Annika Stoll. Wühltisch. Palazzo Ziino, Palermo

Markus Butkereit. Unfolded Perceptions. gr_und. Berlin

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This exhibition is an ongoing project that aims to exhibit online the work of contemporary artists across the globe to analyse the topic of Corona and the crisis caused by the disease on the global scale. Since Gallery visits are a problem Hinter den Fassaden (Behind the Facades) occasionally offers the virtual view into the public and private art spaces where access is otherwise impossible. Allowing to analyse art in certain contexts and given settings. All artists are welcome to participate, irrespective of age and country of origin. All kinds of formats are welcome. With this project ARE/artistic research and curator Lily Fürstenow would like to support and explore the creative potential of arts in the times of crisis. Please write us on FB or per e-mail: liliartresearch@yahoo.com
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https://player.vimeo.com/video/480926457

If in London don't miss the upcoming group show with the participation of Debbie Lee at the Leyden Gallery
https://leydengallery.com/pages/platform-for-emerging-arts-24
. For those who can't make it to London - more works by Debbie Lee can be seen on this link below

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Einladung zur Ausstellungseröffnung
Ute Faber - Knoten + Punkte
Vernissage: Donnerstag, 24. September von 18.30 Uhr - 21.00 Uhr
Halle LINX Goerzhöfe Aufgang 8D, Holsteinische Straße 39, 12161 Berlin
Einzelausstellung Knoten + Punkte

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Ute Faber. Salon Beginenhof / Ausstellungseröffnung. Freigänger /

Fotos Gerald Zörner /

Our todays feature on Arts against Corona Online is New York artist Richard Rutner

Richard Rutner. Vorpal Gallery. SoHo NY. Exhibition Views

Richard Rutner. Vorpal Gallery. SoHo NY

R. Rutner. Tettegouche Quartet #IV. Watercolor & Pen&Ink. 15x22 cm

R. Rutner. Suite 16. Watercolor. 22x30 cm

The immediacy of pictorial image in Richard Rutner's water-colours and oils contains form and movement. Subtle colour contrasts almost pursue musical analogues to abstraction. In his recent series of Suites and Octets the reality of vision is delivered in the abstraction of painting. The contrast of forms, light and colour, figure and ground makes up the structure of his paintings. Colour here carries diverse aspects of painting through form and movement creating poetic pictorial realities. Light bronwish to red, yellow, green and blues prevail reminiscent of human silouettes, fragmented objects or networks.

Richard Rutner. Exhibition views

R. Rutner. Frag Octet. Series #3. oil on museum board. 22x16 cm

R. Rutner. Quartet. Suite #3. oil on museum board 22x16 cm

R. Rutner. Nowhere Man. watercolor. 30 x 22 cm. $1600

Richard Rutner. Exhibition views

Spotlight on Richard Rutner in Almost Real Things Magazine Current Issue 18. 2020

https://almostrealthings.com/?s=Richard+Rutner

Almost Real Things. Magazine. Issue 18. 2020

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Die Unmittelbarkeit des malerischen Bildes in Richard Rutners Aquarellen und Ölfarben beinhaltet Form und Bewegung. Subtile Farbkontraste verfolgen geradezu musikalische Analogien zur Abstraktion. In seiner jüngsten Serie von Suiten und Oktetts wird die Wirklichkeit des Sehens in der Abstraktion der Malerei wiedergegeben. Der Kontrast von Formen, Licht und Farbe, Figur und Grund macht die Struktur seiner Bilder aus. Die Farbe trägt hier verschiedene Aspekte der Malerei durch Form und Bewegung und schafft poetische Bildwirklichkeiten. Es überwiegen helle Braun- bis Rottöne, Gelb-, Grün- und Blautöne vor, die an menschliche Silouetten, fragmentierte Gegenstände oder Netzwerke erinnern.

Richard Rutner. Biography

M.F.A. Tyler School of Art, Temple University, Philadelphia, PA, 1972

B.F.A. Tyler School of Art, Temple University, Philadelphia, PA, 1970

Tyler School of Art, Rome, Italy, 1970–1971

School of Visual Arts, New York City, 1965–1968

EXHIBITIONS:

ONE-PERSON SHOWS:

Art.Work Austin, “Solo Exhibit – Works on Paper”, Austin, TX, 2017

MetLife Windows, “Metal Mask Series”, 200 Park Avenue, New York City, 1995

Nassau County Museum of Fine Arts, “Metal Mask Series”, Roslyn, NY, 1987

Galerie Varisella, “Solo Exhibition – Mixed Media”, Nurnberg, West Germany, 1987

Fourteen Sculptors Gallery – Invitational, “Metal Mask Series”, SoHo, New York City, 1987

Vorpal Gallery, SoHo, New York City, 1982, 1981

BACA - Brooklyn Arts and Cultural Association, “Works on Canvas”, Brooklyn, NY, 1977

Sixth Estate Gallery, “Richard Rutner”, Brooklyn, NY 1976

School of Visual Arts, “Three Painters” (one-person shows), New York City, 1973

Tyler School of Art, Temple University, “Works on Paper”, Philadelphia, PA, 1972

GROUP EXHIBITIONS:

East Austin Studio Tour/Soma Vida Gallery, Austin, TX 2019

East Austin Studio Tour/Soma Vida Gallery, Austin, TX 2018

Dell Jewish Community Campus, “The J Gallery”, Biblical Inspirations, Austin TX, 2018

East Austin Studio Tour/ Soma Vida Gallery, Austin, TX, 2017

Art.Work Austin, “Meet the Artists – Summer 2017 Lineup”, Austin, TX, 2017

West Austin Studio Tour, Austin, TX, 2017

East Austin Studio Tour, Austin, TX, 2016

The Jones Center, “5 x 7 Exhibition”, Austin, TX, 2006-2010

Dunn and Brown Contemporary Gallery, “Traveling 5 x 7 Exhibition”, Dallas, TX, 2006

Finesilver Gallery, “Traveling 5 x 7 Exhibition”, Houston, TX, 2006

Guadalupe Arts Center, “Group Exhibition”, Austin, TX, 2002, 2003

PostPicasso.com (online - World Wide Web), 2002

PaintingsDirect.com (online - World Wide Web), 1999-2001

National Drawing Association, “Selected Works”

Abney Gallery International, SoHo, New York City, 1997

Omni Gallery, Uniondale, NY, 1996

Fine Arts Gallery, Broward Community College, Ft. Lauderdale, FL, 1995

TXST Galleries, Southwest Texas State University, San Marcos, TX, 1994

Mills Pond House Gallery, “The Great Linear Space Mystery”, St. James, NY, 1994

Regina A. Quick Center for the Arts, Fairfield University, Fairfield, CT, 1993

MMC Gallery, Marymount Manhattan College, New York City, 1992

Texas Tech School of Art Gallery, Texas Tech University, Lubbock, TX, 1992

Maryland College of Art Gallery, Baltimore, MD, 1991

BWAC (Brooklyn Waterfront Artists Coalition), “Open Doors” Annual Open Studio Tour,

Brooklyn, NY, 1994-1998, *1996 published catalogue available

Rosa Esman Gallery, “Art 150 x 150”, OIA – Organization of Independent Artists, New York

City, 1992

The Gallery at Hastings on the Hudson, “Masks: The Alternative Self”, Hastings on Hudson,

NY, 1989

Galerie Varisella - Group Exhibition, Nurnberg, West Germany, 1986

Rotunda Gallery, “Eccentric Edges”, Brooklyn, NY, 1985

Contemporary Art Museum of Houston, Members Gallery Group Exhibition, Houston, TX, 1984

Proctor Art Center, “Out Of The Studios”, Bard College, Annandale, NY, 1983

Sugarloaf Conference Center, “Tyler School of Art Alumni”, Temple University, Philadelphia,

PA, 1983

Vorpal Gallery, “Group Exhibition” (annual group exhibitions), SoHo, NY, 1977-1982

Art Options Gallery, New York City, 1981

New York State Council on the Arts, “VARS-Visual Arts Referral Service”, New York City, 1978

Aames Gallery, SoHo, NY, 1975

Alumni House Gallery, “New Dimensions”, Adelphi University, Garden City, NY, 1975

Firehouse Gallery, Nassau County Community College, Garden City, NY, 1974

Port Washington Library Gallery, Port Washington, NY, 1974

Fleet Gallery, Winnipeg, Canada, 1973

Foot Prints Gallery, “Mixed Media Exhibition”, Manchester, CT, 1973

Heckscher Museum, Huntington, NY, 1972

Gallery 10, New York City, 1971

Gallery 252, Philadelphia, PA, 1971

REVIEWS/PUBLICATIONS:

West Austin Studio Tour, Catalogue, p 70(ill.), 2017

Art.Work Gallery Blog. Austin, TX. 2017

East Austin Studio Tour, Catalogue, p 176(ill.), 2017, Catalogue, p. 28(ill.), 2016

True Color Newsletter, PaintingsDirect.com, January 2008, September 2002, June 2000

Open Doors – 1996 companion volume to BWAC Open Studio Tour

Quick Center for the Arts – Fairfield University, September 10, 1993

OIA Newsletter – Fall 1993

Nurnberg Zeitung - Frankischer Kurier, April 16, 1987,

Nurnberg Nachrichten – April 22, 1987

The Prospect Press – Diane Miller Himmelbaum, February 1985

Sun Storm – “Paintings and Politics”, Lois Di Cosola, February, 1983

Newsday

Marilyn Goldstein, May 16, 1988,

January 29, 1987

Weekend Part III, February 6, 1987

“Hempstead Shuffles Its Space”, Susan Soper, September, 1977

The New York Times

Helen Harrison, March 15, 1987, “Discoveries and Jolts”,

David L. Shirey, September 18^th, 1977

arts magazine – Janice Glander-Bandyk, October 1977, Hedy O’Beil, October 1976

Phoenix Magazine –John Blackmore, October 1976

TEACHING EXPERIENCE:

Painting Instructor, New York Institute of Technology, Fine Arts Department, Commack, NY,1977–1978 Painting Instructor, St. John’s University, Fine Arts Department, Jamaica, NY,

1974Painting Instructor, School of Visual Arts, New York City, 1972–1974Teaching Assistant, Tyler School of Art, Rome, Italy, 1970–1971

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Note from an artist

I am a painter and printmaker currently living and working in Austin, Texas. I have exhibited my work in galleries and museums in the US and Germany, including the Vorpal Gallery, N.Y., Gallery Varisella, Germany, Nassau County Museum of Fine Arts, N.Y. and Art.Work, Austin.

Among the many group exhibitions where my work has been shown are the East and West Austin Studio Tours, Guadalupe Arts Center (Austin), Contemporary Art Museum of Houston/ Members Gallery, and several National Drawing Association “Selected Works” touring exhibitions.

I attended the School of Visual Arts, NYC and received my MFA from Tyler School of Art in Philadelphia and Rome, Italy. I have worked as a painting instructor, freelance curator, visual arts consultant, and was Coordinator of Cultural Arts for the Town of Hempstead, NY for 30 years before moving to Austin.

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HEIKEDINE GÜNTHER

HG - Core No.415 - Okt 2020 - oil on canvas - 110x140cm

HG - Core No. 300 - Aug 2020 - oil on canvas - 110x165cm

HG - Core No. 328 - 2019 - Oil on Canvas - 130x120cm

HG - Core No. 328 - 2019 - Oil on Canvas - 130x120cm - Back

HG - Core No. 341 - 2019 - Oil on canvas - 110x100cm

Down to the Core

In our times when superficiality is omnipresent having an adverse effect on contemporary artistic practice reaching out deeper into the core of things is a happy alternative. Core as the essential deeper substance underlying universal phenomena as well as artistic production is always worth taking a closer look especially in the times of crisis like pandemic, war and political instability. In her work Artist Heikedine Günther treats the concept of core as her major subject. What is the core of color, the essence of vision and how does core relate to the cosmic light and darkness? The paintings by Günther consist of multiple layers of color pigment applied one upon the other whereas the golden color serves as the very basis. This is responsible for the mysterious luminosity that shimmers through to the very surface and all along the contours of the oval elongated forms dominating the composition.

The floating shapes work directly on the soul without destraction of subject matter or content. The paintings convey a unique equilibrium of color planes that evoke Goethe’s farbenlehre and offer a contemporary interpretation of the centuries-old tradition of rendering of color and light in painting.

Heikedine Günther's paintings invite us to think of various stages of sublimation from physical to spiritual states that could be represented by geometric forms. The duality of figure and ground adds extra luminous vibrations to the picture surfaces. The non-perspective conception of space and anti-materialist idea of form characteristic for her work appeals directly to the mind of the spectator due to formal simplicity, subtle variations of color tones that results in a certain rhythm. The core paintings bring to mind celestial motion of the planets caused by cosmic energies that are translated into ranges of intense color applied onto canvas. The shimmering colours accentuate the Greenbergian “optical illusion” of painting and the flatness of its support. One’s eyesight is fascinated by the play of luminosity produced by the optical space created by the artist's hand.

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Jim Martin

PRICE UPON REQUEST:

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Andrea Mikyska

Castle and friends. 425x531. 2020

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Markus Butkereit. Currently exhibited at Gr_und Berlin.

From scientific explanations of weather phenomena and their physical origin to their affect on our perception of the dwellings and ecosystems we inhabit. Interconnectiveness of cosmic/phisical ocurrances with emotional states - through particles and entropic processes. One system. Reconnected. With inner/personal experiences shared and unfolded as particles within a thunderstorm or a tornado - Unfolded Perceptions - encompass it all all. Please read the accompanying catalogue ////

Are inner thunderstorms as devastating as tornados?

gr_und
Seestr.49/ 13347 Berlin
www.gr-und.de
Exhibition duration: 24.07.2020 - 24.09.2020

Markus Butkereit in Gr_und Berlin. Von wissenschaftlichen Erklärungen der Wetterphänomene und ihrer physikalischen Entstehung bis hin zu ihren Auswirkungen auf unsere Wahrnehmung der von uns bewohnten Ökosysteme. Die Wechselwirkung kosmisch-physischer Erscheinungen mit emotionalen Zuständen - durch Partikel und entropische Prozesse. Es ist alles in einem System. Zusammengeschaltet. Mit inneren/persönlichen Erfahrungen, die als Partikel innerhalb eines Gewitters oder eines Tornados geteilt und entfaltet werden – Unfolded Perceptions umfassen es alles. Bitte lesen Sie den begleitenden Katalog /////

Sind innere Gewitter so zerstörerisch wie Tornados?

gr_und
Seestr.49/ 13347 Berlin
www.gr-und.de
Exhibition duration: 24.07.2020 - 24.09.2020

Photos: Jana Sophia Nolle

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Andrea Mikyska

Garden and snake. 1080x1200. 2020

Morning Star, 2020, HD

Tamika Berrera, 20x30, digital collage. 2020

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Ia Arsenishvili. 9x9 Georgians in Berlin. Exhibition View. gh36 Berlin-Mitte. Herbst 2019

Ia Arsenishvili. Winter landscape (sold in summer) More from Ia Arsenishvili see below

Dag Przybilla

Dag Przybilla. Art Box. Dresden. 16.05 – 28.06.2020

Dag Przybilla. Untitled 2020 – acrylic on canvas, 80 × 80 cm

Dag Przybilla. Installation views. Traffic – Artbox Dresden. 16.05 – 28.06.2020

Dag Przybilla. Untitled 2018 – mixed media on canvas, 180 × 200 cm

Dag Przybilla. Untitled 2018 – acrylic on canvas, 80 × 80 cm

Dag Przybilla. Untitled 2016 – mixed media on canvas, 180 × 200 cm

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Martina Singer

Pinakotek. Installation

Pinakothek Cycle. Colour and Mixed Media of Fabric

Alte Pinakothek. Laser copy. Mixed media on Fabric. 21 x 29,5 cm.

