Graz

2015Der Raum nach dem Raum, Kunsthaus Muerz, Mürzzuschlag

2014 Phasenraum - Zeichnerische Ansichten, Loft 8, Wien

2013 New Frontiers, Forum Frohner, Krems

2012 Zones of Habitation, Krokus Galerie, Bratislava

2011 Ortung, Kunstverein, Salzburg

2010 Diözesankunstpreis, Minoriten Galerie, Graz

2009 Salzburg-Litauen, Traklhaus Salzburg / Vilnius

--------------------------------------

Stefania Pinsone 


Stefania Pinsone is an Award-winning artist (EWAL Premier Art Award London 2019 Top Prize winner). Awarded by the head judge Professor Emeritus Dan Fern at the Royal College of Art of London. Her artworks are characterized by a powerful personal painting style that combines a strong figurative imagery with the elegance of a new contemporary impressionism of the digital age.

Her artistic project is double and dedicated to exploring both the inner space of the brain mechanics using a complex system of symbols and signs, and the external space, distorting the images as seen through a video screen in its multiple meanings. This last project is characterized  by extreme experimentation in style and in the use of different materials, among them Plexiglas, aluminum, iron, rhinestones, LED lights, copper, resin and metallic or fluorescent colors.

Stefania Pinsone was born and raised in Rome, she holds an MFA degree and a MA in Art History. After some years of professional artistic work - mainly in Rome and Milan - and a long period of art teaching in high schools in Rome, in 2009 she moved to the Basel area in Switzerland starting an international activity. Her artworks are published in the Art book: International art today – 2016 and 2017 editions, curated by Dr. Ingrid Gardill. Published also in the autumn and winter 2020 editions of House & Garden, Tatler, GQ and Vogue ​(The Condé Nast Publications Ltd, Vogue House, London).

She has received in 2019 the recognition certificate by the Ambassador of Italy to Switzerland, H. E. Silvio Mignano for being the best expat Italian talent in her field.


Since 2018 she has started a parallel activity of professional Graphic Designer for IES ltd in Basel 


Education


MFA in visual arts.Accademia di Belle Arti di Roma, 1997


University Diploma: Bachelor course in Cultural Services, Università degli Studi di Firenze, 2004

Degree in Art History, M.A. with honors, Università degli Studi di Roma Tor Vergata, 2007


Exhibitions

2020 Personal exhibition in  Gh36,  during the Berlin art week, 12 -22 September 2020, Co-curator Dr. Lily Fürstenow, Berlin.

Starting a commercial partnership with Vogue, House & Garden, Tatler and GQ(The Condé Nast Publications Ltd, Vogue House, London). 

Starting collaboration with E.ARTISauction Haus , May, Chemnitz (DE)

$€X¥ Gstaad, art exhibition organised by ArtsFemin,Huus Resort Hotel, Feb.-Mar. 2020, Gstaad (CH)

2019 Personal Exhibitionat R4L art Gallery Nov.-Dec, Seon (CH)

Premier Art Award Exhibition London2019,Top Prize winner(10/31/19), head juror: professor emeritus Dan Fern at the Royal College of Art of London. LaGalleria Pall Mall, London

Selected artist for the "Director's choice" in ArtMuc, October, Munich (DE)

Consignment of the recognition certificate by the Ambassador of Italy to Switzerland, H. E. Silvio Mignano, and the Italian Consul in Basel, Pietro Maria Paolucci during the 1st Edition of the "Young Italian Talent Day in Switzerland" (5 October, CH)

When art meets jewellery: Brahmfeld & Gutruf. org. by affordableart.de, Sept-Oct., Hamburg

Duo Exhibitionat Posk Gallery, 26 - 31 August, London

Platform for emerging artist #22, selected for exhibition in Leyden Gallery, 13-25 May, London

London-Kyoto FAPDA Award, winner in art print category, exhibition in Be Gallery, May, Kyoto

2018 Selected artist for the Director's choice" in ArtMuc, November, Munich

The Discovery Art Fair, with Parcus Gallery, November, Frankfurt (DE)

“Grand Salon 2018“, Villa Berberich, Jan.-Feb., Bad Säckingen (DE)

2017 Exhibition in the public museum Wanlin Art Museum, Hubei Art Festival, Nov., Wuhan, China

Selected artist atEWAAC 2017, category painting, exhibition in the Pall Mall Gallery, Oct., London

Selected forEWAAC-Artist in Residence 2017with final exhibition in Posk Gallery, August, London

Selected artist for Personal Exhibitionat Onepeak Hubei Culture Media Co., Ltd., TS1 Gallery, Wuhan City, with the agency Amalart S.r.l.May-June, Wuhan,China

2016 “AAF, Affordable Art Fair”, with Galerìa Gaudì, February, Brussels

Representationat Atkinson Collection Gallery, Chicago

Modern Woman In Art, Exhibition for modern and current art, Basel Art Center, June, Basel

LISTE 21/Art Basel - art fair,represented by Kaskadekondensator& Dr. Kuckucks Labrador,June,Basel 

ExhibitionatLe Dame Art Gallery, June-December, London

AwardedatEWAAC 2016 withEncouragement Price; exhibition La Galleria Pall Mall, Oct. London

“Seeking Peace: Figurative or Abstract Art?”, collective exhibition in Basel Art Center, Nov., Basel

2015 Double exhibitionin the art Gallery Haus am Bach, April, Sissach (CH)

“Kölner LISTE”art fair, with A-Space gallery, April, Cologne

Solo Exhibition, Art & Context 101,Art Gallery, October-November, Basel

“Satellit 15”, collective exhibition with SGBK Basel,November, “Kultur Nacht Liestal”

2014 “Under One Roof”collective exhibition, Gum Gallery, May, Moscow

“Cutlog NY” Art Fair, May, New York

“Frisch Gestrichen”double exhibition, Galerie Eulenspiegel,Aug.-Sept., Basel

“Copenhagen Art Contemporary art fair”,September, Copenhagen

2013 “Sommerausstellung”collective exhibition, Galerie Schöneck, Riehen, Basel

“Selection”collective exhibition, Galerie Schöneck, Riehen, Basel

2004 “Collocazioni domestiche: percorsi urbani”collective exhibition. Show RoomSMIT, Rome

2003 “Blerò” Personal Exhibition.Fondazione Katinca Priniand Contini Gallery, Bardonecchia

2002 “Nuovo Quadro Contemporaneo” collective exhibition. Palazzo Cedir, Reggio Calabria

2001 “Hellzapoppin”collective exhibition.Galleria dArte Mascherino, Rome

“Match”collective exhibition. Galleria d’Arte F. Russo, Rome

2000 Collective Exhibition.Galleria Comunale d’Arte Moderna e Contemporanea di Roma, Rome

1999 Personal Exhibition.Studio D’Arte Cannaviello, curated by E. Cannaviello, Milan

1998 Personal Exhibition, with catalogue, Galleria dArte Mascherino, curated by G. Marziani, Rome


Work experience


Exclusive Contractwith the art gallery, Galleria d'Arte Mascherino, Rome, 1998-2008

High school teacherin art history and drawingin San Sisto Vecchio, Rome, 2002-2009 and in state schools

Work order: double portrait of the client and his wife, December 2014

Graphic designer forIES ltd from January 2018, for Anapath Ltd from June 2019, Basel (CH)


Publications


Sant’Urbano alla Caffarella: nuove indagini e scoperte,Rivista dell’Istituto Nazionale d’Archeologia e Storia dell’Arte, no. 59, 2010

Stefania Pinsone”, Catalogue for the personal exhibition, curated by G. Marziani, Rome, 1998

Violence and Perception”,Catalogue for the personal exhibition, curated by Dr. B. Reuter, Basel, 2015

Inclusion in the art book: International art today – 2016 and 2017, curated by Dr. Ingrid Gardill,(May 2016, May 2017), IKH-Publishing Martina Kolle -www.internationalekunstheute.com

--------------------------------------------------------------------
Adrian Pocobelli 

Adrian Pocobelli (1979) was born in Saskatoon, Saskatchewan, in Canada's midwest. He became interested in images at a young age when he began collecting postcards of Roman mosaics on his first trip to Italy and was given the stamp collection of his late Italian grandfather. As a teenager he became interested in sports cards, and later comics, eventually working his first job at a comic store in Saskatoon.