Pinakothek Studie. Laser Copy. Colour on Fabric. 21 x 29 cm

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1. Fisch. 25 cm x 28 cm x 20 cm. Ceramic

2./3. Bird. 21 cm x 23 cm x 22 cm. Ceramic

4./5. Bear. 26 cm x 20 cm x 28 cm Ceramic

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CHRISTIAN CHROBOK

ICC Institute for Cultural Cassation

Christian Chrobok - Institute for Cultural Cassation (ICC), site-specific installation, mixed media, installation view, Škuc Gallery, Ljubljana (2011)

Christian Chrobok, Black Paintings - The true position of Malevich in relation to me, exhibition view, Spinnerei, Halle 12, Leipzig (2014)

Christian Chrobok, Hydrocarbon #05, bitumen, wood, 70 x 60 cm (2013)

Christian Chrobok, ICC - No Such Thing As A New Capitalist Realism, site-specific installation, mixed media, installation view, Spinnerei, Halle 12, Leipzig (2014)

Christian Chrobok, Institute for Cultural Cassation (ICC) - Dem unbekannten Maler (To the Unknown Painter), digital print, 94.5 x 63 cm (2016) Edition of 5 + 1 AP.

Christian Chrobok, Institute for Cultural Cassation (ICC) - No Such Thing As A New Capitalist Realism, installation view, OSTRALE - Biennale for Contemporary Art, Dresden (2017)

Christian Chrobok - Institute for Cultural Cassation (ICC) - The Secret Block (2016)

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Markus Butkereit. Unfolded Perceptions.
gr_und. Exhibition Views

Photos: Jana Sophia Nolle

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Nils Hommel

House as a Gesamtkunstwerk. Installation views

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Mara Wagenführ
I can see you. 40 x 50 cm. 2020
I m sorry. 40 x 50 cm. 2020

Exhibition Views. The VOID / Salon zur wilden Renate. 2020

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SANJAY THAPAR

Exhibition Views. Dubai

Portraits. Cycle. Oil on Canvas.

1. 100x50cms. 1,900 EUR.

2. 100x50cms. 1,900 EUR.

3. 135x84cms. 2,000 EUR.

4. 135x84cms. 2,000 EUR.

Exhibition view. Bombay

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A letter from the artist

How does it feel to have 10 heads? Would our impressions of life be any different than they already are? It may amuse you to know that I am in a unique position to answer that! Yes, 10 heads is possible and yes it alters your perception of the world. Often enough, I have tried to climb into people’s heads. It’s then that you realize that the most common face you look through across the street has something most uncommon about it. And boy, is there a better joy than your brush transferring those moments across the canvas?

To me, that’s life in its purest form.

When I graduated out of JJ School of Arts as a bright-eyed lad, with 4 gold medals to take on the world, little did I know that the world is a much wider canvas than advertising. One learns everywhere and like they say, there are no good experiences and bad experiences; there are just experiences. When you realize that, you are at peace with yourself. Expression then is natural, uncluttered almost divine. The most natural form of expression then came to be brush on walls. Unadulterated joy has no guidelines; no limits; except those imposed by mansion owners who insist on leaving their walls intact when I change dwellings. And thus, with trepidation and reluctance, my brush graduated into canvas.

Like every other person who has held a brush, I seek to express a world beyond the confines of the physical canvas. What you see here is not defined by right and wrong. On my canvas, pain and pleasure are not opposite ends of the spectrum. They coexist. In fact, one doesn’t exist without the other.
I hope you see that and celebrate it. Like I do.

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Olaf Schirm

Olaf Schirm - SPY-2020

Olaf Schirm - Lockdown-Bot - 2020

Olaf Schirm. Galerie Bermel von Luxburg. Exhibition Views

fadeR. Bermel von Luxburg Gallery 2020

Olaf Schirm -ReSon A - 2015

Olaf Schirm - Xpect - 2018

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Richard Rutner

Richard Rutner. Vorpal Gallery. SoHo NY

Richard Rutner. Vorpal Gallery. SoHo NY. Exhibition Views

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Pawel Tkaczyk. Recent Work

untitled, 2020, acrylic on canvas 60x50cm

Untitled Series, 2020, oil, acrylic on canvas 100 x 80cm

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Annika Stoll

Open Letter. Dear Jeff...

Installations
Most Romantic Gift

A&O Kunsthalle Leipzig

Wühltisch

Wühltisch. Palazzo Ziino, Palermo

The T-shirt from the Wühltisch - offered for the invited guests as a free take-away

Eternal Pleasure

A&O Kunsthalle Leipzig

Hyperfluid Circumstances
Zner Kunstraum, Leipzig (Solo Exhibition)

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Debbie Lee

Debbie Lee. Time for Coffee. oil on metal. 21x14cm

Debbie Lee. It rained in the Kitchen. acrylic on canvas. 122x152cm

Debbie Lee. cardboard installation view 3 at home. 2020

Debbie Lee. concertina cardboard installation view 2. at home 2020

Debbie Lee. Nutshell Miniatures installation. Top floor cardboard box maquette

Debbie Lee. Peculiar Realms. solo exhibition at Devonport Guildhall Cells. 2019

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Karol Hurec. Led Art

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Judith Weißig

Der gemeinsame Teller - 2019 Atelierhaus Alteburger Wall, Kölln

Der gemeinsame Teller - 2019

Teller. 110 Euro einzeln

7 Tellergeschichten (ø 20cm)

Gemeinsam am Tisch. Sitzen und Essen. Die Zeit miteinander teilen.

Wir sitzen am Tisch. M holt die Karten und erklärt die Regeln, halbherzig, nachlässig, ungeübt. Ich hab kein Bock. Sie beharrt auf dem Satz, wir fangen jetzt einfach mal an und plötzlich habe ich 5 Karten auf der Hand, es gibt einen gemeinsamen Ziehstapel und die Ablegereihe. Wohin gehören welche Karten? Die Farben sind unwichtig. M ist voll bei der Sache, abgetaucht, beschreibt in Worten, die mir nichts sagen, beschäftigt im Kosmos von Auslegung und Überforderung, das Spiel - So machen wir es jetzt. - Ich checks nicht. - Das macht nichts. Wir fangen an, dann erklärt sichs.- Aber ich kapiers nicht. - So ist es jetzt aber. - Chaos.

ANSTRENGUNG WIDERWILLE BOYKOTT: GEISTER.

Die andere Seite: Was kann passieren? Wir legen die Karten aufeinander so wie M es passt. Das sind die Regeln. Heute. Wir lesen nicht nach. Keiner kontrolliert uns. FCK THE SYSTEM. Das ist jetzt wichtiger. Und plötzlich bin ich heiter und stolz.

Mittendrin will M. schummeln. Gleich danach: So spielt man nicht. Anschliessend: Ein Profi würde jetzt nicht 3 Joker auf einmal nutzen. - Es wimmelt vor Geistern. Wir setzen auf Clowns.

Geister - Wer Angst vor Geistern hat, braucht einen Clown (15x15 cm ohne Glas)

Geister (gerahmt ohne Glas 140 Euro)

Innen + verbunden

Judith Weißig. innen und verbunden.2020/1

innen und verbunden. 2020/2

innen und verbunden. 2020/3

Innen + verbunden

Was innen liegt, liegt verborgen. Nicht immer erklärt sich das Sichtbare von selbst. Na gut.

Oft liegen Material und Dinge einfach nur so rum. In diesem Fall ist es das rosa A4 Papier, erworben Nähe Frankfurt Hbf. Strukturpaste, aus Neugier bestellt. Beize für Bilderrahmen.

Zusammen fangen sie an zu spielen, werden Kollegen, vielleicht Freunde, sie gehen ein Bund ein, auf rosa Karton, gemeinsam.

Beim Beize-fliessen-lassen über das Papier, von einem Punkt zum nächsten, entsteht Ruhe.

Und danach? Bleiben Fragen, die Unruhe erwecken.

Was soll das, eigentlich? Was liegt hinter allem? Sichtbarem.

I - III

(220 Euro ungerahmt)

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Denis Juneau
(realised in cooperation with Denis Juneau Foundation in Canada)

12''x9''aquarellle- ink. 1996

12x9 inch, gouache, ink , 1993

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10''x6.5''inch, Oil crayon, ink,wax, metal point engraving, 1979

Simon Blais Galerie, Montreal

Noir et violet, 1988 6.5''x10'' inches

Simon Blais Galerie, Montreal

Exhibition hall named after Denis-Juneau in Verdun Cultural Center

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Philip Gurrey.

Philip Gurrey is an artist researcher currently received Scholarship to pursue his practice based research in Canada on the heritage of modernism and its critical aspects in contemporary arts.

Blue, Red, Green. Black. Strecthed Polyethylene 150x150cm. 2019. - £1000

Red, Black, Grey. Acrylic on Canvas 150x150cm. 2018

Red, Green, Black. Strecthed Polyethylene 150x150cm. 2019 studio. - £1000

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HANS SCHÜLE

Hans Schüle. Galerie Manfred Rieker, Heilbronn. 2012

Hans Schüle. Kunstmuseum Singen, 2010

Hans Schüle. Galerie Tobias Schrade, Ulm, 2015

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UTE FABER

Ute Faber. Das Bild der Frau. Holzschnitte. Kunstverein Wörth. 2018

Holzschnitt. Blaue Stunde mit Oda, 70x180 Holzschnitt. 2017

Ute Faber. Oda 100x80. Holzschnitt

1831 Art Gallery. Muses. Paris. France. 8 Shoe Sculptures. 2016

Artist Ute Faber. Tag der offenen Tür - Atelier Ute Faber

Einzelausstellung. Ute Faber. Stahnsdorfer Kunstmeile. 2019. Solo Exhibition. Hof Stanesdorp

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Einzelausstellung. Ute Faber. Stahnsdorfer Kunstmeile. 2019. Solo Exhibition. Hof Stanesdorp

Ausstellungsansicht. Köllner Liste. Koje Ute Faber. Shoe Sculptures

3 Tage Kunst. Kommunale Galerie. Berlin. 2019

Ute Faber. Schuewerke Cycle. Assemblage.

I scream

Shootingstar

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Sonia Arcadu

Sonia Arcadu. Nudes

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Stefania Pinsone

Stefania Pinsone. The Sky Above the Port Was the Color of a Television Tuned on a Dead Channel. Acrylic on canvas, 2016 after William Gibson's Neuromancer

Stefania Pinsone. Death of a Myth. Digital painting, HD print on aluminium, Ø 60 cm 2016

Stefania Pinsone. Closed Circuit. 160 x 40 cm, acrylic painting on silver aluminium. 2020

The Calling. Mixed midia. 120x80 cm. 2020.

Stefania Pinsone. Isolationism. Gold, Mixed Media. 100X100 cm. 2019

Stefania Pinsone. Exhibition Posters

Stefania Pinsone. Exhibition Views

Be Gallery. Kyoto

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Ia Kochinashvili/ია კოჩინაშვილი

Marseille

LOOKING GLASS

TUSHETI

NEW YORK

VICIOUS CIRCLE. 50X50 cm

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MEDEA

Price upon request

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Pati Kakhniashvili / ფატი კახნიაშვილი

Installation Cycle. Antique sculptures with wildberries

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Self-Advertisement series with arts and grapes jewelery

Caravaggio

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ZILFI HANDMADE

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MARTINA SINGER

Ausstellungsansichten. Tutzingen. Juli 2020

Martina Singer. Performative Photography. Recent Work

Text. Dr. Phil. Lily Fürstenow-Khositashvili

Martina Singer’s recent photographs are carefully staged performative self-portraits that analyze womanhood. One is confronted with the meticulously constructed images of a female posing for the camera within metaphorical environments. It is the artist’s subjecthood that is in question here. To what extent is one affected by surroundings, by constantly changing physical condition and by one's artistic practice?

The recurrence of the motive of frames in the artist's recent works stresses the idea of presenting oneself in the artistic context e. g. of being framed and being exposed toward external gaze. Unlike conventional female portraits that would concentrate on glossiness, idolizing eternal youth, fitness, and body glorifying the contemporary fads for healthcare and sports Martina‘s portraits communicate quite the contrary: eccentric body language verging on disruption, ill-fitting outfits, incongruities unexpected poses and gestures that provoke the viewer. Our perceptions of female beauty, taste and elegance are profoundly questioned together with the traditional assumptions about ageing.

The artist's obsessive play with costumes, fabrics, clothing versus nudity comes up as a gesture of parody of ever-changing fashion trends as well as of exploiting female nudity in all sorts of advertisement campaigns as well as in arts. Her performative strategy would critically draw upon the aspects of the construction of female identity and empowerment. The ambiguity of her images points to hidden desires, drives and fantasies that speak to the viewer leaving one puzzled and uncertain. In the gesture of camouflage and self-effacement, beneath havy make-up, eccentric costumes, artificial framings and ambiguous environments omnipresent in Martina Singer's recent photo-series one thing becomes evident - these photographs testify that there is no such thing as integrity. Accept it or not – forms evolve, one is subject to constant change, ambivalent transformations, identity splits - all of which is a dynamic process in the formation of a self, where art serves as mirror conveying emotional states and breaking the conventional taboos.

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Ia Arsenishvili

Ia Arsenishvili. Oil on Canvas. Jahreszeiten Zyklus 2019-2020

PRICE UPON REQUEST:

lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978

+49 (030) 9789 38 97

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IPUNG PURNOMO

Price upon request:
lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978
+49 (030) 9789 38 97

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PAUL ROXI

Sommeratelier Rik Reinking bei Kunstsammler Rik Reinking

1. Voodoo

Acryl, Beize, Collage, Sand und Tusche, 1996

120 x 90 cm€ 3.800,00

2. Zerstürmung

Mischtechnik und Collage auf Papier

100 x 69 cm€ 2.400,00

3. Zack

Mischtechnik auf Buckdeckel, 2019

31 x 19,5 cm€ 1.200,00

4.Tivoli

Tusche und Acryl auf Sackleinen, 2018

80 x 60 cm€ 2.200,00

5. Irgendwas pink

Mischtechnik auf fester Pappe, 2019

46,3 x 64,7 cm € 1.800,00

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Roberto Rolando

1. composizione storie di mare cieli stellati. tecnica muista. 400 euro

2. composizione storie di terra. tecnica mista. 50x40. 2020

3. installazione. tecnica mista. due pezzi 20x20 cm. 400 euro

4. storie di cielo. tecnica mista. 100x70. 2020. 1000 euro

Catalogues.

Roberto Rolando

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Ræubertrøte

PRICE UPON REQUEST:

lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978

+49 (030) 9789 38 97

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LEO BLEICHER. GENERATIVE SCULPTURE

PRICE UPON REQUEST:

lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978

+49 (030) 9789 38 97

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ARTIST BIOGRAPHIES

Jim Martin

Jim Martin(www.martinart.org, @martin_art_6) is an abstract artist working in mixed media who lives in Omaha, Nebraska in the United States. A social scientist with a PhD in political science from Florida State University and a professor of the social sciences at Creighton University, Martin created art from an early age, at one time winning high school artist of the year for the state of Nebraska. However, he drifted away from artistic pursuits only to return to these later in life. “Several difficult life losses led me to use art as a means of self-care. I later realized that I was processing those experiences through my work”, Martin says.

Martin’s art comes from a much different place than his professional work; a reflection on the events, emotions, and spaces of life. “I’d say that my best work has come from an almost unconscious, meditational place; only later do I recognize the inspiration for any one particular piece”. Martin’s work often reflects naturalistic, organic themes, but can also be very detailed and technique-driven, a facet of his work that he has explored during the isolation of the Covid-19 pandemic.

Martin has shown work at several local venues in Nebraska, including the Apollon gallery, The Hot Shops, and the Malibu gallery as well as Kaneko’s Tesselation Project. He has also shown in many collaborative evemts with the Nasty Art Collective, a group of artists concerned about democracy, the rights of immigrants, and the treatment of LGBTQIA individuals.