In his twenties he completed a Masters in English Literature at the University of Saskatchewan, writing a thesis on The Atrocity Exhibition by J.G. Ballard, after which he moved to Montreal, where he worked as a graphic designer. He later moved to Toronto, where he spent four years as a news editor before moving to Berlin in September 2016. Pocobelli currently lives and works in Berlin, Germany. 

Screen Memories

The history of art is etched into our collective psyche. Although we have different exposure to art based on our interests and education, there is nonetheless a general consciousness of what art is and what it looks like, and generally these notions are transferred through famous, so-called canonical, images. In this respect, art history acts as a visual anchor of sorts — a reference point — in a visually overstimulated world.

Sigmund Freud coined the term screen memoryto describe a distorted visual memory originating in childhood. Based on its ubiquity, the history of art can be seen as a kind of visual childhood memory of the mass psyche. By masking parts of these canonical works with screenprinted areas of colour based on digital techniques, I’m attempting to celebrate the fresh look of technology, using the smartphone as compositional tool, while also commenting on a covered up, painted over spiritual world, which, for good or ill, remains largely hidden in our secular society. In simple terms, technology is masking the divine, and the results are ambiguous. From a technical perspective, my core interest is what I call “travelling through the mediums.” How does an image transform from its original incarnation as an artwork in a gallery, to the photo of the artwork, to its compressed version as a JPG and its representation on Google Images search results to being scanned, printed and screenprinted overtop? Through this visual alchemy, I hope to have created a contemporary and relevant art object.

-------------------------------

Franziska Stevick

Franziska Stevick catches the gentle dynamics between evolution and definition. Her often surreal depictions of transformations in movement and meaning are forever alleviating.

Born into Berlin’s urban creed of grey skylines and enthralling nightlife, she has an affinity for nature and a great love for the outdoors.  Frequenting the outer limits of Brandenburg under the stars or not; Franziska brings much of that connection to her sought tranquillity towards the natural ebb and flow of things, into her works.

Franziska Stevick has over the years been a part of many intimate collections - be that performative, exhibitions, commissions or print.  Alone or in collaborative projects alike her work spans many varied techniques with a sure focus on collage. Not limited to this however, Franziska has explored paint, shop installations and lithography (gravure). 

Franziska has continued her exploration of painting, drawing, installation and lithography and has found paper, in the form of collage, to be a satisfying and inspiring media. Often using discarded magazines and newspapers, her reform of the structure and the characteristic uniformed grid used in printed media combined with her drawings perfectly exemplify the noted comfort in nature’s ebb and flow.

Franziska’s most notable projects include; collages / drawings of characters, untitled, newspaper on paper.  

“When people see my work, I hope they experience the world of details”

-------------------------------------------
Maarten de Mink. Artist statement:

Maarten de Mink (b. 1977) was born in Limerick, Ireland, but raised in various places all over The Netherlands. He currently lives and works in Amsterdam, The Netherlands. He graduated from the RUG University in Groningen (NL) in 2002 after having studied literature. Perhaps due to this academic background, Maartens' works seem to have a storytelling aspect to them. Maarten aims to tell graphic 'tales' that have many angles, but at the same time appear very clear-cut.

Maarten is a graphic artist whose work oozes and flows with energy. In his very characteristic way he carefully combines the abstract with the figurative, creating a fine balance between the two. To achieve this, he combines pictures out of magazines with shapes and figures from his own imagination. His collage-style drawings have been described as 'psychedelic windows into a fractured universe that tastes like Picasso meets Monty Python. 


-----------------------------------

Esra Nesipoğulları

Esra Nesipoğulları, 1991 Turkey, architect / self-thought multidisciplinary artist, born and raised in Turkey. Currently resident in Italy. After working two years in several architectural design studios in London, Istanbul, and Mantua, she moved to the art and curatorial field. Her works often respond to personal stories in the cultural and political contexts. She is with Amal Muntaser, the associate founder of Ambaradan Think Tank.

Think Tank Manifest

The main idea of the think tank centers around critical dialogue focusing but not limited to art, architecture, museology, urbanism, and culture. Moving away from institutionalized knowledge by creating a framework to look at the past, knowledge, and academy builds upon a less authoritative manner but in a more open-ended, cumulative mode sincethe academy suffers from representational crises (self\other), especially in art and architecture. 

Statement

Contemporary art is, to me; the question of consecrating anything to do with art and art per se, which is not complete without the viewer and its narration. Very personal response to the concerns of the present social, political world from the necessity of expressing oneself is the ultimate personal approach to my works. I am exploring different tools to translate that need of producing into a form. Storytelling is my predominant conceptual reference origin to represent what I am living through. Personal founds and memories as art materials and my process transmit a sense of reality that manifests itself. My long architectural education permitted me to be experimental with the structural tools and always thinking in the context of space. 

Education

 

2017-2020   Politecnico di Milano, Architecture and History, Master's Degree

2009-2015   Mimar Sinan Fine Arts University, Architecture, Bachelor's degree

Competition & Awards

2013       EAAB (Emre Arolat Researching Scholarship)
      
Case study: Cuba, Santa Clara: Changing in the use of public and semi-public spaces from 1951 until USSR's disintegration

2011        Mamak Housing Design Competition (2nd Mention)

Academic Representations

2014        Presentation - Spatial Organisation of  Public Squares- Case study: Cuba, Santa Clara

2011         Presentation - Urban Renewal in Istanbul      

Selected Exhibition Group

2020        Monaco Art Fair Art3f Represents by Van Gogh Gallery -Madrid, Monaco/France

2020        In 24-Hours exhibition curated by Ayshia Taskin at The Wall Space Gallery,  Scotland, UK

2014         Red Cube, Installation, CYME Association Art Project, Miramas, France

Selective Press

Gazetta di Mantova

Esra ha ricostruito il mistero della soffitta 

https://gazzettadimantova.gelocal.it/mantova/cronaca/2020/08/10/news/mantova-una-valigia-abbandonata-e-i-ricordi-del-passato-cosi-esra-ha-ricostruito-il-mistero-della-soffitta-1.39179251


In 24 Hours Online Exhibition

http://ibpcpa.co.uk/in-24-hours/

Points of view Conventia

http://pointsofview.salotto58.com/2020/05/06/conventia/


The Circa Project Conventia

https://thecircaproject.com/39-ESRA-NESIPOGULLARI

------------------


Katy Shepherd


           

Group Exhibitions and Screenings

2019  The London Group Open, the Cello Factory, London.
          The Royal West of England Academy Open, Bristol.
          The Wells Art Contemporary, selected exhibition at Wells
          Cathedral, Somerset, UK.
          Drawn from Dorset, selected exhibition and publication
          Poole Lighthouse and tour.
          Alchemy Film and Moving Image Festival

2017  The London Group Open, the Cello Factory, London - Prizewinner.
        “Time Machine”, group show and publication, Watchet, Somerset.
        “Drawn 2017” Royal West of England Academy, Bristol.
          Royal Institute of Painters in Watercolours”, the Mall Galleries, London.
          

2016  The National Open Art Prize, online moving image gallery.
          Royal West of England Academy Open, Bristol.
          CGP Open, London , awarded commendation.
        "Timeframe" Fringe Arts Bath Festival.
          Atkinson Gallery 26th Summer Show, Somerset, Uk. Winner of a purchase prize.

2015  The Factory Film Festival, Bournemouth Emerging Arts Fringe.
          The Black Swan Arts Open, Prizewinner.
          "Drawn 2015", Royal West of England Academy, Bristol.

2014    Royal West of England Academy Open 2014, Bristol.
          "Selected Animated Photography Films 2014" the Photographers
          Gallery, London.

2012    The Jerwood Drawing Prize at Jerwood Visual Arts, London
          and tour.
          Jukebox Fury at the Basement, Brighton.
          "Screen out Loud" Open Submission, Animated Exeter.
          "Animated Drawings" screening at the Parasol Unit, London.

2007    Screening of "Film" at the National Gallery, Sainsbury Wing 
            theatre.

2006    Launch of the vitreous humour project funded by the Arts Council of England.
            Artist in residence at Wiltshire College.