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Annika Stoll

* 1990 in Bad Nauheim, Hessen

lebt und arbeitet in Leipzig

My artistic method is closely linked to personal experiences and the examination of my observations of the present. Experiences and feelings in the private sphere can often be traced back to social and political mechanisms that have a direct impact on individuals.

Embedded in a late capitalist, post-digital society, questions arise about the interaction between, for example, emotional goods and interpersonal relationships, between digital and analog realities, social optimization tendencies and political power relations and their effects on people. With the help of precise observation and reflection of one's own world of experience, as well as wide-ranging, partly theoretical research, these mechanisms can be understood step by step and transferred into artistic formats. The choice of media is always dependent on the specific issues at hand and ranges from performance and installation to text, photography, video or readymades.

2020 Diploma in New Media Art, Academy of Fine Arts Leipzig

2016 - 2020 New Media Art, Intermedia Class
with Prof. Alba D'Urbano, Academy of Fine Arts Leipzig

2013 - 2016 Fine Arts, Interdisciplinary and Experimental Painting
with Prof. Christian Sery, Academy of Fine Arts Dresden
2011 - 2016 Fine Arts, Academy of Fine Arts DresdenEXHIBITIONS (SELECTION)

2020 Zukunftsvisionen Festival For Contemporary Arts, Görlitz
2020 Hyperfluid Circumstances, Zner Kunstraum, Leipzig (solo)
2019 Palindromes - or the imaginary borders, Palazzo Ziino, Palermo
2019 come what may. permanent assumptions, Zner Kunstraum, Leipzig
2019 You’re not my real sun, A&O Kunsthalle, Leipzig
2019 Jubiläumsausstellung, Stiftung Starke, Berlin
2018 Josefine Schulz - Ultra Raw, Diplomausstellung HfBK Dresden (performing)
2018 Page / Figure, Galerie Kub, Leipzig
2018 DOGS, with Jonas Deuter, Konstantin Richter, Daniel Theiler,
Museumsnacht Nürnberg, Schauspielhaus
2018 Die acht Qualitäten von Spaß, Phyllis Johnson Studio, Halle 14,
Spinnerei Leipzig, Winterrundgang
2017 DOGS, Phyllis Johnson Studio, Halle 14, Spinnerei, Herbstrundgang
2017 Tracing Utopia, ZKR Schlosspark Biesdorf / Löwenpalais, Berlin
2017 Ping Pong, Phyllis Johnson Studio, Halle 14, Spinnerei Leipzig, Frühlingsrundgang
2016 Interventionen, Kunsthaus Dahlem, Berlin
2016 Konservativ sein lassen, Alte Feuerwache Loschwitz, Dresden
2016 Leibniz-Reflexe, Berlin-Brandenburgische Akademie derWissenschaft, Berlin
2015 Abzocken ohne anzuecken, Oktogon HfBK Dresden
2015 Kunstlotterie, EX 14, Dresden
2014 Zukunftsvisionen, ehem. Nervenheilanstalt, Dr.-Kahlbaum-Allee, Görlitz
2014 Klassentausch, Motorenhalle Riesa e.V., Dresden
2011 La Ribot - PARAdistinguidas, Mousonturm Frankfurt am Main (performing)

SCHOLARSHIPS / AWARDS
2020 Denkzeit Scholarship, Kulturstiftung des Freistaates Sachsen
2018 A2 Letter Prize

2018 together with mit Jonas Deuter, Konstantin Richter und Daniel Theiler nominated for the art prize of die Blaue Nacht Nürnberg

PROJECTS / PARTICIPATIONS / WORKSHOPS
2019 New Media Arts Instructor, cooperation between HGB Leipzig and LKJ Sachsen e.V.
2019 Workshop Leader with Steph Joyce: the art of writing love letters, A&O Kunsthalle Leipzig
2016 - 2018 Member of the interdisciplinary and collaborative working space
Phyllis Johnson Studio, Halle 14, Leipzig
2017 Workshop Leader: multimedia-based drawing, Leipziger Bündnis gegen Depression e.V.
2015 - 2017 Member of the Initiative 10plus10, Dresden
2012 - 2013 Participant at FAST (Framing Art Science and Technology) program, Dresden
2011 Assistant Project Leader: “Und alle so: Oh!”, theatre project by AIDS Hilfe Gießen e.V.

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Dag Przybilla.

Born in 1964 in Eberswalde near Berlin. 1985-1989 studied art studies and German studies at the Humboldt University as well as seminars in painting and print graphics at the Kunsthochschule Berlin-Weißensee. After the Wall fall, orientation in the art scene of London and Berlin. 1994 Participation in the first Croma-Park exhibition. Collaboration with the artist Jim Avignon. Since 2001 single career as a painter. Numerous international exhibitions in galleries and museums (Goethe Institute, Hong Kong, Mexico City, Singapore, among others, and galleries in Tel Aviv, Tokyo, Chicago, etc.). Dag is curating the independend art initiative GLUE.

Web: dagberlin.de

GLUE: http://glueberlin.com/

Artist Statement

Since my studies, I have been working with abstract geometric shapes. Influenced by Kasimir Malevich or Wassily Kandinsky, they are the starting point of my non-representational paintings and wall paintings. As an artist in post-socialist and reunited Berlin, since my earliest works, I have tried to find my own style, which asserts itself against the realistic art prevalent in Berlin, both in East and West Berlin, and occupy a place in the emerging Techno-scene. The special climate after the Wall fall, between political waste land and a new avant-garde, influences my art, which I continue to develop on the basic elements triangle, square and circle. My paintings are pulsating constellations, which flood the canvases as well as exhibition rooms and thus make the white surfaces a playground for geometric turbulence.

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Richard Rutner

M.F.A. Tyler School of Art, Temple University, Philadelphia, PA, 1972

B.F.A. Tyler School of Art, Temple University, Philadelphia, PA, 1970

Tyler School of Art, Rome, Italy, 1970–1971

School of Visual Arts, New York City, 1965–1968

EXHIBITIONS:

ONE-PERSON SHOWS:

Art.Work Austin, “Solo Exhibit – Works on Paper”, Austin, TX, 2017

MetLife Windows, “Metal Mask Series”, 200 Park Avenue, New York City, 1995

Nassau County Museum of Fine Arts, “Metal Mask Series”, Roslyn, NY, 1987

Galerie Varisella, “Solo Exhibition – Mixed Media”, Nurnberg, West Germany, 1987

Fourteen Sculptors Gallery – Invitational, “Metal Mask Series”, SoHo, New York City, 1987

Vorpal Gallery, SoHo, New York City, 1982, 1981

BACA - Brooklyn Arts and Cultural Association, “Works on Canvas”, Brooklyn, NY, 1977

Sixth Estate Gallery, “Richard Rutner”, Brooklyn, NY 1976

School of Visual Arts, “Three Painters” (one-person shows), New York City, 1973

Tyler School of Art, Temple University, “Works on Paper”, Philadelphia, PA, 1972

GROUP EXHIBITIONS:

East Austin Studio Tour/Soma Vida Gallery, Austin, TX 2019

East Austin Studio Tour/Soma Vida Gallery, Austin, TX 2018

Dell Jewish Community Campus, “The J Gallery”, Biblical Inspirations, Austin TX, 2018

East Austin Studio Tour/ Soma Vida Gallery, Austin, TX, 2017

Art.Work Austin, “Meet the Artists – Summer 2017 Lineup”, Austin, TX, 2017

West Austin Studio Tour, Austin, TX, 2017

East Austin Studio Tour, Austin, TX, 2016

The Jones Center, “5 x 7 Exhibition”, Austin, TX, 2006-2010

Dunn and Brown Contemporary Gallery, “Traveling 5 x 7 Exhibition”, Dallas, TX, 2006

Finesilver Gallery, “Traveling 5 x 7 Exhibition”, Houston, TX, 2006

Guadalupe Arts Center, “Group Exhibition”, Austin, TX, 2002, 2003

PostPicasso.com (online - World Wide Web), 2002

PaintingsDirect.com (online - World Wide Web), 1999-2001

National Drawing Association, “Selected Works”

Abney Gallery International, SoHo, New York City, 1997

Omni Gallery, Uniondale, NY, 1996

Fine Arts Gallery, Broward Community College, Ft. Lauderdale, FL, 1995

TXST Galleries, Southwest Texas State University, San Marcos, TX, 1994

Mills Pond House Gallery, “The Great Linear Space Mystery”, St. James, NY, 1994

Regina A. Quick Center for the Arts, Fairfield University, Fairfield, CT, 1993

MMC Gallery, Marymount Manhattan College, New York City, 1992

Texas Tech School of Art Gallery, Texas Tech University, Lubbock, TX, 1992

Maryland College of Art Gallery, Baltimore, MD, 1991

BWAC (Brooklyn Waterfront Artists Coalition), “Open Doors” Annual Open Studio Tour,

Brooklyn, NY, 1994-1998, *1996 published catalogue available

Rosa Esman Gallery, “Art 150 x 150”, OIA – Organization of Independent Artists, New York

City, 1992

The Gallery at Hastings on the Hudson, “Masks: The Alternative Self”, Hastings on Hudson,

NY, 1989

Galerie Varisella - Group Exhibition, Nurnberg, West Germany, 1986

Rotunda Gallery, “Eccentric Edges”, Brooklyn, NY, 1985

Contemporary Art Museum of Houston, Members Gallery Group Exhibition, Houston, TX, 1984

Proctor Art Center, “Out Of The Studios”, Bard College, Annandale, NY, 1983

Sugarloaf Conference Center, “Tyler School of Art Alumni”, Temple University, Philadelphia,

PA, 1983

Vorpal Gallery, “Group Exhibition” (annual group exhibitions), SoHo, NY, 1977-1982

Art Options Gallery, New York City, 1981

New York State Council on the Arts, “VARS-Visual Arts Referral Service”, New York City, 1978

Aames Gallery, SoHo, NY, 1975

Alumni House Gallery, “New Dimensions”, Adelphi University, Garden City, NY, 1975

Firehouse Gallery, Nassau County Community College, Garden City, NY, 1974

Port Washington Library Gallery, Port Washington, NY, 1974

Fleet Gallery, Winnipeg, Canada, 1973

Foot Prints Gallery, “Mixed Media Exhibition”, Manchester, CT, 1973

Heckscher Museum, Huntington, NY, 1972

Gallery 10, New York City, 1971

Gallery 252, Philadelphia, PA, 1971

REVIEWS/PUBLICATIONS:

West Austin Studio Tour, Catalogue, p 70(ill.), 2017

Art.Work Gallery Blog. Austin, TX. 2017

East Austin Studio Tour, Catalogue, p 176(ill.), 2017, Catalogue, p. 28(ill.), 2016

True Color Newsletter, PaintingsDirect.com, January 2008, September 2002, June 2000

Open Doors – 1996 companion volume to BWAC Open Studio Tour

Quick Center for the Arts – Fairfield University, September 10, 1993

OIA Newsletter – Fall 1993

Nurnberg Zeitung - Frankischer Kurier, April 16, 1987,

Nurnberg Nachrichten – April 22, 1987

The Prospect Press – Diane Miller Himmelbaum, February 1985

Sun Storm – “Paintings and Politics”, Lois Di Cosola, February, 1983

Newsday

Marilyn Goldstein, May 16, 1988,

January 29, 1987

Weekend Part III, February 6, 1987

“Hempstead Shuffles Its Space”, Susan Soper, September, 1977

The New York Times

Helen Harrison, March 15, 1987, “Discoveries and Jolts”,

David L. Shirey, September 18^th, 1977

arts magazine – Janice Glander-Bandyk, October 1977, Hedy O’Beil, October 1976

Phoenix Magazine –John Blackmore, October 1976

TEACHING EXPERIENCE:

Painting Instructor, New York Institute of Technology, Fine Arts Department, Commack, NY,1977–1978 Painting Instructor, St. John’s University, Fine Arts Department, Jamaica, NY,

1974Painting Instructor, School of Visual Arts, New York City, 1972–1974Teaching Assistant, Tyler School of Art, Rome, Italy, 1970–1971

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Richartd Rutner. NY. Exhibition Poster

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HEIKEDINE GÜNTHER

Exhibitions

2020

«entrée&hommage 2020» M54, Basel

«Premio Combat 2020»
Granai di Villa Mimbelli, Livorno, Italy

«Heikedine Günther» M54, Basel

«Aufbruch ins Ungewisse» Goetheanum, Dornach

«Re-Seen»
Independent & Image Art Space, Chongqing, China

«Divided World»
Basilica of Saint Servatius, TEFAF Maastricht

«Women in the Arts» Orange County Library

«Malamegi Art Lab 14»
Associazione Culturale Imagoars, Venice

«Own the Night»
Envision Arts Online Gallery

2019

«The Core is now!»
Galerie Artem-Reich, Unterer Heuberg, Basel

«Heikedine Günther. Core & Cosmos» Clarakirche, Basel

«Personal Fit: Utopie II» Kornschütte, Lucerne

«Heikedine Günther»
Art Paris Art Fair, Grand Palais, Paris

2018

«Heikedine Günther»
Art Paris Art Fair, Grand Palais, Paris

«Heikedine Günther» Artmuc, Isaforum, Munich

«Heikedine Günther. Triptych Kern No. 285 – 287» Historical Museum Basel, Barfüsserkirche, Basel

«Heikedine Günther»
The Other Art Fair, Saatchi Art, Victoria House & The College Southampton Row, London

«Heikedine Günther»
Malamegi LAB 10, Palazzo Ferrini-Cini, Rom

«De fils ou de fibres «
Abbaye Saint-André, Centre d’art contemporain, Meymac, France

2017

«Heikedine Günther»
The Other Art Fair, Saatchi Art, Old Truman Brewery, London

«Heikedine Günther. Blanche Blatt» WopArt, Work on paper art fair Centro Esposizioni, Lugano

«Corepaintings. Heikedine Günther»
Galerie Artem-Reich, Unterer Heuberg, Basel

«Heikedine Günther. Core – Paintings and unique prints» Galerie Artem-Reich, Unterer Heuberg, Basel

«Heikedine Günther. Paintings and unique prints» Livre rare & objets d’art, Grand Palais, Paris

«Heikedine Günther» Fondation Herzog, Basel

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Andrea Mikyska

Andrea Mikyska graduated from the Supermedia Studio at the University of Art and Design in Prague and during her studies, she completed an internship at the Academy of Fine Arts in Prague and an internship at the Universität Berlin der Künste in Berlin. Her work draws on the immensity of data content on the Internet and her own experience of presence in the online space. The work of Andrea Mikyska often touches on those issues of the popular visual culture associated with their own identity and self-reflection in relation to fashion trends. Her videos and installations are playing with the young generation, the ubiquitous tension of the constant intersections between these "public" and the intimate spaces of individuals.

I look at the practice of art as an integral part that needs to be shared and communicated. My work is united by the symbolism and aesthetics of the 1990s in which I was born and began to introduce new media. As a video artist, I seek to answer questions about the ecology of human identity – questions such as: how do objects in our lives affect our daily ritual; how does change in a place influence our experience of it; and what do our relationships with other people, organisms, computer systems, and current technology affect our lives. My work is mainly focused on digital narrative dialectic as the subtext of different life-processes: landscapes, environment, situations, organisms, programs, or places as an emergent fabric of events, simultaneously woven together amidst constant change. I believe at Anthropocene concept is the way in which it universalizes the roots of the eco-crisis by situating it among the anthropos-humanity in general, when it is, in fact, the result of a specific set of actions taken by a specific set of individuals, which is to say unbridled global capitalism and its agents and beneficiaries, especially as connected to the exploitation of the environment in all its forms in search of ever-increasing profit. Celebrating speed and technology has its risks. A century ago, the writers and artists of the Italian futurist movement fell in love with the machines of the industrial era and their apparent ability to invigorate society. Many futurists followed this fascination into war-mongering and fascism. While some futurist works are still admired, the movement’s reputation has never recovered. It is an important legacy for us that you are going to convert into a digitized form and leave data and heritage for the next generation. I believe in the Apocalypse. I do not play musical instruments, but I like to dance. My favorite color is blue in all shades. I strive to make my projects scalable and desirable.

I’m convinced that there is nothing more important, timely, and urgent to consider as our present ecological crisis, and in this regard, we can only do so by starting from our bases in our respective fields. Under current forms of governance, our relation to the environment threatens our coming existence, where not only nature is colonized but also our very future, colonization that we must all struggle to resist. I would like to move more comprehensively towards artistic practice. Using multiple media at once and looking for a homogeneous whole in art. My topics are mostly about ecological dystopia and about future scenarios where a man plays them in relation to nature and living organisms, which cause a greater role in the formation of Pyrocene (T.J.Demos, The Agency of Fire: Burning Aesthetics). The most compelling current artistic models, in my view, join the aesthetic dimension of experimental and perceptual engagement with the commitment to postcolonial ethico - political praxis and do so with sustained attention to how local activities interact with global formations. Working within and against the thick, heterogeneous histories of conceptualist art, the complex intertwining of aesthetics and politics within documentary moving-image practices, and the socio-spatial politics of environmental sculpture of decades past, contemporary artist is connecting to and building upon past approaches of institutional critique, documentary fictions, and multi-species assemblages. Mostly, I am inspired by the process itself.

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Xenia Meischner/ Ræubertrøte

Verwurzelt auf Jasmund, dem Erzgebirge verbunden, vereint in beiderlei Natur – einem stets wiederkehrenden Element im Schaffen von RÆUBERTRØTE-FOTOGRAFIE. Aufgewachsen umgeben von Wald & Meer, erkannte die heute 27-Jährige bald, dass jenes, was nicht losgelassen werden kann oder mag, mit diesem „Zauberkasten Kamera“ dauerhaft festhaltbar ist – eine Art PANOPTIKUM DER SEELE, ganz automatisch. Xenia Meischner – exekutives Gedanken- & Gefühlsbündel hinter Ræubertrøte-Fotografie – ließ 2017 ihre fragilen BILDGEFÜHLE & GEFÜHLSBILDERim Rahmen des 2. Vollmondfestes der Hafenstadt Sassnitz erstmalig aus dem Monitor steigen, sich an den verlassenen Wänden - gleichermaßen an Melancholie & Neugier appellierend, an Vergänglichkeit erinnernd - eines alten Fachwerkhauses wiederzufinden, harmonisch die Atmosphäre der präsentierten Fotografien unterstreichend: Weitab vom zehrenden Strudel der Gegenwart flüstern die Detailaufnahmen & Portraits verträumt von RUHE, VERLETZLICHKEIT & dem SEHNEN. Darauf folgte bald eine mehr als einjährige Ausstellung in einer Rügener Silberschmiede. Um die Projektionen aus ihrem Kopf aufrichtig zu halten, entschied sich die Träumerin, die Fotografie nicht zur Arbeit zu machen, sondern für diese einen Griff in die Truhe der weiteren von ihr bewunderten Künste zu tätigen: So wird beruflich mit Literatur, privat mit Lichtbildern hantiert – WENN WORTE NICHT GENÜGEN."

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Sanj Thapar

I am a graduate from Sir JJ School of Arts Mumbai, India in 1990, one of the largest Art colleges in Asia. I received 4 gold medals in my final year. I am based in Dubai for the past 28 years, have worked as a Creative Director in Advertising Agency

I started to paint on the walls of my home when I was young, but gradually moved on to Canvas, realizing that I had to leave my work behind every time I moved my house. I prefer using Oils to Acrylics, Palette Knives to brushes.

I have had 3 solo exhibitions in Dubai. First one in Hotel Murooj Rotana at Burj Khalifa in 2011 and the second one at the Prestigious “Emirates Golf Club” in 2012 and the 3rd one at Media City Dubai in 2013. My 4th Solo Art exhibition was at the prestigious Jehangir Art Gallery, Mumbai India in 2013.

My 5^thSolo ex

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Paul Roxi

1948
Geboren in Berlin

1971
Abitur und Studium in Hamburg

1991
Neubeginn der künstlerischen Arbeit

lebt und arbeitet in Hamburg,
Mitglied im BBK
(Bundesverband Bildender Künstlerinnen und Künstler)

DER SCHAMANISMUS DES 21. JAHRHUNDERTS

(Zu Werken von Paul Roxi)

Petr Štěpán, November 2012

Für die deutsche moderne und postmoderne bildnerische Kunst sind der Expressionismus und der Dadaismus, beziehungsweise der Neo-Expressionismus und der Neo-Dadaismus, von großer Bedeutung. Im Wekt von Paul Roxi ist dieser Einfluss nicht nur erkennbar, er stellt – natürlich – auch einen weiteren ästhetischen Code dar, mit dem der Autor eine neue bildnerische Schönheit in der Umgebung, auch einer abstoßenden und verletzenden, sucht und findet.

Roxis Arbeit mit konkreten Objekten ruft primär auch die Vorstellung konkreter Skulpturen hervor. Die Identifizierung von Material und ursprünglichem Zweck interessieren den Betrachter üblicherweise zuerst. Allerdings führt dieser Ansatz nicht zum direkten Verständnis des Werks. Die Materialien sind überaus vielfältig, unlogisch zusammengeführt, und der Zweck der Objekte verleitet eher zu irrtümlichen Assoziationen, die die weiteren Objekte quasi besiegen. Und weil die Objekte von Roxi einen anderen Zweck haben, einen künstlerischen natürlich, müssen sie anders gelesen werden. Man muss ihnen wie Kunstwerken begegnen und versuchen, diese in ihrer Gesamtheit zu sehen, den Geist in ihnen zu finden, und das Gefühl, mit dem sie einen ansprechen.

Ich meine, dass in den plastischen Werken Paul Roxis der Betrachter immer gegenwärtig ist. Die Werke wurden für den Betrachter geschaffen und ziehen ihn quasi in das Objekt hinein. Der Autor spricht den Betrachter ganz offensichtlich an. Seine Werke zielen weder auf ein ideelles Universum noch auf den konzeptionellen Raum ab, sondern verfügen über einen unmerklichen Zauber, der das Publikum anrührt. Das kollektive Unterbewusstsein, die Kunst der Naturvölker, aber auch Kinderzeichnungen und die Art brut sind weitere Ingredienzien, dank derer die Arbeiten von Paul Roxi wie ein seherisches, schamanisches Werk des 21. Jahrhunderts wirken.

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Judith Weißig

seit 2011Arbeit und Leben in Bad Homburg und Leverkusen

2001/07Studium an der Burg Giebichenstein Hochschule für Kunst und Design Halle

2008Diplom für Bildende Kunst

2007/17 Gründung der Künstlergemeinschaft club mantell e. V.

1978geboren in Tübingen

Stipendien

2020Hessen kulturell neu eröffnen – Arbeitsstipendium, Hessen

2017 Aufenthaltsstipendium Kunstverein Röderhof, Sachsen-Anhalt

2013Aufenthaltsstipendium Gedok Lübeck, Schleswig-Holstein

2005Erasmus-Stipendium Athen, Athens School of Fine Arts

Preise mit www.jimdo.clubmantell.de

2013 PARTNERSCHAFTEN, Bayrischer Staatspreis mit club mantell, Exempla München

2010Justus-Brinckmann-Förderpreis mit club mantell, Hamburg

Projekte, interdisziplinär (www.jimdo.clubmantell.de)

2017 CHALLENGE ACCEPTED (online-projekt)

2012PARZELLE UNIQUE (Projekt in Landschaft)

2011CANVAS OR NOT – Die Tische sind unten

Ausstellungen (Auswahl)

2018/19DER GEMEINSAME TELLER Künstlerhaus Alteburger Wall, Köln

100 Jahre Arbeiterwohlfahrt, Maria-Juchacz-Zentrum Köln (Katalog)

The Cologne Book Art Fair

BelEtage, Düsseldorf

Kolonie 1-Museum, Leverkusen

2017Flora, Torhaus Köln

2015ART FOR A PROMISE, 48 Stunden Neukölln Kunstfestival, Berlin

FINDEN BILDER MATRICES BBK Plauen

EINBLICKE Badehaus Burscheid

2012/13INÜBERUNTERAUF GEDOK Lübeck

Galerie HudPromo, Odessa/Ukraine

VIEL IST IMMER GUT Künstlerhaus 188, Halle/Saale

2010/11NÄHENAHT Galerie Hellrot, Halle/Saale

KURZZEITIG UNANGESTRENGTES WARTEN AUF DEN ERFOLG UFO-Galerie, HalleWEGREISSEN-ABREISSEN Kunstinbetrieb2, Halle/Saale (Katalog)

COLLAGEN IHK Magdeburg

FORTSETZUNGSGESCHICHTE Brig, Schweiz

2008/09INNEN HALTEN Galerie salonfähig, Halle/Saale

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Olaf Schirm.

(*1958, Berlin) ist unter dem Namen Symboter seit den 70er-Jahren als Musiker in der elektronischen Musik und Klangkunst tätig. Sein Hintergrund der Biologie und Physik, gepaart mit seinen künstlerischen und Ingenieurs-Familienwurzeln führte zur Gründung von Unternehmen der 3D-Computeranimation, Echtzeit Motion Capture Technologie, Avatare und Chatbots, Forschungsrobotik und E-Couture. Er erhielt Auszeichnungen vom Royal College of Art London, Siggraph Los Angeles, Byte Magazine, Medikinale. Als internationaler Künstler im Bereich Science Art untersucht er Fragen der Wahrnehmung, der Zeit und der Mensch-Maschine-/KI-Beziehung. Olaf Schirm ist zudem Autor, Kunstsammler und Sprecher bei Podiumsdiskussionen und Konferenzen. Er kuratiert Ausstellungen von Sammlerkunst und Science Art.

-------------------English

(*1958, Berlin) is active as a musician in electronic music and sound art under the name “Symboter” since the 1970s. His background in biology and physics, coupled with his artistic and engineering family roots led to the founding of companies in 3D computer animation, real-time motion capture technology, avatars and chatbots, research robotics and e-couture. He has received awards from the Royal College of Art London, Siggraph Los Angeles, Byte Magazine, Medikinale. Working as an international artist in the field of science art, he focuses on questions about perception of time and man-machine/AI relations. Olaf Schirm is author of studies and upcoming books, art collector and speaker on conferences and at discussions about art and technology. He is also curator of exhibitions of art collections and science art.

Diskurs Projectroom. Ausstellungsposter.

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Hans Schüle. Biographie

* 1965, Neckarsulm

Biographie

Study of painting and sculpture at the Akademie der Bildenden Künste, Munich and at the HDK, Berlin, Member of Deutscher Künstlerbund and Künstlerbund Baden-Württemberg

Exhibitions (selection)

Kunstmuseum Singen (S), Städtische Museen Heilbronn (S), Kunstverein Biberach (S), Kunstverein Markdorf (S), Kunstverein Hockenheim (S), Hospitalhof Stuttgart (S), Ulmer Kunststiftung pro arte, Ulm (S), Kunststiftung Erich Hauser, Rottweil (S), Städtische Galerie Bietigheim-Bissingen (G), Dominikanermuseum Rottweil (G), Städtisches Museum Schloss Rheydt, Mönchengladbach (G), Galerie der Stadt Tuttlingen (S), Städtische Galerie im Turm, Donaueschingen (S), Schweizerische Triennale der Skulptur, Bad Ragatz, CH (G), Kunsthalle Wil, CH (S), Kunstverein Wilhelmshöhe, Ettlingen (G), sculpture park of Villa La Collina, Cadenabbia, I (G), Konrad Adenauer Stiftung, Berlin (G), Georg Kolbe Museum, Berlin (G), Galerie im Prediger, Schwäbisch Gmünd (S), columbus art foundation, Ravensburg (G), Kunstverein Tiergarten, Berlin (G), Kölnisches Stadtmuseum, Köln (G), Haus der Kunst, Munich (G)

Art in public space

2001 Kolonie, Neckarsulm/D

2005: Station, San Francisco/USA

2006: Crossover I, Miami/USA

2009: Soul, Siena/Italien

2011: Big Loop, Vancouver/Canada

2012: Hybride, Heilbronn/D

2013: Hybride #40, Cadenabbia/Italien

2015: Crossover II, Taipé/Taiwan

2015: Breathe, Taipé/Taiwan

2015: Mineral, Spaichingen, D

2015: Große Hybride, Tuttlingen/D

2016: Figures, Boston/USA

2016: Fraktal, Kuwait City, Kuwait

Awards

2015 Stadtkünstler Spaichingen

2011 Juryaward for sculpture, Lebens Art Stiftung, Cologne

2004 Studentship of Else-Heiliger-Fonds, Konrad-Adenauer-Stiftung, Berlin

2000 International studio award, Kunststiftung Erich Hauser, Rottweil

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Markus Butkereit

Biography

born in Berlin, Germany

Solo Exhibitions

Obfuscation, Bazis Contemporary, Cluj - Napoca, Romania

Tigerpicture, B.Z.Z.T. II cold coffee and foot massage, Berlin, Germany 

Ögon no Taiyō Shikkoku naru Yoake, Stoffwechsel Galerie, Mannheim, Germany 

Drive - by shooting, Diagonales 61, Marseille, France

Dr. Mabuse, Addict Gallery, Paris, France

Himmelfahrt Nr.1 - 53, Urban art info, Berlin, Germany

Group Exhibitions

Everything in Its Right Place, Raum Vollreinigung, Berlin, Germany

Connected - East meets West, video screening, curated by Božidar Katić & Martina Mezak, Berlin, Germany 

achtung! uwaga, Sabot Mimi Faster, Swinemünde, Poland

Bima and Friends II, curated by Bhiema Griem, Berlin, Germany
Struktur - elle Gewalt, Sabot Mimi Faster, Berlin, Germany
Exhibitionists, curated by Biancoshok, Elfo, Rub Kandy, Rome, Italy 
The Starting Point that will Also be the Exit, The Souvenir Museum, Curated by Rose Pacult, Paris, France 
L´Action prend place, Festival Non - Alignées, La Generale, Paris, France
What the Weekend is Gallery, Alte Münze, Berlin, Germany
Geben Sie ihm keine Zigarette, er ist noch ein Kind!, Berlin, Germany
To connect sign up today, Goteborgs Konsthall, Göteburg, Sweden 

Igenom, Hammerkullen Konsthall, Göteburg, Sweden 

Views, The Chemistry Gallery, Prag, Czech Republic

Backjumps 20 +1, Kunstraum Kreuzberg Bethanien, Berlin, Germany

Serious TV week 47-48, Tys Exhibition Space, Copenhagen, Denmark 

Nomadic Spaces & Former Future Nows, Nationalgalerie, Berlin, Germany 

Galerie Nomades Archist 03, Art-cade, Galerie des grands bains douches de la plaine, Marseille, France 

Backjumps Christmas Spezial, Kunstraum Kreuzberg - Bethanien, Berlin, Germany

Contemporary Art, Stadtmuseum München, München, Germany

Wir kommen alle, Artsquad Kunstverein, Berlin, Germany

Public Arena, Associazione Barriera, Torino, Italy

On your marks, get set, go, Elias Canetti Society, Ruse, Bulgaria

Tchikebe Studio, Slick Art Fair, Brüssel, Belgium

Salat Komplett mit Alles, Rock the Block, Vierte Welt, Berlin, Germany

Quarter 12, Chmielna, Quarter Gallery, Warszaw, Poland

G & O, Silkscreenprints, Tchikebe Studio, Marseille, France 

Gamerz 07, École Supérieure d´Art Aix en Provence, Aix en Provence, France

Berliner Zimmer Genossen, Funkhaus Berlin, Berlin, Germany

Diamonds - Supersentai, Lucas Carrieri Art Gallery, Berlin, Germany

24 h Abandoned Munic, Galeria Autonomica, München, Germany

Du mur à l’atelier et l’art urbain, Addict Gallery, Paris, France

L`Art Urbain...du mur à l‘atelier..., Addict Gallery, Paris, France

Berlin Metting, Czech Embassy, Berlin, Germany

Diamonds - Millionen Körper, Senatsresevenspeicher Berlin, Artitude Kunstverein, Berlin, Germany