2005    Norwich International Animation Festival Illumina.

2004    Vertigo Magazine Screenings, the Curzon Cinema, London.
          “Collage” exhibition at Bloomberg, London.

2003    "100 Years of British Artists Films" Tate Britain.
          "Flock" Spacex Gallery Exeter and Towner Gallery Eastbourne.
          "Videoteque Ephemere", Videoformes Festival, Clermont
            Ferrand.
          Vertigo magazine Anniversary Screenings, the Other Cinema London.

2001    "Artists' Animation"at the Vilma Gold Gallery, London.
            Pandaemonium Festival, the Lux Cinema, London.

2000  “A&V” at the “V&A”, video installation at the Victoria &Albert Museum, London.
          “Animate!” commission, Arts Council and Channel 4.

1999  “Videospin” project, the Photographers Gallery, London.

1998  “Animation” the Lux Gallery, Hoxton, London.
          Launch of the “Home Movies” website with the support of the London Arts Board 
          and the City of Westminster Arts Council.
          Whitechapel Open.

1997  Collaboration with the Interactive Laboratory, London Electronic Arts.
          Zone Commission, Maidstone Borough Council Zone Multimedia Festival.


Public Collections

          Gothenburg Museum and Art Gallery, Maidstone Museum and Art Gallery, 
          The Millfield Collection Millfield School, Somerset.

Katy Shepherd was born in Bournemouth in 1961 and studied painting at Sheffield Polytechnic. She later received an MA for painting from the Royal College of Art, London, in 1991. After leaving the RCA she quickly became interested in working digitally with the new software that had become widely available and learnt how to create short films from manipulated photographs. In recent years Katy has found herself beguiled by early cinema and has introduced more "old school”, lo tech, methods to create animations, employing her skills as an artist to paint and draw images for the frames. 

After nearly thirty years in London Katy has now returned to Dorset on the south coast of England where she has built her own studio.

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Fred El Bekkay 

Fred El Bekkay was born in Paris, graduated in architecture, he develops an eclectic approach based on architecture, writing and photography. He collaborated with Purple Editions between 1995 and 2001 and published several short stories in Purple Fiction magazine. In 2016, he created social housing in Paris, in a minimalist style and offered the Graphic Surgery the creation of a fresco on the building. Today he devotes himself mainly to photography and writing short text.


Fred El Bekkay est né à Paris, diplômé d’architecture, il développe une démarche éclectique basée sur l’architecture, l’écriture et la photographie. Il collabore avec les éditions Purple entre 1995 et 2001 et publie plusieurs nouvelles dans la revue Purple Fiction. En 2016, il réalise des logements sociaux à Paris dans un style minimaliste et propose au Graphic Surgery de réaliser sur le bâtiment, une fresque.

Aujourd’hui, il se consacre essentiellement à la photographie et à l’écriture de texte court.


-------------------


Thomas Reischauer


1972​​​geboren in Schärding, Austria

1988 - 1994​​Lehre zum Kfz-Mechaniker

1994 - 1996​​Umschulung zum Bautechnischen Zeichner

1996 - 2001​​arbeitet im Glasbau und Brandschutztechnik

2002 - 2011​​IT Application Manager

2003 - heute​​autodidakter Künstler 

Ausstellungen:

2005​​Burgtaverne Wassertor, 4780 Schärding, Austria

2007​​Private View im Studio, 4681 Rottenbach, Austria

2009​​Velvet Hair and Artworks, 4840 Vöcklabruck, Austria

2010​​Private View im Studio, 4780 Schärding, Austria

2011​​Biennale Internazionale D‘Arte Contemporanea, Florence, Italy

2012​​Private View im Studio, 4780 Schärding, Austria

2013​​Tage des offenen Ateliers, 4780 Schärding, Austria

2014​​„Universen der Kunst“ 51. Ausstellung,

​​Kulturkeller der Energie AG, 4090 Engelhartszell, Austria

2014​​See Me Takeover Projektion, Times Square, New York City, USA

2014​​Tage des offenen Ateliers, 4780 Schärding, Austria

2014​​Fahrschule SAFARI, 5280 Braunau am Inn, Austria

2014​​See Me Art Takes Miami Projektion, Miami, USA

2015​​Tage des offenen Ateliers, 4780 Schärding, Austria

2016​​„Momente“, 4786 Brunnenthal, Austria

2016​​Tage des offenen Ateliers, 4780 Schärding, Austria

2017​​„KUNST:dialog“, 4780 Schärding, Austria

2017​​„Kreuz und quer“, 4780 Schärding, Austria

2017​​Kulturnacht Friedrichstadt, 25840 Friedrichstadt, Germany

2018​​Kunstraum Naturkost, 25840 Friedrichstadt, Germany

2018​​Wirt in der Rosenau, 4863 Seewalchen, Austria

2019​​Lebensraum Neumarkt, 4720 Neumarkt, Austria

2019​​WINWIN Schärding, 4780 Schärding, Austria

Künstlerischer Ansatz

Meine Arbeiten sind Abbilder von Erlebtem. Gehörtes, Gefühltes, Gesehenes ist in ihnen verarbeitet. Musik spielt dabei eine sehr große Rolle.

Erleben bedeutet Identität. Identität entwickelt durch Erleben.

Diese sich immer während ändernde Identität spiegelt sich in meinen Arbeiten wieder. Dabei sind die einzelnen Werke jeweils nur Momente einer Identität kommuniziert durch das jeweilige Werk. 

Identität ist zwangsläufig ein Prozess, ein ständiges Ändern und kann nur durch völlige Isolation oder dem Tod zum Stillstand gelangen.

Was ich zum Ausdruck bringen möchte ist IDENTITÄT = ECHTHEIT einer Person. Die Flucht vor dem gesellschaftlichen Müssen, Individualität sollte das Ziel sein.



-------------------


Diego Gabriel Morales



The troubles that modern society charges with its, mixed with visual learning carried out from its beginnings, are points that define and seek to portray the experiences of what Diego Morales' work is. A peculiar character who sees into humanity as an insignificant portion of cosmos, but as insignificant as been humanity changed interpretation of the newest perception of what insignificant is, generating alterations on natural in an accelerated way and without a possibility to go back. That’s why it’s taking that as a starting point to understand that reality is surreal and pieces what he worked until his 27-year-old come to make more sense.

Thinking of what surrounds us doesn’t change the perception of each one, is like seeing this page on blank page without any kind of message. All his pieces reflect each moment lived since Diego’s birth in Bolivia; at the same time that his steps through graphic experimentation and biggest contact with live art was construct meanwhile he lived in Europe until the new reality bounded by four walls, having as the only tool the imaginary of what the world remains and how it develops on the way to its end of season.

As same as a series, one's life can be summarized in the previous scenes to each episode. Having with this a human passionate about the image and comprehension of each environment; he’s profession is graphic designer and visual communicator, but with an immerse inclination to art, through to his temporary training in art during times he lived in Barcelona. Thinking about one of his skills is versatility and understand how infinite graphic representation is, he never tried to limit himself on one technique and went through multiple techniques such as video projections, photography until his last form to manipulation and alteration of image within collage.

Diego currently resides in Bolivia but more specific in his room until the world is restarts again.

-------------------

Ulrike Martha Zimmermann


1964 born in Winnenden

1981-84 Art School Mannheim with Karl Rödel

1984-85 Stay in Weymouth GB

1985-88 Therapeutic training

1988-89 Stay in Africa 

1989 Move to Oldenburg

Internship, glass workshop in Cloppenburg (lead glazing)

Stage design, poster design, equipment, props and decoration at the Staatstheater Oldenburg and Schauspiel Berlin.

since 1995 living in Berlin

married, 2008 birth of a daughter 

Exhibitions:

1982 Gallery R.Roedel Lindenhof Mannheim (GA).

1984 Gallery Brendon & Lea /Weymouth GB/ G.Orwell (EA)

1989 Foyer State Theatre Oldenburg (EA)

1992 Gallery in the Ganserhaus Wasserburg (GA)

1998 Castle Poucke Belgium (GA)

- Group and solo exhibitions in the former Belgian Embassy Berlin 

2001 Guest studio/annual scholarship of the Belgian Embassy

2000 Glienecke Art Association "Unknown Neighbours" (GA)

2001 Equipment Nina Hagen Music Video 

2002 CAS Software / Artist Support Karlsruhe (EA)

2002 - 2005 Conception and realisation of 5 stage sets 

Schauspiel Berlin. Design of press photos/poster designs.