Muss alles raus?, Urban art info, Berlin/ Germany

Art Totale, Leuphana University, Lüneburg, Germany

Wir sind nicht die Affen in deiner Horde, Urban art info, Berlin, Germany

Public Projects

Exhibitionists, Curated by Biancoshok, Elfo, Rub Kandy, Rome, Italy
L´Action prend place, Festival Non - Alignées, La Generale, Paris, France
Behind the fence, Projectroom// S85, Berlin, Germany
Auf der Palme, Projectroom// Big Walls, Berlin, Germany
Goteborgs Konsthall, Tryckverkstaden, Göteborg, Sweden 2014 Galerie Nomades Archist 03, Art-cade, Galerie des grands bains douches de la plaine, Marseille, France

Invisible Cities - Ruse, Elias Canetti Society, Ruse, Bulgaria

Reclaim the subway, Elias Canetti Society, Ruse, Bulgaria

On your marks, get set, go, Elias Canetti Society, Ruse, Bulgaria

Quarter 12, Chmielna, Warszaw, Poland

Goals & Objectives, Praha, Berlin, Brüssel, Paris, Aix en provence, Marseille, Baden - Baden, Europe

Art Totale, Leuphana University, Lüneburg, Germany

City of Names, Jazzstylecorner, Backjumps Issue II, Kunstraum Kreuzberg - Bethanien, Berlin, Germany

City of Names, Jazzstylecorner, Götheburg, Sweden

Lectures, workshops

Newspaper today and Elias Canetti, lecture, Hidden Indexes Projectroom, Berlin, Germany 

Artist talk with Liv Stoltz, Goteborg´s Konsthall, Göteburg, Sweden 

Studiotalk with Linda Tedsdotter, Konstepedemin, Göteburg, Sweden 

Graffiti as a urban calligraphy, lecture, Konstepedemin, Göteburg, Sweden

Instinctive identities and unconsciously symbols, lecture, Konstepedemin, Göteburg, Sweden

Invisible Cities - Ruse, lecture, Elias Canetti Society, Ruse, Bulgaria

Human sun, lecture, Elias Canetti Society, Ruse, Bulgaria

Reclaim the subway, workshop, Elias Canetti Society, Ruse, Bulgaria

Goals & Objectives, lecture, Zinc, Arts cultures Numériques, Marseille, France

Typomesse, lecture, Haus der Kulturen der Welt, Berlin, Germany

Residencies

Artist in residence, Goteborg´s Konsthall, Göteburg, Sweden 

Artist in residence, Iaspis, The Swedish Arts Grants, Stockholm, Sweden

Artist in residence, Künstlerdorf Schöppingen, Schöppingen, Germany

Artist in residence, Elias Canetti Society, Ruse, Bulgaria

Art Totale, Leuphana University, 1st video award, Lüneburg, Germany

Bibliography, books, exhibition catalogues

Obfusation, exhibition catalogue, designed by Büro Bum Bum

B.Z.Z.T. II, published by Hidden Indexes

B.Z.Z.T.I, published by Hidden Indexes 

Open House catalogue, Iaspis grant holders, published by Iaspis, The Swedish Arts Grants 

Our Idols are dead, 32 Notes on Graffiti, published by Klick Klack Magazin

B.Z.Z.T. Newspaper, published by Markus Butkereit

Public Arena, exhibition catalogue, published by Artegiovane, Associazione Barriera

Left hand pieces, book, published by Markus Butkereit

Left hand pieces - sketches, book, published by Markus Butkereit

Arts multimédia, exhibition catalogue, published by Association M2F Créations

Diamonds - Supersentai, exhibition catalogue, published by Diamonds Press

Diamonds - Millionen Körper, exhibition catalogue, published by Diamonds Press

Himmelfahrt Nr. 1 - 53, book, published by Urban art info Verlag

Galeria Autonomica, exhibition catalogue, published by Autonomica Press

Urban Art Photography, documentation, published by Die Gestalten Verlag

Translatae Stillae Pluviae, Writing the memory of the city, book, published by Dokument Verlag

Style writing, documentation, published by Publikat Verlag

Black Book - Silkscreenprints, book, published by Fleischerei

Writing - Urban calligraphy and beyond, book, published by Die Gestalten Verlag

Haushalten - Ein Künstlerprojekt, exhibition documentation, Bezirksamt Pankow, published by Galerie Pankow

Articles and reviews

2018 Obfuscation, Artribune, by Simona Scopelliti, Roma, Italy
2018 Exhibitionists, Juxtapoz, Art - culture, San Francisco, USA
2018 Exhibitionists, tgcom24, cultura, Rome, Italy
2016 Urban Explorers - Hinter der Fassade, Arte Creative, Strasbourg, Frankreich
2016 Artist in Residence Report, Kultur i Väst, Göteborg, Sweden
2015 Rockets on the Battlefield, 99 % Urban, Berlin, Germany
2015 To connect sign up today, Sveriges Radio, Göteburg, Sweden
2015 Purple Rain, Der Faktor Regen, Westfälische Nachrichten, Münster, Germany
2015 Rockets on the Battlefield, Rabarnes, Madrid, Spain
2015 Rockets on the Battlefield, Radio Eins, Berlin, Germany

---------------------------------

Christian Chrobok

Website:www.instituteforculturalcassation.org
Instagram:www.instagram.com/christian.chrobok

Christian Chrobok (born 1969) is a German conceptual artist. He graduated from the University of Münster, Germany in 1997. Trained in philosophy, cultural theory and economics, he appropriates in his practice the language of the museum and of other cultural archives. Since 1995 Chrobok has been working on a long-term project titled Institute for Cultural Cassation (ICC) (Institut für Kulturelle Kassation). Presentations of this work include: Retropolis Trbovlje - 3rd NSK State Folk Art Biennale, Delavski domTrbovlje (DDT), Trbovlje, Slovenia(2018); OSTRALE Biennale for Contemporary Art, Dresden, Germany (2017);The Burren Annual - The 2nd NSK State Folk Art Biennale: Folk Art Rising 1916-2016, Burren College of Art, Newtown Castle, Ballyvaughan, Co. Clare, Ireland, (2016);1st NSK Folk Art Biennale, Spinnerei, Halle 12, Leipzig, Germany (2014); NSK Folk Art, Calvert 22 Gallery in cooperation with Tate Modern, Chelsea Space and UCL, London, UK (2012); NSK Folk Art, Škuc Gallery, Ljubljana, Slovenia (2011); Taipei Biennial 2010, Taipei Fine Arts Museum, Taipei, Taiwan (2010)

Christian Chrobok (geboren 1969) ist ein deutscher Konzeptkünstler. Er absolvierte 1997 die Universität Münster. Ausgebildet in Philosophie, Kulturtheorie und Wirtschaftswissenschaften appropriiert seine künstlerische Praxis die Sprache des Museums und anderer kultureller Archive. Seit 1995 arbeitet Chrobok an einem Langzeitprojekt mit dem Titel Institut für Kulturelle Kassation (Institute for Cultural Cassation) (ICC). Präsentationen dieser Arbeit u.a.: Retropolis Trbovlje - 3rd NSK State Folk Art Biennale, Delavski domTrbovlje (DDT), Trbovlje, Slowenien(2018); OSTRALE Biennale for Contemporary Art, Dresden, Deutschland (2017);The Burren Annual - The 2nd NSK State Folk Art Biennale: Folk Art Rising 1916-2016, Burren College of Art, Newtown Castle, Ballyvaughan, Co. Clare, Irland, (2016);1st NSK Folk Art Biennale, Spinnerei, Halle 12, Leipzig, Deutschland (2014); NSK Folk Art, Calvert 22 Gallery in Kooperation mit Tate Modern, Chelsea Space und UCL, London, GB (2012); NSK Folk Art, Škuc Gallery, Ljubljana, Slowenien (2011); Taipei Biennial 2010, Taipei Fine Arts Museum, Taipeh, Taiwan (2010)

---------------------------------

Ipung Purnomo.

Ipung Purnomo is an Indonesian artist. He was born in 1974. He’s had passion for painting since he was very young. His early works were landscapes and portraits. He had his first solo painting exhibition when he was in a college. He lived in Yogyakarta from 2001-2005. He ran a painting studio there. He traveled to some cities in Indonesia to receive trainings from some professional artists.

Currently, he’s living in Papua. He has participated in national and international exhibitions. A few collective exhibitions that were held in Indonesia and some collective exhibitions which were held in Japan, the USA, Italy, the Netherlands, Vietnam, Columbia, the UK, France, Poland, Germany, Spain, Rome and Austria. His works have been included in international publications: International Contemporary Artists, International Contemporary Masters and Inter-Asia Cultural Studies Journal. He has received a Museum Award from Musee de Peinture de Saint-Frajou, France. He wrote a book “The Artistic Glimpse Of The East”, published by The Scholar’s Press, which recently has been translated to seven languages : French, German, Dutch, Spanish, Portuguese, Italian and Russian. He was selected for an artist’s residency program at Kersan Art Foundation, Yogyakarta, in June 2019.

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Ute Faber

Einzelausstellungen (Auswahl ab 2007)
2019 2016	Bootschaft, Kirchengemeinde Epiphanien Fatto a Mano, goMedus Zentrum	Berlin Berlin
2015	Fatto a Mano, goMedus Zentrum	Berlin
2014	Einer, die auszog... , Galerie Vogtshof	Hachenburg
2014	Schein und Sein... , Galerie Gunzoburg	Überlingen
2013	Heaven can wait, Galerie aquabit	Berlin
2012	Galerie artundso	Offenburg
2011	Streifen am Horizont, Aitia	Berlin
2010	Eine Träumerin sieht nach vorn, DMW Galerie	Berlin
2009	Sippschaften, Galerie Ko15	Berlin
2009	Wahlverwandschaften, Kunst in der Rotunde	Kassel
2009	Land, Leute, Leben, Galerie Agricultura	Speyer
2008	Land, Leute, Leben, Galerie Agricultura	Darmstadt
2008	Land, Leute, Leben, Galerie Agricultura	Saarbrücken
2008	Land, Leute, Leben, Galerie AGricultura	Kassel
2007	Echoloten, Galerie Moro	Berlin

Ute Faber, geboreninAltenkirchen/Westerwald studierte in Berlin und Italien Malerei, Bildhauerei undKunstgeschichte.

seit 2010	Mitglied bei Sculpture Network
seit 2004	Mitglied im Verein Berliner Künstler (VBK)
seit 1997	Freischaffende Künstlerin, verschiedene Ausstellungen und Kunstprojekte im In-und Ausland
1990 – 1996	Abendstudium BWL, FHW, Berlin Fernstudium Kunstmanagement, FernUniversität Hagen
1985 – 2002	Berufstätigkeit im Marketing und Vertrieb
1982 – 1984	Studium Bildhauerei & Malerei, Academia di Belle Arti, Italien

Nach mehrjährigerTätigkeit im Marketing wirkt sie seit 1997 in Berlin als freischaffende Künstlerin.

Gruppenausstellungen (Auswahl ab 2007)
2019 2019 2019 2019 2019 2018 2018 2017	Schöneberger Art, Haus der Kunst Berlin Drei Tage Kunst, Kommunale Galerie Berlin Die Hälfte der Welt, Update 19, Galerie VBK Nation, Religon, Zerstreuung und Exil Galerie Einkaufsquelle Gallery Malina, Greenstyle Munich Totalitär Update 18, Gaöerie VBK Das Bild der Frau, Galerie Kunstverein Wörth Anders wo, Galerie VBK	Berlin Berlin Berlin Berlin Görzke München Berlin Wörth Berlin
2017	Days of female passion, art affairs	Berlin
2017	3 Tage Kunst, Kommunale Galerie	Berlin
2017	Art in Nature, Städtische Galerie	Bad Reichenhall
2017	Paulina’s Friends, Concept Gallery	Berlin
2016	Kölner Liste	Köln
2016	Update 15, Galerie VBK	Berlin
2016	Muses, Art Gallery	Paris, F
2015	3 Tage Kunst, Kommunale Galerie	Berlin
2015	JubiläumsAusstellung, Galerie Hexagone	Aachen
2015	BlauBlauBlau, Galerie Treves, Tuchfabrik	Trier
2015	textile art	Berlin
2015	BAGL Art Fair	Berlin
2015	Luce mania, Galerie VBK	Berlin
2014	First Art Kit	Niederlande
2014	3 Tage Kunst, Kommunale Galerie	Berlin
2014	textile art	Berlin
2014	tete´a tete´, Galerie VBK	Berlin
2014	Update 14, Galerie VBK	Berlin
2013	Karamba, Hotel Bogota	Berlin
2013	Galerie Hexagone	Aachen
2013	Plastik, Galerie bauchhund	Berlin
2013	Elemente.Schwerkraft.Gleichgewicht., Galerie Flierl	Berlin
2012	Die sechs Richtigen, Galerie Hexagone	Aachen
2012	White Cube, Galerie VBK	Berlin
2012	StrukturWerkRaum, Studio 1, Künstlerhaus Bethanien	Berlin
2011	Emerge Art Fair	Washington, USA
2011	Galerie Hexagone	Aachen
2011	Berliner Liste	Berlin
2011	Unter Druck, Galerie VBK	Berlin
2010	Kunst in der Kiste, Kunstamt Eschwege	Schmalenborn
2010	Treibsand, Temporäre Kunsthalle MLG-Kirche	Berlin
2010	tease art fair # 4	Köln
2009	Inselglück 2009, Kunstamt Mitte	Berlin
2009	Künstlerbücher, Schule für Gestaltung	Basel, CH
2009	Kiron Espace Galerie + Forum	Paris, F
2008	Inselglück 2008, Kunstamt Mitte	Berlin
2008	Luxun Fine Art Gallery	China
2008	Vistawechsel, GSA Galerie	Hilversum, NL
2007	Inselglück 2007, Kunstamt Mitte	Berlin
2007	_{„Heimat“ Kommunale Galerie}	Berlin

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/// Pawel Tkaczyk ///

a Polish-born artist, now based in Warsaw, Poland. They represent various techniques and subjects. Tkaczyk is interested in figurative and abstract painting but also in murals. He has had numerous exhibitions. His paintings can be found in private collections, in Poland and abroad. He is interested in other artistic forms, too: experimental and electronic music, and photography.