- American Night (F. Truffaut)

- Bartleby (H. Melville)

- Decalogue (K. Kieslovsky)

- Cul de Sac (R. Polansky)

- Never love again (S. Berg)
2003 Condat Gallery Alt Moabit Berlin (GA)

- Magistrale Long Culture Night Potsdamer Strasse

2004 48 Stunden Neukölln Saalbau / Theatre - Exhibition Project, La Bohemé (EA)

2005 Adverta Berlin (GA)

2006-2007 Project with 23 Berlin embassies 

Multiplaid "Writing is drawing


since 2008 longer exhibition break due to the birth of a daughter

2019 Retrospective Text and Image / Gedok Berlin(GA)

- NOW / Gedok Berlin (GA) 

- Transparency competition Loveco/Luxiders /3rd place

2020 Art Weeks for Climate Protection Karlsruhe

Cooperation with the Natural History Museum Karlsruhe

- Transformation - Staging - Role Play / Gedok Berlin

2020-2021 Participation in the Nominee Annual Exhibition Art Prize of the AOK 2020 Northeast 


October 2020 Scholarship of the Senate Department for Culture and Europe Berlin /Working scholarship 6 months

Edit Toaso


Currently lives and work in London.

Education:

2013-2015: University of Roehampton, London, Art Psyhotherapy

2004-2006: Moholy-Nagy University of Design, HU, Art Management, Postgraduate Studies

1995-2000: Academy Of Fine Arts, Budapest, HU, Masters in Fine Arts

1999-2000: Royal Academy Of Fine Arts, The Hague, NL, Experimental Printmaking Scholarship


Selected Exhibitions:

2019 East London Printmakers, London, UK

2016: Ghost(ed), Idea Store Canary Wharf, London, UK

2016: International Print Biennale, Manhattan Graphic Centre, NY, USA

2015: Solo Show, Platform 39, London, UK 

2015: Illustrators Fair, House of Illustration, London, UK

2014: 7305 Days, Westland Place Studios, London, UK

2009: HU, Knaypa, London, UK

2005: Textile Biennale, Museum of Applied Arts, Budapest, Hungary

2004: Premiere Vision, Paris, France

2003: International Printmaking Biennale, Miskolc, Hungary

2002: Miniprint Biennale, Rosario, Argentina

2000: Academy of Fine Arts, Budapest, Hungary

1999: Academy Of Fine Arts, The Hague, The Netherlands


Awards:

2006: First Prize, Rembrandt 400, Budapest, Hungary

2000: Goverment Art Prize, Budapest, Hungary


Publications:

2017: Gargeland

2015: Printmaking Today 

2000: Art Today


Collections:

V&A Museum, London, UK

Private Collection, London, UK

Private Collection, San Francisco, USA

Private Collection, Amsterdam, NL

Academy Of Fine Arts, Budapest, HU






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Impressum:

e-merginG artistS

ARE/Artistic Research Artists Group
Große Hamburger Str. 36
10115
Berlin
@lilyfuerstenow
liliartresearch@yahoo.com
Tel.: 0151 614 38978

All images courtesy of: 

Martina Singer, Mathias Roloff, Semra Sevin, Tatyana von Leys, Maarten de Mink, Gustav, Franziska Stevick, Julia Ludwig, Armin Baumgarten, Mara Wagenführ, Heikedine Günther, Péter A. Leigh, ROBERTO ROLANDO, Thomas Manelli Mann, Karol Hurec, Julie Davidson Smith, Tim Cierpiszewski, Gerard Caris, Manuela Beyer-Bank, Dörte Lützel-Walz, Douglas Tausik Ryder, Adrian Pocobelli, Thomas Reischauer, Frédéric el Bekkay

Ulrike Martha Zimmermann

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