Selected Exhibitions

2019
Exhibition - Paintings, Art Fair, Targi Sztuki Dostępnej, Warsaw
Personal Exhibition - Photography, Soto Gallery, Warsaw

2018
Exhibition - Paintings, Canvas Culture, HIDEOUT, Warsaw
Personal Exhibition - Paintings, Slow Motion, Vitkac, Warsaw

2017
Personal Exhibition - Paintings, Na Lato, Warsaw
Personal Exhibition - Photography, SNL Gallery, Warsaw

2016
Exhibition - Photography, Dry Magazine V: Launch & Exhibition, Copenhagen, Denmark
Exhibition - Photography, Gallery SORT BLAEK, Copenhagen, Denmark
Polarity Project with Tobias Birk Nielsen, Copenhagen Fashion Week AW16, Denmark

2015
Personal Exhibition - Paintings, Galeria Kuratorium, Warsaw
Exhibition - Photography, Festival Warsaw Photo Days
Exhibition - Photography, 5. Opolski Festiwal Fotografii
Exhibition - Photography, Fotofestiwal, Łódz
Exhibition - Photography, Foto Art Festiwal, Bielsko Biała

2014
Exhibition - Paintings, Galeria Kuratorium, Warsaw
Personal Exhibition - Photography, "WAR/SAW" - gwl*, Warsaw

2013
Exhibition - Paintings, Galeria Kuratorium, Warsaw
Exhibition - Paintings, Wawa Design Festiwal, SOHO FACTORY, Warsaw

2012
Personal Exhibition - Paintings, Atomic Freedom, SKWER, Warsaw
Exhibition - Paintings, Warsaw Gallery Weekend, SOHO FACTORY, Warsaw

2011
Exhibition - Paintings, Art Fair, Untitled, Rempex, Warsaw
Exhibition - Paintings, Art Fair, ART INN, Warsaw

2010
Exhibition - Paintings, Salon Tworczosci Swobodnej Galeria DADA, Warsaw
Personal Exhibition - Paintings, Galeria Schody, Warsaw
Personal Exhibition - Paintings, ArtTu Galeria Sztuk Pięknych, Warsaw

2009
Personal Exhibition - Paintings, Sublimation, Hotel Europejski, Warsaw
Exhibition - Paintings, DIFFUSION OFF ZONE, Fashion Week, Łódz
Exhibition - Paintings, Latająca Galeria Szu Szu, Kashanti Project, Warsaw

2008
Mural painting with Wilhelm Sasnal, OFF Festival, Mysłowice

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IA KOCHINASHVILI

Artworks exhibited in private collections in Tbilisi, New York, France

2019 - Present Moonshake Studio

Designer, NY

Create print designs using - batique, tie dye, acrylic, aquarelle

1998 - Present Children's Art Studio "Saint-Ex Kids Art"

Founder, Tbilisi

Founded and manage an Art Studio for kids

1989 - 1992 Architecture Studio of Ministry of

Culture of Georgia

Architect, Tbilisi

Worked as a junior architect

Education

1983 - 1988

Bachelor's Degree in Civil Architecture Tbilisi State Academy of Arts, Tbilisi Description of the education/course.

Exhibitions

2015 INTERANGUES STREET ART PROGRAMM

Erasmus +, Brussels

2000 TEXTILE INTERNATIONAL WORKSHOP

Gallery "Muse", Tbilisi

TEXTILE INTERNATIONAL WORKSHOP

Gallery "Muse", Tbilisi

2004 - 2015

Organized Summer School Art programs in

partnership with Silk Voyage, Ecole Suisse, Globy Mundus, France-Language, Erasmus +

2016

Organized a visual art workshop “Together” for

the DS pupils; workshop of visual art and baking

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Stefania Pinsone

An Award-winning artist (EWAL Premier Art Award London 2019 Top Prize winner). Her artworks are characterised by a powerful personal painting style that combines a strong figurative imagery with the elegance of a new contemporary impressionism of the digital age.

Education

MFA in visual arts.Accademia di Belle Arti di Roma, 1997

Degree in Art History, M.A. with honors, Università degli Studi di Roma Tor Vergata, 2007

Exhibitions

2020 $€X¥ Gstaad, art exhibition organised by ArtsFemin, Huus Resort Hotel, Feb.-Mar. 2020, Gstaad

2019 Personal Exhibitionat R4L art Gallery Nov.-Dec, Seon (CH)

Premier Art Award Exhibition London 2019, Top Prize winner (10/31/19), head juror: professor emeritus Dan Fern at the Royal College of Art of London. LaGalleria Pall Mall, London

Selected artist for the "Director's choice" in ArtMuc, October, Munich

Consignment of the recognition certificate by the Ambassador of Italy to Switzerland, H. E. Silvio Mignano, and the Italian Consul in Basel, Pietro Maria Paolucci during the 1st Edition of the "Young Italian Talent Day in Switzerland" (5 October, CH)

When art meets jewellery: Brahmfeld & Gutruf. org. by affordableart.de., Sept-Oct., Hamburg

Duo Exhibitionat Posk Gallery, 26 - 31 August, London

Platform for emerging artist #22, selected for exhibition in Leyden Gallery, 13-25 May, London

London-Kyoto FAPDA Award, winner in art print category, exhibition in Be Gallery, May, Kyoto

2018 Selected artist for the Director's choice" in ArtMuc, November, Munich

The Discovery Art Fair, with Parcus Gallery, November, Frankfurt

Selected for exhibition in Klosterhotel Kreuz ,Mariastein"As if it were a miracle" May-Oct., Basel

“Grand Salon 2018“, Villa Berberich, Jan.-Feb., Bad Säckingen (DE)

2017 Exhibition in the public museum Wanlin Art Museum, Hubei Art Festival, Nov., Wuhan, China

Exhibitionin theart Fair “Arte Binningen 2017”, November, Basel

Selected artist at EWAAC 2017, category painting, exhibition in the Pall Mall Gallery, Oct., London

Selected forEWAAC-Artist in Residence 2017with final exhibition in Posk Gallery, August, London

May-June, Wuhan, China:
ART HUBEI FESTIVAL, Wuhan (China) - Collective Exhibition

ART HUBEI FESTIVAL, Wuhan (China) - Collective Exhibition

Amalart, is proud to announce the participation at: HUBEI ART FESTIVALNovember 2017Wanlin Art Museum (万林艺术博物馆) -...

Elected as head of the jury at “Arte Binningen 2017” art fair, Basel

2016 “AAF, Affordable Art Fair”, with Galerìa Gaudì, February, Brussels

Representationat Atkinson Collection Gallery, Chicago

“Modern Woman In Art”, Exhibition for modern and current art, Basel Art Center, June, Basel

LISTE 21/Art Basel - art fair, represented by Kaskadekondensator& Dr. Kuckucks Labrador,June,Basel

Exhibition atLe Dame Art Gallery, June-December, London

Awarded at EWAAC 2016 with Encouragement Price; exhibition La Galleria Pall Mall, Oct. London

“Seeking Peace: Figurative or Abstract Art?”, collective exhibition in Basel Art Center, Nov., Basel

2015 Double exhibitionin the art Gallery Haus am Bach, April, Sissach

“Kölner LISTE”art fair, with A-Space gallery, April, Cologne

Solo Exhibition, Art & Context 101, Art Gallery, October-November, Basel

“Satellit 15”, collective exhibition with SGBK Basel,November, “Kultur Nacht Liestal”

2014 “Under One Roof”collective exhibition, Gum Gallery, May, Moscow

“Cutlog NY” Art Fair, May, New York

“Frisch Gestrichen”double exhibition, Galerie Eulenspiegel,Aug.-Sept., Basel

“Copenhagen Art Contemporary art fair”,September, Copenhagen

2013 “Sommerausstellung” collective exhibition, Galerie Schöneck, Riehen, Basel

“Selection”collective exhibition, Galerie Schöneck, Riehen, Basel

2004 “Collocazioni domestiche: percorsi urbani” collective exhibition. Show RoomSMIT, Rome

2003 “Blerò” Personal Exhibition. Fondazione Katinca Priniand Contini Gallery, Bardonecchia

Work experience

Exclusive Contractwith the art gallery, Galleria d'Arte Mascherino, Rome, 1998-2008

High school teacherin art history and drawingin San Sisto Vecchio, Rome, 2002-2009 and in state schools

Work order: double portrait of the client and his wife, December 2014

Graphic designer forIES ltd from January 2018, for Anapath Ltd from June 2019, Basel (CH)

Publications

Sant’Urbano alla Caffarella: nuove indagini e scoperte,Rivista dell’Istituto Nazionale d’Archeologia e Storia dell’Arte, no. 59, 2010

“Stefania Pinsone”, Catalogue for the personal exhibition, curated by G. Marziani, Rome, 1998

“Violence and Perception”,Catalogue for the personal exhibition, curated by Dr. B. Reuter, Basel, 2015

Inclusion in the art book: International art today – 2016 and 2017, curated by Dr. Ingrid Gardill,(May 2016, May 2017), IKH-Publishing Martina Kolle -www.internationalekunstheute.com

Badische Zeitung über Stefania Pinsone's Recent Work

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Debbie Lee Short Bio

Debbie Lee (b.1967 Leicester, UK) studied BA Fine Art at Glasgow School of Art (1986-89); MA Fine Art at Royal College of Art (1990-92). Selected groups exhibitions include: Ruth Borchard Self Portrait, Piano Nobile Gallery, London (2019); M-Word, One Paved Court Gallery, London (2019); Project After Birth, White Moose Gallery, Barnstaple (2015). Solo exhibitions include: Peculiar Realms, Devonport Guildhall Cells, Plymouth (2019); Thresholds, Phoenix Café/Bar Gallery, Exeter (2017); Telling Tales, Southwark Park (CGP) Gallery, London (2002). Recent prizes include: Evolver Art Prize, First Prize (2019) and Badgers Press Award from the (R.E) Royal Society of Painter-Printmakers, (2015). She lives and works in Dorset/UK

Cardboard Drawings (at home, Dorset UK)

I sometimes draw on cardboard boxes to help me to draft my paintings before putting them onto canvas, in this case using cardboard packaging used for protecting canvases. The use of non-traditional materials references the Arte Poveramovement by making art without expensive materials. The raw aesthetic quality exposes the intuitive process of my work.

Peculiar realms solo exhibition Devonport Guildhall Cells, Plymouth 2019

This exhibition installed in Devonport Guildhall Cells (formerly a prison) explores the myth of hysteria and archaic therapies from a personal perspective. It gave me the opportunity to reflect on some of the ideas that occurred to me through my career as an art therapist and as a parent artist balancing art and family life.

Stuck at Home installations using the home as a backdrop, Dorset 2020

The home provides a container keeping the inner world apart from the outer space, and the walls within the home create further boundaries within that frame. Not many people get to see inside. During the lockdown I have been homeschooling my children so my studio has been overflowing into different rooms around the house as I supervise their work. Whatever approach one takes to balancing art-making and parenting, it is important to continue to be creative.

Nut Shell Miniatures installation in the doll’s house, Dorset 2020

I paint portraits on the back of small metal printmaking plates. I had been reading a lot of crime fiction and this led me to discover the Nutshell studies of Unexplained Death. These are dollhouse-style dioramas used by Frances Glessner Lee, an early forensic scientist, which inspired this installation.

Animated Drawings Levitation screened in Altered Images with the London Group at St John’s Crypt, London 2018

In my animated drawings I take a simple movement from its beginning to its end and then record it backwards to create a loop. It is a magical process for me to see my 2D work come to life through animation. It makes the impossible seem possible and plays with time and memory. The animated drawings which I do involve a process of dissolving and reaffirming the image as I follow its transition to a resolution. The sound tracks often involve my children and noises I collect around the house.

Notes on Individual works

Changing screenThis episode of confinement has led me to think about confined spaces (such as a changing cubicle) and I have begun a series of images on this theme, aiming to capture something about the private moments in such spaces. Oil on canvas screen 152x81cm and charcoal, gesso and collage on cardboard screen 152x210cm.

The stairs: Sleepwalker This painting illustrates the feeling of somnolence which has crept over me during lockdown, acrylic on canvas 152x102cm

The Office: PsychologistThis is a portrait of a psychologist surrounded by his family relations test kit in his office, acrylic on canvas 122x152cm

The Kitchen: It Rained in the kitchenand Time for CoffeeThese pictures illustrate the quiet moments of collapse behind the kitchen wall before presenting dinner, acrylic on canvas 152x122cm and oil on metal 21x14cm.

The park: School Leavers During lockdown we had an improvised picnic in the park to provide a kind of closure for the children who were transcending to secondary school so that they could say gooddbye to their friends, monoprint 21x14cm.

The Living room: Levitated developed out of a body of work exploring the balancing act between art making and parenting and the many hoops that a parent has to go through, solar etching 21x29cm

Head AboveSelf-portrait trying to keep a positive outlook in times of crisis, monoprint 30x21cm.

Flour AngelUsing flour and a shadow puppet I made this animation with a view to project it in a site specific space like a mill or in the snow. It is accompanied with Koto music composed to match the simple movements of the puppet with the intention of creating a feeling of peace and reflection. Stop motion animation 2 minutes loop.

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MEDEA

Self -Taught. 15 years old. Kaktheti Art School. Georgia

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ANTONIUS KHO. Biography

Born 1958 in Klaten, Java, Indonesia.

Education : 1977 - First study under the guidance of artist Barli, Bandung, Indonesia.

1981/82 - Academy of Fine Art, Bandung, Indonesia.

1985/91 - Academy of Fine Art – FH Cologne, Cologne, Germany, mayoring in glass painting & in textile arts, Master school of art by Prof. Schaffmeister & M. Brinkhaus.

Awards : 1998 - 1 st Prize “Mask in Venice”, Art Addiction Annual in Venice 1998, Gold Masks

“Diploma of Excellence”, Palazzo Correr, Venezia, Italy.

1989 - 1 st Prize at the competition “Malen auf Liegestuehlen”, Olivandenhof, Cologne,

Germany.

Since 2004 - Founder of Wina Gallery & Foundation, Ubud, Bali, Indonesia.

Selected group exhibitions

2019 - “NAFI, Nanjing Art Fair International 2019”, Art Maritime Gallery, Nanjing, China.

-“From Beijing to Bali”, Danes Art Veranda, Denpasar, Bali, Indonesia.

-“Bali Mega Rupa”, ARMA Museum, Ubud, Bali, Indonesia.

-“Bali-Bhutan’ Indonesia-Bhutan Art Exchange Project, Bhutan Art Gallery, Thimphu, Bhutan.

-“The Many Faces of Ramayana”, Thailand Cultural Centre, Bangkok, Thailand.

-“Together, Indonesia-Nepal Art Exchange Project, Mithila Yain Gallery, Kathmandu,

Nepal.

-“Art Vogue D”Nation 2019, XuFeng Art Museum, Qingdao, China.

-“The 8^thBeijing International Art Biennale, China 2019”, National Museum, Beijing,China.

-“Bali-Bhutan”,Indonesia – Bhutan Art Exchange Project, ARMA Museum, Ubud,

Bali, Indonesia.

-“Bienala Internationale de Pictura”, Chisinau 2019, National Museum, Republic of Moldova.

-“Together”, Indonesia – Nepal Art Exchange Project, ARMA Museum, Ubud, Bali, Indonesia.

-“Art Fiesta 2019”, Mithila Yain Art Gallery, Kathmandu, Nepal.

-“Friendship 2019” Fankaar Gallery, Ujjain, India.

-“Art connection”, Indonesia – Sri Lanka Art Exchange Project, Lionel Wendt Gallery,Colombo.

Sri Lanka & ARMA Museum, Ubud, Bali, Indonesia.

2018 -“Together”, Mithila Yain Art Gallery, Kathmandu, Nepal.

-“Kembang Telon”, Natan Art Space, Yogyakarta, Indonesia.

-“The Challenge of Contemporaneity”, ARMA Museum, Ubud, Bali, Indonesia.

-“Reunion”, ARMA Museum, Ubud, Bali, Indonesia.

-“The 18^thAsian Art Biennale Bangladesh 2016”, National Art Gallery of Bangladesh,

Shilpakala Academy, Bangladesh.

-“Art Revolution Taipei”, Taipei Exhibition Hall, Taipei, Taiwan.

-“Art Link”, Indonesia – Laos Art Exchange Project, I cat Gallery & Eastern Art Gallery/

Academy, Vientiane, Laos & ARMA Museum, Ubud, Bali, Indonesia.

2017/18 -“Face to Face, India 2017-18, Love to all…Love to art, Global art exhibition”, Jaipur &

Udaipur, India.

-“IM#3, Imago Mundi 3 Nations Art Show”, Indonesia-Singapore-Malaysia, Hotel Nuve

Heritage, Singapore, Hulo Hotel & Gallery, Kuala Lumpur, Malaysia & Sunrise Art

Gallery, Fairmont Hotel, Jakarta, Indonesia.

-“Yangon-Bali-Chiang Mai” Art Exchange Project, New Treasure Art Gallery, Yangon,

Myanmar, ARMA Museum, Ubud, Bali, Indonesia.

-“Art D”Asia “, Taiwan-Singapore-Indonesia Art Exchange Project, Kaohsiung City

Government Cultural Affairs Bureau, Chin-Mei Gallery, Kaohsiung, Taiwan, ION Art Gallery,

Level 4, Singapore, ARMA Museum, Ubud, Bali, Indonesia.

-“Bienala Internationale de Pictura”, Chisinau 2017, National Museum, Republic of Moldova.

-“Die Freiheit, dich ich meinte”, K 41, Smend Gallery, Cologne, Germany.

-“Love”, Padepokan Apel Watoe, Borobudur, Magelang, Indonesia.

-“Imago Mundi, The Art of Humanity”, Bentara Budaya Bali, Bentara Budaya Yogyakarta &

Bentara Budaya Jakarta.

2016 -“The 17^thAsian Art Biennale Bangladesh 2016”, National Art Gallery of Bangladesh,

Shilpakala Academy, Bangladesh.

-“Kulturelle Note” Kulturbunker Muelheim, K 41, Cologne, Germany.

-“Art Bridge”,Indonesia-Korea Art Exchange Project, MAC Art Museum, Daebudo, Seoul,

South Korea, ARMA Museum, Ubud, Bali, Indonesia.

-“Echo from Nature”, Vietnam National Museum of Arts, Hanoi, Vietnam.

-“The Three Begets All”, True Color Museum 2F, Suzhou, China.

-“Maritim Silk Road International Art Festival 2”, Xufeng Art Museum, Qingdao, China.

2015 - “Maritime Silk Road International Art Festival 1”, Siman Mansions, Shanghai, China.

- “Breakthrough”, Artseni Gallery, Kuala Lumpur, Malaysia.

- “No Boundaries”, Indonesia-Cambodia Art Exchange Project, Java Arts Gallery &

Community Art Gallery/The Asia Foundation, Phnom Penh, Cambodia.

-“KITA”, Indonesia-Philippine-Malaysia Art Exchange Project, Qube Gallery, Cebu, Philippine.

-“SAMA-SAMA”, Indonesia-Malaysia-Philippine Art Exchange Project, Bentara Budaya Bali,

Indonesia.

2014 -“Peace Mechanisms”, Santorini Biennale, Santorini, Greece.

-“1452 Arte”, 1452 Arte Gallery, Rome, Italy.

- “Neo Barbarian 2”, Bentara Budaya Bali, Bali, Indonesia.

-“Neo Barbarian 3”, Baantuek Art Center, Chiangmai - Hof Art Space, Bangkok, Thailand.

-“ArtMalaysia Art Tourism Fair/AATF, Viva Home, Kualalumpur, Malaysia.

-“Langkawi Art Biennial/LAB, Langkawi island, Malaysia.

2013 -“Cosmic Energy”, Oracle Gallery, Bali, Indonesia.

- “4nd Uiwang International Placard Art Festival 2013”, Uiwang, South Korea.

- “Neo Barbarian 1”, Ardel Third Place Gallery, Indonesia-Thailand Art Exchange, Bangkok,

Thailand.

- “Art Belem 2013”, United State of International Artists, CCB, Lisbon, Portugal

-“Dumbo Art Festival”, New York Foundation for the Arts, Brooklyn, NY, USA.

-“All Media Biennial”, Holywood Art Centre, USA.

-“The First Montevideo Biennial”, Great Hall, Main Building, Republik of Uruguay.

2012 - “Color of soul”, Galeria 360, Firenze, Italy.

- “Collectiva”, Crisolat Gallery, Barcelona, Spain.

-“South East Asia Art Exchange”, New Zero Art Space, Yangon, Myanmar.

- “KITA” Indonesia-Philippine Art Exchange, Montebello Vila, Cebu City, ECCA (Exhibition

Center For Contemporary Art), Manila, Philippine, Gaya Art Space, Ubud, Bali, Indonesia.

-“Third Wave” Indonesia-Myanmar Art Exchange, Cemara 6 Art Center, Jakarta, Indonesia.

2011 -“Budi(man)”, Moumentus Gallery, Singapore.

-“Art Can”, Bill Lowe Gallery, Midtown Atlanta, USA.

-“Salon Art”, AFA Macau, Macau.

-“International Art Exhibition” during Art Basel Miami Beach, Nina Torres Gallery, Miami,

USA.

-“Homo Ludens 2”, Emmitan Art Gallery, Surabaya, Indonesia.

-“3nd Uiwang International Placard Art Festival 2011”, Uiwang, South Korea.

-“Tomorrow Maybe” Indonesia-Reunion Art Exchange, Boudemoulin Art Space, Reunion,

Gaya Art Space, Ubud, Bali, Indonesia.

2010 -“The 4 th Beijing International Art Biennale”, National Museum, Beijing, China.

-“Ongoing Echos” Indonesia-Myanmar Art Exchange, New Zero Art Space, Yangon, Myanmar,

Selected solo exhibitions

2019 -“Faces in memory 2”, Hirschheydt Gallery, Berlin, Germany.

-“Elements”, Munadi-Weskamp Gallery, Tondorf, Germany.

-“Faces in memory 1”, Smend Gallery, Cologne, Germany.

-“Nachdenken”, Atelier Regina Hickl, Berlin, Germany.

2018 -“Sweet memories”, Shanghai Guoman Hotel, Shanghai, China.

-“Travel notes”, Sunrise Art Gallery, Jakarta, Indonesia.

-“Remembering 3”, Zeinxeno Gallery, Seoul, South Korea.

-“Remembering 2”, House of Sampoerna, Surabaya, Indonesia.

2017 -“Remembering 1”, Koi Gallery, Jakarta, Indonesia.

2016 -“The Face - Small but solid”, La Maison, Ho Chi Minh City, Vietnam

2014 -“Transmutations”, Tibet House US, New York, USA.

2013 -“Recent work 2”, Gallery Karen, Helsinki, Finland

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MARA WAGENFÜHR

1976 geboren in Mülheim/Ruhr
1995- 1996 Studienaufenthalt I New York City
1997 – 2002 Universität der Künste, Berlin, Klasse Prof. Wolfgang Petrick, Meisterschülerin
1999 Austauschsemester Barcelona, ERASMUS
2004 Jahresstipendium der Dorothea Konwiarz Stiftung, Berlin 2003, 2005 Projektaufenthalt in Mexiko
2008 Atelierstipendium in residence "Piramidon", Barcelona
2015 Projektstipendium des SRE, Mexiko City

Einzelausstellungen | Soloshows ( Auswahl)

2020THE VOID I Wilde Renate I Berlin

2019 Virgen Kali I La buena estrella I Mexiko City

Gruppenausstellungen | Groupshows (Auswahl)

2019 PROTEST I Strategies of artistic protest/ curated by Lily Fürstenow I Berlin

El lado oculto del corazon I Xochicuicatl I Berlin

Jubiläumsausstellung Stiftung Starke I Berlin

Feminasty I La Nana I Mexiko City

Power Cage I State Studio I Berlin

2005 DEEP ACTION/ Wolfgang Petrick und Meisterschüler | Georg Kolbe Museum | Berlin

Presse/ Publikationen (Auswahl

Konkursbuch 56 I Tod I 2020

Mein heimliches Auge I Jahrbuch der Erotik I Konkursverlag I 2020

Betriebsstörung 30 Jahre GEHAG FORUM I Katalog I 2019

Interventionen Kunst und Geschichte im DialogI Katalog zur Ausstellung Museum Reinickendorf I 2019

Museumsjournal I Ausgabe Juli-September 3 I 2018

Zeichnungen gegen Tiertrophäen I Neue Ausstellung im Museum Reinickendorf I Berliner Woche I 2018

OUT OF THE DARK INTO THE LIGHT I Arbeiten 2015-2017 I Katalog I 2018

Poppig,drastisch,märchenhaft I Ingeborg Ruthe I Berliner Zeitung I 12.01.2017

Kunstsammlung Jutta und Manfred Heinrich I Katalog zur Sammlung

Is your Vodoo working? I Katalog zur Ausstellung in der Villa Kult I 2012

Das Paradies ist Jenseits von Eden I Bild Berlin I 2011

Bittersweet I Katalog zur ausstellung Studio_01 I Wiesbaden I 2008

Synthese aus Malerie und Stickarbeiten I Aachener Zeitung I 18.02.2008

Träume voller Poesie und Erotik I Dürener Nachrichten I 21.02.2008

Bier I Peter Glückstein I Katalog und Ausstellungsprojekt I 2009

Ich glaube, wir sind Engel I Katalog zur Ausstellung im Hospitalhof Stuttgart I 2006

Maria Wetzel, Synode hängt Nacktbilder ab, Stuttgarter Nachrichten, 24. März 2006

Viola Volland, Muslime sollen Nackte nicht sehen, Stuttgarter Zeitung, 24. März 2006

Viola Volland, Bilder entblößter Frauen bleiben hängen, Stuttgarter Zeitung, 25. März, 2006

Maria Wetzel, „ Bilder sind keine Beleidigung der Frau“, Stuttgarter Nachrichten, 25. März 2006

Helmut A. Müller, Kunst hinter Stellwand, Informationsdienst Kunst, 30. März 2006

Rainer Vogt, Türen einen Spalt offen lassen, Stuttgarter Nachrichten, 30. März 2006

Petra Ziegler, Mehr Fragen als Antworten, Ev. Gemeindeblatt Württ., 2.April 2006

Doris Kiehlneker, Diktatur einer Glaubensrichtung, Stuttgarter Nachrichten, 31. März 2006

Ernst Wittekind, Neuer Bilderstreit und Bilderverbote in Stuttgart, Artheon, Juni 2006

Margit Jöhnk, Verspielter Feminismus, TAZ Berlin, 19. Juli 2006

Manuela Lintl, Wechsel von Offenheit und Rätsel, Neues Deutschland, 28. Juli 2006

kbm, Begegnung mit dem Tod, tip-Berlin, Nr. 17/ 2006

DEEP ACTION I W. Petrick und seine Meisterschüler I Katalog zur Ausstellung im Kolbe Museum I 2005

Rosa Einhorn blickt auf „verbotene Liebe“ I Paul Binder I WAZ I 2002

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Denis Juneau. Biography

Denis Juneau is an essential figure in geometric abstraction in Québec.

He was born in Verdun, Québec on September 30, 1925 - died in Montreal on October 6, 2014.

Museum Exhibitions

1987 The National Gallery of Ottawa presented a solo exhibition of his work

The Musée national des beaux-arts du Québec held an important retrospective of his paintings and sculptures in 2001.

Juneau received the Prix Paul-Émile-Borduas, awarded by the government of Quebec in 2008.

He was made a member of the Royal Canadian Academy of Arts

Major solo shows

organized by the Consulate General of Canada in New York (1975–1976)

Denis Juneau: New Perspectives, 1956–1984,

National Gallery of Canada(1984–1985)

Ponctuations, a retrospective produced by the Musée du Québec (2001–2002).

Honours and Awards

1986 Gershon Iskowitz Foundation Prize

2008 Paul-Émile-Borduas Award

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Philip Gurrey

Selected Solo Exhibitions

2019 Resurface, York College Gallery, York

2017 Material Matters,The Fitzrovia Gallery, London (with Charles Gurrey)

2017 Under-Mined, Macrobert Art Center, University of Stirling

2015 Starting Point, Glasgow Open House Festival, Glasgow (with Samantha Madonik)

2013 Philip Gurrey, Galeri X, Rungsted Kyst, Copenhagen

2013 Pop, DWF Festival of Art, Leeds

2012 Responding to the Beeston Series, BasementArtsProject, Leeds

2011 Untitled, The Houldsworth Gallery, London

2010 The Stations of the Cross, St Andrews Church, London

2010 The Beeston Series, BasementArtsProject, Leeds

2009 The Action of Looking, SWG3, Glasgow (with Teresa Brown)

2008 Philip Gurrey, Madder139, London

Selected Group Exhibitions

2019 The Oven Salon Show, The Oven, Dumfries, Scotland

2018 C’est de la Peinture! Bankley Gallery, Manchester

2018 The Exquisite Corpse Project 2: The Corpse Strikes Back, The New Glasgow Society

2017 Ceremony, TatArt Barcelona, Spain

2017 Reportrait,Nottingham Castle Museum and Art Gallery, Nottingham

2017 Ceremony, No. 20, London

2017 Friends Forever: 25 Years of the Friends of the Mercer Art Gallery, Harrogate

2016 Millstone Grit Poetry into Art, Bank Street Arts Centre, Sheffield

2016 The Workings, Glasgow International, Glasgow

2016 Exquisite Corpse, Hidden Door Festival, Edinburgh

2015 Mask, Galeri X, Rungsted Kyst, Copenhagen

2015 Victoria Foundry, Possil Clay Pits, Glasgow

2015 Radiophrenia, Centre for Contemporary Art, Glasgow

2015 Hair Salon, The Old Hairdressers, Glasgow

2015 What Floats Your Boat, Firhill Basin, Glasgow

2014 On Site, Possil Clay Pits, Glasgow

2014 Magnitude Seven, Manifest Gallery, Cincinnati

2014 Erotika, Galeri X, Rungsted Kyst, Copenhagen

2014 Remasterpiece,Altered Esthetics, Minniapolis

2014 New Lights, The Biscuit Factory, Newcastle

2013 Støj, Bryggergaaden 1-21, Copenhagen

2013 War and Trauma,Museum Dr Guislain, Ghent

2013 New Lights, Mercer Art Gallery, Harrogate

2013 Erotica +/- Us, Glue Factory, Glasgow

2012 Stigmates, Fondation Frances, Senlis, Paris

2012 MLitt,University of Helsinki, Helsinki

2012 MLitt,Bermondsey Project Space, London

2012 52 Degrees, The Old School House, York

2011 Drawing Connections, Siena Art Institute, Siena

2011 Atelier Prag,Ministry of Foreign Affairs, Copenhagen

2010 Selected Artists, The Houldsworth Gallery, London

2009 Small Faces,108 Fine Art, Harrogate

2008 Threadneedle,Mall Galleries, London

2008 DACS 25,Kowalsky Gallery, London

2008 Ultrasonic III,Mark Moore Gallery, Los Angeles

2008 Scope Art Fair, London

2008 Next Art Fair, Chicago

2008 PULSE Art Fair, New York

2007 Degree Show, Glasgow School of Art

2007 Open, Royal Scottish Academy, Edinburgh

Bibliography

Press

2019 Philip Gurrey, Pulse Art Fair 15^thAnniversary Interview, 03/06/2019

2018 Hannah Utley: What a Drama! How Conversation Starters can Build Real Connections, The Scotsman, 23/01/2018

2018 Joanna Bailey: Interview with Artist Philip Gurrey, Voice Magazine, 01/01/2018

2015 Myrto Katsimicha: The Fascination with Self Image, Art:i:curate, 08/10/2015

2014 Alexandra Beresford: Philip Gurrey, Aesthetica Magazine, 18/08/2014

2014 Jane Durrell: Thinking Small has Big Results art Manifest, City Beat Magazine, 11/06/2014

2013 Sean Wright: Philip Gurrey Interview, Level25 Art Journal, 11/12/2013

2013 New Light 2013, Mercer Gallery, York Press, 26/09/2013

2012 James Scofield: Philip Gurrey Interview, Wet Paint magazine, 07/05/2012

2012 Sam Casey: Painter’s Post-7/7 project on show in Leeds, Yorkshire Post, 06/04/2012

2010 Before Pilate: Jesus is Condemned to Death, Church Times, 03/03/2010

2009 Artist Profile Philip Gurrey, DACS 25 Magazine, 01/04/2009

2008 Vici MacDonald: New Work Philip Gurrey, Art World, 01/08/2008

2008 Philip Gurrey: Madder139, Art Review, 01/07/2008

2008 Jessica Chaney: Philip Gurrey, Apollo Art Magazine, 01/07/2008

2007 Richard Clayton: All the fun of the Art Fair, The Sunday Times Culture, 19/08/2007

Publications

2016 Assemble: A Showroom for Granby Workshop, Kunsthandverk, Nr. 136, Oslo

2016 British Culture After 9/11, Teesside University, Middlesbrough

2014 The State of Art, Representation and Abstraction vol. 2, Barehill Publishing

2014 Improvising Logics, Grafters Quarterly, Bergen

2013 Writing and Indifference, Bergen & Glasgow

2011 Placebos for Art, Behring Institute for Medical Research, Amsterdam

2009 The Sienese Shredder, The Genfell Press, New York

Exhibition Publications

2017 Reportrait,Nottingham Castle Museum & Art Gallery, Nottingham

2017 Ceremony, no 20 Arts, London

2014 Manifest 2014, Manifest Gallery, Cincinnati

2014 Aesthetica Art Anthology 2014, Aesthetica Magazine, York

2011 Five Ways of Seeing, The Stations of the Cross, Paperback Publications, London

Teaching Experience

2007 – PresentGlasgow School of Art, Guest lecturer and tutor

Working with BA (hons) and MLitt painting students to deliver lecturers in professional practice, one to one tutorials and group critiques.

2009 - Present York Sixth Form College, Visiting Artist and Tutor

Delivering lectures on contemporary practice. Working with A-level students in fine art to critique and develop their current practice and portfolios for the Art School environment.

2017 The Macrobert Arts Centre, University of Stirling

Delivering lectures on my own practice. Collaborating on contemporary art and its practices in ex-mining communities of Stirling.

2015 – 2016 #FreshCreations Creative Facilitator

Teaching experimental drawing programmes and sculpture in the expanded field to the people of West Dunbartonshire as part of Creative Scotland’s Time To Shine initiative.

2012 – 2015 Teesside University, Guest Lecturer & Research Assistant

Working with the School of Fine Art to deliver lectures, experimental painting classes and one to one tutorials as well as assisting PHD students with research.

2015 Glasgow Youth Arts Hub, Workshop Facilitator and Artist

Working with the local community on outreach projects in the Possil and Maryhill areas

2012 Kunstakademiets Arkitektskolen, Copenhagen, Denmark

Working with the School of Architecture as a guest lecturer delivering lectures on contemporary contexts, and composition.

Work Experience

2007 –Contemporary Artist

I have exhibited work in Europe and America. I have been represented by galleries in London and have a number of works in public and private collections Worldwide. I was the first British artist to receive the Pulse Prize 2008 in New York, USA an award given to early career artists of distinction. I also work as a professional musician with an emphasis on improvisation.

2015 – National Galleries of Scotland Conservation technician

I have a long history of working as a technician for contemporary galleries in Scotland and Denmark. Since January 2015 I have worked as a technician in the conservation department of the National Galleries of Scotland helping to conserving the vast amount of works in their collection. This involves assessing, re-framing and glazing their vast collection of historical and contemporary painting.

2017 - Historic Environment Scotland

I have worked as an arts technician and advisor to Historic environment Scotland in the last year. Refitting significant works at Duff House and assisting with the cataloguing and auditing of their vast collection.

2014 – 2017 Glasgow Artists Guild founder and facilitator

The Glasgow Artists Guild was formed to give a platform to contemporary artists in order critique and discuss their work through an informal lecturer series. It helped to create a networking experience for local artists in Glasgow as well as internationally renowned practitioners

Education & Qualifications

- Masters of Letters in Fine Art Practice, The Glasgow School of Art – Distinction

- Danish Language Level 3.2, StudieSkolen Language School Copenhagen – Pass

- Bachelor of Honors in Fine Art Painting, The Glasgow School of Art – 2.1

- 3 A-Levels in English Lit, Music and Art, York College – A, C, D

- Foundation in Advanced Maths, York College - Pass

- 11 GCSE’s including Art, Music, English, Manor C of E School – A* - C

- Grade 5 Trumpet, Voice and Music Theory, Trinity Guildhall of Music - Merit

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Roberto Rolando

Roberto Rolando was born in Turin (Italy) in 1963. He followed the painting courses at the Pictor Academy in Turin for a few years, and subsequently developed the experimentation of the various painting composition techniques. Of him have written: Aldo Spinardi, Carla Piro Mander, Orlando Perera, Dario Salani, Marcello Salvati, Luigi di Matteo and Livio Brescia. Lives and works in Orbassano (TO). Selected exhibitions: 1992 - Cambiano as Montmartre, 1st prize winner, Cambiano (TO); 1994 - Cambiani Gallery, Savigliano (CN); 1995 - Ancient Cloisters (TO); 1996 - Artefatti Gallery, Giaveno (TO); 1997 - Area Proposals Gallery, Turin; 1999 - Vianzone Gallery, Turin; Artissima, Lingotto, GALLERY Area Proposals Turin; 2000 - Memory of a Century, Area Proposte Gallery, Turin; 2000 - A.per.To opening of the Artistic Ateliers of Turin and Province (TO); 2020 - Chiesa S.Vittore by the artistic heritage of the diocese of Vercelli, (VC), postponed to May 2021 due to Covid19.

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Pati Kakhniashvili / ფატი კახნიაშვილი

tt+

August 2018 –

Present

Present

Founder of ‘’ ZILFI Handmade ‘’

CEO – Director

EDUCATION


\\\\\\\M September 1989 – August 1994 at	Tskhinvali state pedagogical university Chemistry-Biology Pedagogy

23.11. 2019–23.11.2019 UNWG International Festival – Charity

Bazaar

Austria, Vienna

20.11.2019–20.11.2019 Personal exhibition

Austria,St. Polten city - organized by young ambassador of Georgia

in Austria

31.10.2019–04.11.2019 International Expo Fair( International

Fermented Food Expo – IFFE 2019)

South Korea, Organized by KAR.GE and WORLD-OKTA Tbilisi

12,10.2019 Personal exhibition at the university of Art

Rome, Italy

10,10,2019–13,10,2019 Exhibition at Incinque Open Art Monti

Gallery

Rome,Italy – Organized by Monica Cechini

19.04.2019 Personal exhibition at Hotel King Gorgasali

Tbilisi, Georgia

14,11.2018 Presentation of the book ‘’ Georgian Vine varieties ‘’

Edition Pegasi

Tbilisi, Georgia

23,11, 2019–23,11,2019 UNWG International Festival – Charity

Bazaar

Austria, Vienna

18.10.2018-21.10.2018 Tbilisi Fashion Week– 2018

Tbilisi, Georgia

Publications

24,02, 2020 TOP 5 favorite entrepreneurs of SPARK

Brand‘’ZILFI Handmade’’ among top 5 Enterpreneurs

25.02,2020How the work of the woman appeared with the Pope of

Rome

Publication atambebi.ge website.

15.12.2019Delivery of the handmade grapes to the 10^thAnniversary

of the Revaz Inanishvili ‘’ one story ‘’

Competition.

16.12.2019 Gift of the Ambassador of Georgia to the Pope of

Rome.

Embassy of Georgia to the Holy SEA

13.12.2019 Pope meets with Princess Khetevan Bagrationi, New

ambassador of Georgia.

Romereports.com

16.12.2019 Famous Italian Journalists Domenico Letizia’s response

to the brand ‘’ Zilfi handmade’’

About Brands ‘’ Roman Holidays ‘’

Publisher: Domenico Letizia

24.10.2019 TV report with the founder of ‘’ZILFI Handamde

’’with Nino Arazashvili

28.05.2019 Visit at Radio ‘’ Positive ‘’ - during the broadcast of

Business positive

9.04.2019 BMGs Story about a Personal exhibition in the televise

program ‘’ Business Morning ‘’

01.11.2018 BMGs Story

on entrepreneurs about ‘’ Dirsi’’-s project

20.11.2018TV story about‘’ ZILFI handmade’’atOliko Babluani’s

TV show ‘’No Time To Sleep’’

I'm Pati Kakhniashvili, refugee since 2008

from occupied part of my country, Georgia.

2 years ago I have established '' ZILFI

handmade ''. We are creating handmade jewellry and accessories

with semi-precious natural stones, moreover in those jewellery are

used

as a metal : Gold, Silver, Brass, Copper. The concept of my brand is grapes,

which is a reflect of the history and culture. Grapes and vine is also one of the

symbol of my country. The main goal of my brand is to contribute

Georgia's popularization all over the world.

--------------------------------------------

Sonia Arcadu

She was born in Nuoro in 1971 where she graduated in Architecture and Interior Designer at the Ciusa Romagna Art Institute in 1989.

In 1990 she moved to Rome, where she continued her artistic training at the Academy of Fine Arts in Scenography. After completing her studies, her experience continues in the restoration, interior decoration, scenography workshops and as assistant scenographer in television fiction.

In 2003 she returned to Nuoro, where she worked as a set designer.

In 2006 she was co-founder of the "Dietro il Sipario" Cultural Association which promotes theater and stage practice.

Works and projects

Centers, concentric and eccentric

Spirit, matter, colors and vibrations, a mixture of elements that make up and break us down from the act of conception.

Circular movements that welcome us or suffocate us, feed us or poison us.

--------------------------------------------------

Ia Arsenishvili

1988 - Graduated from Tbilisi Art School. 1992 - Graduated from The State University of Georgia.
1996 - Graduated Tbilisi State Academy of fine arts.
1997 - Entered the Union of Artists of Georgia.
Solo Exhibitions:

1997 - Historical museum of Tbilisi "Karvasla"
1998 - National Picture Gallery of Georgia
1999 - Metechi Palace Hotel - Tbilisi
2000 - State Academy of Art
2001 - Museum of Medal's Art
2002 - State Museum of Arts in Tbilisi
2003 - Sheraton-Metechi Palace Hotel
2004 - Central exhibition Baku-Azerbaijan
2005 - Gallery for contemporary art&design. Istanbul-Turkey
2005 - Perisia Palace. Kapadokya-Turkey
2005 - Solo exhibition-untitled. Athens-Greece
She has taken part in many exhibitions in Georgia and abroad all International textile symposiums. Moscow-Russia, Montpellier-France, Chicago-USA, Germany and etc.
In 2000 has received Diploma prize of Georgia Artist's Union for the best work of year.
In 2003 has received prize of Municipality of Tbilisi City Services of Culture - "The best professional of a year".
Listed in the book "Who's who in art".
Listed in the book "Who's who in Georgia".
Listed in the book "Tbilisi Encyclopedia".
Ia Arsenishvili's works are exhibited in Georgian Museum of Fine Arts in Tbilisi, Georgia.

tt+

-------------------------------------------

Impressum:

e-merginG artistS

ARE/Artistic Research Artists Group

Torstrasse 208, 10115

Berlin

@lilyfuerstenow

lilykalanda@yahoo.co.uk

Tel.: 0151 614 38978

All images courtesy of e-merginG artistS: Jim Martin, HEIKEDINE GÜNTHER , Mara Wagenführ (De), Nils Hommel, Olaf Schirm (DE),

Christian Chrobok, Jose Witte Veen, Andrea Mikyska, Debbie Lee,
Charlie Sheard, Eileen Higgins, Hans Schüle, Ute Faber, Dag Przybilla, R. Rutner, Philip Gurrey, Claudio Parentela (IT), ERIKO YAMAZAKI (DE-Jap.), ZAZULETE (Spain), Sonia Arcadu, ANTONIUS KHO aka Maryia Girl (Indonesia), Denis Juneau ( Denis Juneau Foundation in Canada), Judith Weißig

sascha.fuerstenow@gmx.de

Freitag, 5. Juni 2020

Richard Rutner. Biography

Jim Martin

PRICE UPON REQUEST:

lilykalanda@yahoo.co.ukTel.: + 49 (0) 151 614 38978+49 (030) 9789 38 97

Andrea Mikyska

Andrea Mikyska

Ia Arsenishvili. Winter landscape (sold in summer) More from Ia Arsenishvili see below

Dag Przybilla

------------------------

PRICE UPON REQUEST:

lilykalanda@yahoo.co.uk Tel.: + 49 (0) 151 614 38978 +49 (030) 9789 38 97

CHRISTIAN CHROBOK

ICC Institute for Cultural Cassation

PRICE UPON REQUEST:

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SANJAY THAPAR

Pawel Tkaczyk. Recent Work

untitled, 2020, acrylic on canvas 60x50cm Untitled Series, 2020, oil, acrylic on canvas 100 x 80cm

------------------------

------------------------

Philip Gurrey.

Ute Faber. Schuewerke Cycle. Assemblage.

Sonia Arcadu

Sonia Arcadu. Nudes Price upon request: lilykalanda@yahoo.co.uk Tel.: + 49 (0) 151 614 38978 + 49 (030) 978938 97

-----------------------

Stefania Pinsone

Ia Kochinashvili/ია კოჩინაშვილი

Price upon request: lilykalanda@yahoo.co.uk Tel.: + 49 (0) 151 614 38978 +49 (030) 9789 38 97

MEDEA

Pati Kakhniashvili / ფატი კახნიაშვილი

Price upon request: lilykalanda@yahoo.co.uk Tel.: + 49 (0) 151 614 38978 +49 (030) 9789 38 97

MARTINA SINGER

Ia Arsenishvili

PRICE UPON REQUEST:

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IPUNG PURNOMO

IPUNG PURNOMO

Price upon request: lilykalanda@yahoo.co.uk Tel.: + 49 (0) 151 614 38978 +49 (030) 9789 38 97

PAUL ROXI

Roberto Rolando

Roberto Rolando

-------------------------- Ræubertrøte

More on Ræubertrøte on: https://www.raeubertroete.de

PRICE UPON REQUEST:

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----------------------------------------------------------- LEO BLEICHER. GENERATIVE SCULPTURE

LEO BLEICHER. GENERATIVE SCULPTURE

PRICE UPON REQUEST:

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-----------------------------------------

ARTIST BIOGRAPHIES

Annika Stoll

* 1990 in Bad Nauheim, Hessen

lebt und arbeitet in Leipzig

----------------------

Dag Przybilla.

Artist Statement

-------------------------------------------------

------------------------------------------

Andrea Mikyska

Xenia Meischner/ Ræubertrøte

Paul Roxi

Judith Weißig

---------------------------------

Hans Schüle. Biographie

---------------------------------

Christian Chrobok

/// Pawel Tkaczyk ///

Stefania Pinsone

An Award-winning artist (EWAL Premier Art Award London 2019 Top Prize winner). Her artworks are characterised by a powerful personal painting style that combines a strong figurative imagery with the elegance of a new contemporary impressionism of the digital age.

ART HUBEI FESTIVAL, Wuhan (China) - Collective Exhibition

MARA WAGENFÜHR

Philip Gurrey

Roberto Rolando

-----------------------------------

Pati Kakhniashvili / ფატი კახნიაშვილი

--------------------------------------------

Sonia Arcadu

lilykalanda@yahoo.co.uk
Tel.: + 49 (0) 151 614 38978
+49 (030) 9789 38 97

lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978

+49 (030) 9789 38 97

lilykalanda@yahoo.co.uk
Tel.: + 49 (0) 151 614 38978
+49 (030) 9789 38 97

untitled, 2020, acrylic on canvas 60x50cm

Untitled Series, 2020, oil, acrylic on canvas 100 x 80cm

Sonia Arcadu. Nudes

Price upon request:

lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978
+ 49 (030) 978938 97

Price upon request:
lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978
+49 (030) 9789 38 97

Price upon request:
lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978
+49 (030) 9789 38 97

lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978

+49 (030) 9789 38 97

Price upon request:
lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978
+49 (030) 9789 38 97

--------------------------

Ræubertrøte

lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978

+49 (030) 9789 38 97

-----------------------------------------------------------

LEO BLEICHER. GENERATIVE SCULPTURE

lilykalanda@yahoo.co.uk

Tel.: + 49 (0) 151 614 38978

+49 (030) 9789 38 97